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Quiet Time
- Narrated by: Bahni Turpin
- Length: 12 hrs and 33 mins
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Publisher's summary
From the acclaimed author of Norwegian by Night and The Girl in Green comes the story of a family navigating the social media age.
Robert and Mkiwa Livingston are happily ensconced in their tranquil life in Geneva, Switzerland, when Robert's best friend, Gabriel, drops dead from a brain aneurysm, sparking a mid-life crisis. Nostalgic for the New England of his youth, Robert begs his wife for a chance to go back to his native America and the life he left behind. Mkiwa is certain that Robert's yearnings are a recipe for disaster, but she reluctantly surrenders her job as a high-powered human rights lawyer, while their two daughters, Beatrice and Lindia, say good-bye to their circle of international friends and the only life they've ever known.
As the Livingstons settle into their new home in Marblehead, Massachusetts, they - along with the rest of the country - become engrossed in a popular TV show called Quiet Time, about a family who decide to give up all electronic devices and smartphones for one year. The chatter at Marblehead High, normally trained on the show’s latest episode, switches abruptly to Beatrice when she’s caught on video deftly disarming a would-be gunman during an active shooter drill. She and her family soon find themselves at the center of a social media frenzy as real life and Quiet Time start to overlap and collide. When Lindia goes missing, the past and present - not to mention fiction and fact - become entangled and confused, forcing the Livingstons to pull together to restore both sanity and the family itself.
At its heart, Quiet Time is a story about growing pains - in adolescence and mid-life - and what it means to be a family in a world that feels both hyper-connected and relentlessly alienating. At turns comedic, suspenseful, and poignant, Derek B. Miller pairs his immersive, signature storytelling gifts with Bahni Turpin’s singular voice to bring this astounding Audible Original to life.
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As the days grow shorter and the temperature drops, Halloween approaches. Come, brave listener, pull up a chair, and spend some time with master storyteller Stephen Fry as he tells us some of his favourite ghost stories of all time, in truly terrifying spatial audio. From the headless horseman of Sleepy Hollow to the tortured spirits of M.R. James, from Edgar Allan Poe’s terrifying tale of a doppelganger to Charlotte Riddell’s Open Door that should definitely stay shut, join Stephen as he tells you some truly terrifying tales.
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Wonderful narration. Mediocre stories.
- By Michael Fuchs on 11-07-23
By: Stephen Fry, and others
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The Art of War
- By: Sun Tzu
- Narrated by: Aidan Gillen
- Length: 1 hr and 7 mins
- Unabridged
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The 13 chapters of The Art of War, each devoted to one aspect of warfare, were compiled by the high-ranking Chinese military general, strategist, and philosopher Sun-Tzu. In spite of its battlefield specificity, The Art of War has found new life in the modern age, with leaders in fields as wide and far-reaching as world politics, human psychology, and corporate strategy finding valuable insight in its timeworn words.
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The actual book The Art of War, not a commentary
- By Fred271 on 12-31-19
By: Sun Tzu
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Technically Speaking
- By: Michael Elliot
- Narrated by: Coco Jones, Keith Powers, Queen Latifah, and others
- Length: 1 hr and 50 mins
- Original Recording
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Oakland-bred LaVeesha “Vee” Gilliam (Coco Jones) is a determined single mother of an autistic son and a gifted aspiring coder. When Vee loses her job as a food-services worker at the onsite restaurant at Grapengine, a large Silicon Valley tech company, she’s unable to pay for her son’s much-needed specialized education. By a twist of fate, mistaken identity, and her tech skills, Vee meets Troy Wilson (Keith Powers), the company’s wealthy founder and CEO and a wunderkind in the tech industry, who believes that Vee is a college-educated techie who works at his company.
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Overdue Diverse Representation in Tech!
- By Jatai Pollock on 09-26-24
By: Michael Elliot
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Dracula [Audible Edition]
- By: Bram Stoker
- Narrated by: Alan Cumming, Tim Curry, Simon Vance, and others
- Length: 15 hrs and 27 mins
- Unabridged
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The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.
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IS THAT NOT SO?
- By Jim "The Impatient" on 11-05-15
By: Bram Stoker
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Brain Damage
- By: Freida McFadden
- Narrated by: Megan Tusing
- Length: 9 hrs and 32 mins
- Unabridged
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As Charly struggles to recover from her brain injury, she begins to realize that the events of that fateful night are trapped in the damaged right side of her brain. Now, she must put the jigsaw pieces together to discover the identity of the man who tried to kill her...before he finishes the job he started.
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Who Else Laughed, Cried, and Shuddered?
- By Jennifer Chichester on 09-16-22
By: Freida McFadden
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Frankenstein
- By: Mary Shelley
- Narrated by: Dan Stevens
- Length: 8 hrs and 35 mins
- Unabridged
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Performance
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Story
Narrator Dan Stevens ( Downton Abbey) presents an uncanny performance of Mary Shelley's timeless gothic novel, an epic battle between man and monster at its greatest literary pitch. In trying to create life, the young student Victor Frankenstein unleashes forces beyond his control, setting into motion a long and tragic chain of events that brings Victor to the very brink of madness. How he tries to destroy his creation, as it destroys everything Victor loves, is a powerful story of love, friendship, scientific hubris, and horror.
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ARE WE ALWAYS TO BE UNHAPPY?
- By Jim "The Impatient" on 01-28-16
By: Mary Shelley
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Fahrenheit 451
- By: Ray Bradbury
- Narrated by: Tim Robbins
- Length: 5 hrs and 1 min
- Unabridged
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Overall
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Performance
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Story
Guy Montag is a fireman. In his world, where television rules and literature is on the brink of extinction, firemen start fires rather than put them out. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden. Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television "family."
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Wish I Hadn't Cliff Noted This in High School
- By Joel on 03-27-17
By: Ray Bradbury
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The Cut
- By: Richard Armitage
- Narrated by: Richard Armitage, Jacob Dudman
- Length: 10 hrs and 13 mins
- Original Recording
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Welcome to Barton Mallet, a remote village in the Midlands that has been chosen as the unlikely location for a new feature film from Hollywood producer Max Crow. Teenagers from the local drama group are encouraged to audition for a story about the trials and tribulations of growing up. Benjamin Knot, the CEO of a well-known architecture firm, discovers that his children, Lily and Nathan, have each been offered a role. But Barton Mallet has a deep wound that has never truly healed.
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Hard to get into
- By felicialeash on 09-15-24
By: Richard Armitage
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I wish I could give six stars on all fronts
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Tell Me Everything
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With her remarkable insight into the human condition and silences that contain multitudes, Elizabeth Strout returns to the town of Crosby, Maine, and to her beloved cast of characters—Lucy Barton, Olive Kitteridge, Bob Burgess, and more—as they deal with a shocking crime in their midst, fall in love and yet choose to be apart, and grapple with the question, as Lucy Barton puts it, “What does anyone’s life mean?”
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Very disappointed
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By: Elizabeth Strout
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Creation Lake
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A thirty-four-year-old American woman—a secret agent—is sent to do dirty work in France. “Sadie Smith” is how the narrator introduces herself to her lover, to the rural commune of French subversives on whom she is keeping tabs, and to the reader. Sadie has met her love, Lucien, a young and well-born Parisian, by “cold bump”—making him believe the encounter was accidental. Like everyone Sadie targets, Lucien is useful to her and used by her. Sadie operates by strategy and dissimulation, based on what her “contacts”—shadowy figures in business and government—instruct.
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Author should not have been the reader
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By: Rachel Kushner
What listeners say about Quiet Time
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Adam
- 12-29-22
Wonderful
Do yourself a favour, and listen to this book.
Smart, stimulating, well narrated.
Perhaps his best book.
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2 people found this helpful
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- D
- 04-23-21
Excellent
Everyone of all ages should hear this story. There's a point of view for all of us from characters that you will understand and with whom you will empathize.
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3 people found this helpful
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- lonnelle neavear
- 04-04-21
starts out good. becomes preachy and boring
long chapters that have nothing to do with the story. maybe I'm missing metaphors, but I lost interest in the story. the reader was awesome though
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4 people found this helpful
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- Leah C
- 02-17-22
Loved it!
Thoroughly enjoyable. This narrator never disappoints. I’ve never traveled to Massachusetts, but I want to now! Such a creative and thoughtful story.
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1 person found this helpful
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- W. Bishop
- 01-29-23
Allegory and Reality
A probing look at our shrinking world and cultural influences that shape and challenge youth and adults alike spurred by technology and forces beyond any one person’s control. Interesting and thought provoking.
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2 people found this helpful
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- Ariel Gaede
- 07-10-21
Too many threads
There were way too many storylines - each might have been a good story on its own, but combined they were all left underdeveloped. The dialog between characters was often over analytical and way too formal to be realistic.
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Performance
- angie
- 03-23-22
The narrator...
I have really enjoyed Derek Miller's work in the past. Unfortunately, I didn't make it past the first hour this time. The narrator sounds like a volunteer reading to children at the library, emphasizing each sound in every word with a tone meant for the very young. Maybe some day I can actually sit to read this one, but I'll never be able to listen to this version.
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1 person found this helpful