When Heather McKinley dreamed of becoming a doctor, she imagined curing sick kids and sporting pink stethoscopes. She never anticipated the sleepless nights, grueling exams, and endless labs. And she certainly never knew that her medical school earned the nickname Dead Med thanks to the tragic history of students overdosing on illegal drugs. But Heather would never consider doing anything like that. That is, until her longtime boyfriend dumps her, she finds herself failing anatomy, and her world starts to crumble.

Saddle up and join Wynonna Earp on an immersive new audio adventure in the gritty supernatural world of Purgatory. This Audible Original invites you deeper into the Weird West to follow Wynonna Earp (Melanie Scrofano), as she embarks on her craziest adventure yet: riding off into the sunset with her soulmate, Doc Holliday (Tim Rozon)—yes ... that Doc Holliday. Brace yourself for more wise-cracking demon hunters, earth-shattering revelations and all the genre-blending action you've come to expect from the cult hit TV series.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

Johnnie Rico never really intended to join up—and definitely not the infantry. But now that he’s in the thick of it, trying to get through combat training harder than anything he could have imagined, he knows everyone in his unit is one bad move away from buying the farm in the interstellar war the Terran Federation is waging against the Arachnids. Because everyone in the Mobile Infantry fights. And if the training doesn’t kill you, the Bugs are more than ready to finish the job.

As the days grow shorter and the temperature drops, Halloween approaches. Come, brave listener, pull up a chair, and spend some time with master storyteller Stephen Fry as he tells us some of his favourite ghost stories of all time, in truly terrifying spatial audio. From the headless horseman of Sleepy Hollow to the tortured spirits of M.R. James, from Edgar Allan Poe’s terrifying tale of a doppelganger to Charlotte Riddell’s Open Door that should definitely stay shut, join Stephen as he tells you some truly terrifying tales.

The modern audience hasn't had a chance to truly appreciate the unknowing dread that readers would have felt when reading Bram Stoker's original 1897 manuscript. Most modern productions employ campiness or sound effects to try to bring back that gothic tension, but we've tried something different. By returning to Stoker's original storytelling structure - a series of letters and journal entries voiced by Jonathan Harker, Dr. Van Helsing, and other characters - with an all-star cast of narrators, we've sought to recapture its originally intended horror and power.

As Charly struggles to recover from her brain injury, she begins to realize that the events of that fateful night are trapped in the damaged right side of her brain. Now, she must put the jigsaw pieces together to discover the identity of the man who tried to kill her...before he finishes the job he started.

Oakland-bred LaVeesha “Vee” Gilliam (Coco Jones) is a determined single mother of an autistic son and a gifted aspiring coder. When Vee loses her job as a food-services worker at the onsite restaurant at Grapengine, a large Silicon Valley tech company, she’s unable to pay for her son’s much-needed specialized education. By a twist of fate, mistaken identity, and her tech skills, Vee meets Troy Wilson (Keith Powers), the company’s wealthy founder and CEO and a wunderkind in the tech industry, who believes that Vee is a college-educated techie who works at his company.

Narrator Dan Stevens ( Downton Abbey) presents an uncanny performance of Mary Shelley's timeless gothic novel, an epic battle between man and monster at its greatest literary pitch. In trying to create life, the young student Victor Frankenstein unleashes forces beyond his control, setting into motion a long and tragic chain of events that brings Victor to the very brink of madness. How he tries to destroy his creation, as it destroys everything Victor loves, is a powerful story of love, friendship, scientific hubris, and horror.

Dr. Jekyll (Vanessa Kirby) is an elite international specialist in energy systems, working closely with her handler Louis (David Oyelowo) in a career that takes her across the globe to politically volatile territories such as Iran and North Korea. But when an arms dealer accuses her of having killed his family, Dr. Jekyll begins to question details of her life, who Louis really is, and whether her strange recurring dream has a greater meaning. She enlists the help of psychologist Sigrun (Sofie Gråbøl), and together they delve into Dr. Jekyll’s darker other side, a brutal assassin named… Hyde.

Rhoda West is Silicon Valley’s favorite female CEO: the luminously charismatic founder of the fast-growing startup Radical, a wellness company whose core mission is the betterment of women’s lives. Rhoda’s Instagram page offers intimate glimpses of her personal life alongside promotions for the cult-status products developed in the Well, Radical’s secretive lab.

A poet's life is turned inside out by a sudden, wrenching pain. The pain brings him to his knees, and eventually to the ICU. Confined to bed, plunged into the dysfunctional American healthcare system, he struggles to understand what is happening to his body, as someone who has lived for many years in his mind. This is a searching, sweeping novel set at the furthest edges of human experience, where the forces that give life value—art, memory, poetry, music, care—are thrown into sharp relief.

Kate’s son Jack insists he used to be someone else. Someone who died, tragically. At first, Kate’s confused about what he’s telling her. Don’t little kids say the weirdest things? But soon she can’t pretend it isn’t something more. No four-year-old should know what Jack does – have memories from before he was born.

For Glory Edim, that "friend of my mind" is books. Edim, the daughter of Nigerian immigrants growing up in Virginia, started the popular Well-Read Black Girl book club at age 30, but her love of books stretches far back: to public libraries alongside her little brothers after elementary school while her mother was working; to high school libraries where she discovered books she wasn't being taught in class; to dorm rooms and airplanes and subway rides—and, eventually, to a community of half a million other listeners.

Rebecca is living a peaceful life in Nevada with her husband, Tom, and their two young children. Her past is in the past and she does a good job of keeping it there, until her old friend, Danny, shows up on the doorstep one morning, throwing her sweet family life into turmoil. Danny is nothing but a reminder of what Rebecca fled all those years ago, and all the secrets she’s keeping from Tom. She tries her hardest to manage the situation and figure out what Danny wants, but all Rebecca seems to find are layers upon layers of deception.

In 2004, Juliette Marker, a white college freshman, and Noah King, a Black high school senior, are two lonely souls who enter each other’s orbit, forge a connection, and, after a chance meeting, go home together. Twelve years later, Noah has done the impossible and made it in Hollywood. His first film is about to be released, and he and his beloved wife Jesse, a successful writer herself, have just had a baby. Meanwhile, Juliette’s best friend Annie is back in LA for the first time in more than a decade.

Brooke wants. She isn’t in need, but there are things she wants. A sense of purpose, for instance. She wants to make a difference in the world, to impress her mother along the way, to spend time with friends and secure her independence. Her job assisting an octogenarian billionaire in his quest to give away a vast fortune could help her achieve many of these goals. It may inspire new desires as well: proximity to wealth turns out to be nothing less than transformative. What is money, really, but a kind of belief?

On a cold winter’s evening in 1987, six middle-school paperboys wander an unfamiliar Milwaukee neighborhood, selling newspaper subscriptions, fueled by their manager Kevin’s promises of cash bonuses and dinner at Burger King. But the freaks come out at night in Hampton Heights. Sent out into the neighborhood in pairs, the boys will encounter a host of primordial monsters—and triumph over them.

Quiet Funke is happy in Nigeria. She loves her art teacher mother, her professor father, and even her annoying little brother (most of the time). But when tragedy strikes, she’s sent to England, a place she knows only from her mother’s stories. To her dismay, she finds the much-lauded estate dilapidated, the food tasteless, the weather grey. Worse still, her mother’s family are cold and distant. With one exception: her cousin Liv.

Keru and Nate are college sweethearts who marry despite their family differences: Keru’s strict, Chinese, immigrant parents demand perfection (“To use a dishwasher is to admit defeat,” says her father), while Nate’s rural, white, working-class family distrusts his intellectual ambitions and his “foreign” wife. Some years into their marriage, the couple invites their families on vacation.

It’s been two years since Rose wrote the article that exposed Poppy as a socialite grifter. Normally, one of her articles going viral would be cause for celebration, but the highly publicized trial that followed turned Poppy into the internet’s favorite celebrity. And Rose has been reeling from the aftermath ever since. Although Poppy served her time for defrauding some of the richest, most powerful men in the world, Rose knows this is only the tip of the iceberg for Poppy’s crimes. She just can’t prove it yet … At least not without the help of a devilishly handsome FBI agent gone rogue.

Karys Eska is a deathspeaker, locked into an irrevocable compact with Sabaster, a terrifying eldritch being—three-faced, hundred-winged, unforgiving—who has granted her the ability to communicate with the newly departed. She pays the rent by using her abilities to investigate suspicious deaths around the troubled city she calls home. When a job goes sideways and connects her to a dying stranger with some very dangerous secrets, her entire world is upended.

A girl and her mother have been on the run for sixteen years, from the monster they left in their kitchen with a knife in his throat and the police who want to make them pay for his death. Home is now a van with four flat tires in a junkyard by the edge of the Brisbane River. The girl has no name, because names are dangerous when you're on the run. But she has a dream.

Joanne and Bernadette Fareown are raised on their family farm in rural Illinois, keenly affected by their parents’ volatile relationship and mounting financial debt, haunted by the cursed history of the women in their family. Largely left to their own devices, the sisters educate themselves on Greek mythology, feminism, and Virginia Woolf, realizing they must find unique ways to cope in these antagonistic conditions, questioning the American Dream as the rest of the country abandons their community in crisis.

Everyone in America knows Dylan Read, or at least has heard her music. Since releasing her debut album her senior year of high school, Dylan’s spent fifteen years growing up in the public eye. She’s not only perfected her skills when it comes to lyrics and melody; she’s also learned how to craft a public narrative that satisfies her fans, her label, and the media. In the circles of fame and celebrity in which she now travels, the careful maintenance of Dylan Read pop star is often more important than the songs themselves.