
Lily's Kiss
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Narrated by:
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Marissa Stevens
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By:
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J. M. D. Reid
About this listen
It’s the princess’s turn to do the saving!
Princess Livia stands atop the tall tower, prepared to scale down it and rescue her maid, Lily. The princess won’t stand to have the delicate Lily imprisoned for the simple crime of love. She’ll do anything for their forbidden love.
Even risk breaking her neck.
But scaling the tower is only the first task Livia has to complete. She’ll have to break Lily from her cell and flee the castle. If the guards catch her, the alarm will sound. She’ll only have one chance to escape with her lady love.
Can Princess Livia overcome the odds and rescue her sweet Lily?
You have to listen to this exciting fantasy adventure to find out!
©2018 JMD Reid (P)2019 JMD ReidListeners also enjoyed...
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No one told her the most important law of the court - the law of greeting. If they had, maybe she wouldn't have greeted Bluebeard when he arrived to claim a mortal wife. And if she hadn't greeted him, she wouldn't have become his 16th wife or been swept away to the lands of the Wittenhame. But if none of that had happened, then she wouldn't have been an integral part of the game that takes place every 200 years - a game that determines the fates of nations.
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What listeners say about Lily's Kiss
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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Overall
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Performance
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Story
- AdarkanddrearyKnight
- 07-17-22
Dated without standing out
Tropes can be both good and bad but unfortunately this story does not twist the tropes in a way that is neither clever nor original. A fairytale princess seeks to rescue her young lover by herself: clever. The overbearing mother queen that refuses her daughter’s autonomy: not so much.
The Princess has a goal and challenge set in front of her but the introduction dwells more so on her fear of heights rather than why she’s even doing it. The homophobic mother comes across as one dimensional rather than misunderstood or just evil. Even their societal foundations come across as being far too binary (day & night, order & chaos, man & woman) or entirely too simple.
The performance was unfortunately lacking. The reader comes across as too breathy, too lightly spoken which can help develop a Princess-like character but becomes repetitive bordering on annoying when used with a “tomboyish” girl…and all the other characters in the story. There is no tonal difference between the lovers or the queen, merely a breathy recreation of the written word.
Overall, this story is “okay” with a caveat it’ll take an hour to enjoy…if that’s possible.
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