
Lie with Me
A Novel
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Narrado por:
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Jacques Roy
The Advocate’s Best Gay Novel of 2019
A New York Times Book Review Editor’s Choice
O, The Oprah Magazine’s Best LGBTQ Books That'll Change the Literary Landscape in 2019
The Wall Street Journal’s 10 Books You’ll Want to Read this Spring
Out's Best Queer Books of April 2019
TheSkimm’s LGBTQ+ books to celebrate Pride
“Stunning and heart-gripping.” (André Aciman, author of Call Me by Your Name)
The award-winning, best-selling French novel by Philippe Besson - “the French Brokeback Mountain” (Elle) - about an affair between two teenage boys in 1984 France, translated with subtle beauty and haunting lyricism by the iconic and internationally acclaimed actress/writer Molly Ringwald.
We drive at high speed along back roads, through woods, vineyards, and oat fields. The bike smells like gasoline and makes a lot of noise, and sometimes I’m frightened when the wheels slip on the gravel on the dirt road, but the only thing that matters is that I’m holding on to him, that I’m holding on to him outside.
Just outside a hotel in Bordeaux, Philippe chances upon a young man who bears a striking resemblance to his first love. What follows is a look back at the relationship he’s never forgotten, a hidden affair with a gorgeous boy named Thomas during their last year of high school. Without ever acknowledging they know each other in the halls, they steal time to meet in secret, carrying on a passionate, world-altering affair.
Dazzlingly rendered in English by Ringwald in her first-ever translation, Besson’s powerfully moving coming-of-age story captures the eroticism and tenderness of first love - and the heartbreaking passage of time.
©2019 Philippe Besson (P)2019 Simon & SchusterListeners also enjoyed...




















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Deserving of the Plaudits
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Unsatisfying Ultimately
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Poetic story
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Beautiful
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Beautiful and Haunting
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I really related to the stories, and think anyone would.
Beauty and sadness
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Coming of age story of a famous French writer.
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What I hated about the audible version was obvious to any empathetic person: the narrator appears incapable of connecting with the human condition at any level. His performance was as cold and disinterested as the proverbial phone book. In that sense he murdered this powerful, insightful story of the human soul.
A fatal flaw
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amazing but sad
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