From the Koran to Shakespeare, this city with three names - Byzantium, Constantinople, Istanbul - resonates as an idea and a place, real and imagined. Standing as the gateway between East and West, North and South, it has been the capital city of the Roman, Byzantine, and Ottoman Empires. For much of its history it was the very center of the world, known simply as "The City", but, as Bettany Hughes reveals, Istanbul is not just a city but a global story.

At once a fiendishly devious mystery, a beguiling love story, and a brilliant symposium on the power of art, My Name Is Red is a transporting tale set amid the splendor and religious intrigue of 16th-century Istanbul, from one of the most prominent contemporary Turkish writers.

Kemal, scion of one of the city's wealthiest families, is about to become engaged to Sibel, daughter of another prominent family, when he encounters Füsun, a beautiful shopgirl and a distant relation. Once the long-lost cousins violate the code of virginity, a rift begins to open between Kemal and the world of the Westernized Istanbul bourgeosie - a world, as he lovingly describes it, with opulent parties and clubs, society gossip, picnics, and mansions on the Bosphorus, infused with the melancholy of decay.

Following years of lonely political exile in Western Europe, Ka, a middle-aged poet, returns to Istanbul to attend his mother's funeral. Only partly recognizing this place of his cultured, middle-class youth, he is even more disoriented by news of strange events in the wider country: a wave of suicides among girls forbidden to wear their head scarves at school.

For more than two millennia, Istanbul has stood at the crossroads of the world, perched at the very tip of Europe, gazing across the shores of Asia. The history of this city - known as Byzantium, then Constantinople, now Istanbul - is at once glorious, outsized, and astounding. Founded by the Greeks, its location blessed it as a center for trade but also made it a target of every empire in history, from Alexander the Great and his Macedonian Empire, to the Romans and later the Ottomans.

Since his boyhood Mevlut Karataş has fantasized about what his life would become. Not getting as far in school as he'd hoped, at the age of 12 he comes to Istanbul - "the center of the world" - and is immediately enthralled by both the old city that is disappearing and the new one that is fast being built. He follows his father's trade, selling boza on the street and hoping to become rich like other villagers who have settled the desolate hills outside the booming metropolis. But luck never seems to be on Mevlut's side.

On the outskirts of a town 30 miles from Istanbul, a master well digger and his young apprentice are hired to find water on a barren plain. As they struggle in the summer heat, excavating without luck meter by meter, the two will develop a filial bond neither has known before - not the poor middle-aged bachelor nor the middle-class boy whose father disappeared after being arrested for politically subversive activities. The pair will come to depend on each other and exchange stories reflecting disparate views of the world.

Galip is a lawyer living in Istanbul. His wife, the detective novel-loving Ruya, has disappeared. Could she have left him for her ex-husband or Celâl, a popular newspaper columnist? But Celâl, too, seems to have vanished. As Galip investigates, he finds himself assuming the enviable Celâl's identity, wearing his clothes, answering his phone calls, even writing his columns. Galip pursues every conceivable clue, but the nature of the mystery keeps changing, and when he receives a death threat, he begins to fear the worst.

In her second novel written in English, Elif Shafak confronts her country's violent past in a vivid and colorful tale set in both Turkey and the United States. At its center is the "bastard" of the title, Asya, a 19-year-old woman who loves Johnny Cash and the French Existentialists, and the four sisters of the Kazanci family who all live together in an extended household in Istanbul.

The Ottoman Empire has long been depicted as the Islamic Asian antithesis of the Christian European West. But the reality was starkly different: the Ottomans’ multiethnic, multilingual, and multireligious domain reached deep into Europe’s heart. Indeed, the Ottoman rulers saw themselves as the new Romans. Recounting the Ottomans’ remarkable rise from a frontier principality to a world empire, historian Marc David Baer traces their debts to their Turkish, Mongolian, Islamic, and Byzantine heritage.

Through archaeological remains, ancient texts, and work by a new generation of historians, a picture can today be built of this remarkable civilization and their capital city. Although the city had been destroyed, the legacy of the Persians survived, even as they mostly remain an enigma to the West and are not nearly as well understood as the Greeks, Romans, or Egyptians. In a sense, the Achaemenid Persian Empire holds some of the most enduring mysteries of ancient civilization.

Born in a South Africa divided by racism and hatred, this one small boy will come to lead all the tribes of Africa. Through enduring friendships with Hymie and Gideon, Peekay gains the strength he needs to win out. And in a final conflict with his childhood enemy, the Judge, Peekay will fight to the death for justice.

As much about the life of the city as it is about a life lived, sometimes, in the city, John Banville's "quasi-memoir" is as layered, emotionally rich, witty, and unexpected as any of his novels. Born and bred in a small town a train ride away from Dublin, Banville saw the city as a place of enchantment when he was a child, a birthday treat, the place where his beloved, eccentric aunt lived.

This new, updated edition of Culture Smart! Turkey reveals a nation in transition. Over the last two decades, living conditions have improved greatly and Turkey is now classified as a developed country with an emerging market economy. Viewed by many as a model for outward-looking Islam, it is a country with laws to protect against religious paternalism, where restaurants are open during the fast of Ramadan, and where headscarves or no scarves can be worn in universities, schools, and public offices.

On the last night of 1937, 25-year-old Katey Kontent is in a second-rate Greenwich Village jazz bar when Tinker Grey, a handsome banker, happens to sit down at the neighboring table. This chance encounter and its startling consequences propel Katey on a year-long journey into the upper echelons of New York society - where she will have little to rely upon other than a bracing wit and her own brand of cool nerve.

Kemal, scion of one of the city's wealthiest families, is about to become engaged to Sibel, daughter of another prominent family, when he encounters Füsun, a beautiful shopgirl and a distant relation. Once the long-lost cousins violate the code of virginity, a rift begins to open between Kemal and the world of the Westernized Istanbul bourgeosie - a world, as he lovingly describes it, with opulent parties and clubs, society gossip, picnics, and mansions on the Bosphorus, infused with the melancholy of decay.

A chilling novel about the nightmare of a corrupt and brutal dictatorship. The star of Roberto Bolano's hair-raising novel Distant Star is Alberto Ruiz-Tagle, an air force pilot who exploits the 1973 coup to launch his own version of the New Chilean Poetry, a multimedia enterprise involving sky-writing, poetry, torture, and photo exhibitions. For our unnamed narrator, who first encounters this "star" in a college poetry workshop, Ruiz-Tagle becomes the silent hand behind every evil act in the darkness of Pinochet's regime.

On the outskirts of a town 30 miles from Istanbul, a master well digger and his young apprentice are hired to find water on a barren plain. As they struggle in the summer heat, excavating without luck meter by meter, the two will develop a filial bond neither has known before - not the poor middle-aged bachelor nor the middle-class boy whose father disappeared after being arrested for politically subversive activities. The pair will come to depend on each other and exchange stories reflecting disparate views of the world.

Xiaolu Guo has traveled further than most to become who she needed to be. Now, as she experiences the birth of her daughter in a London maternity ward surrounded by women from all over the world, she looks back on that journey. It begins in the fishing village shack on the East China Sea where her illiterate grandparents raised her, and brings her to a rapidly changing Beijing, full of contradictions: a thriving underground art scene amid mass censorship, curious Westerners who held out affection only to disappear back home.

It is the story of a boy growing up in the war-torn Jerusalem of the 40s and 50s in a small apartment crowded with books in 12 languages and relatives speaking nearly as many. His mother and father, both wonderful people, were ill-suited to each other. When Oz was 12 and a half years old, his mother committed suicide - a tragedy that was to change his life. He leaves the constraints of the family and the community of dreamers, scholars, and failed businessmen to join a kibbutz.

As much about the life of the city as it is about a life lived, sometimes, in the city, John Banville's "quasi-memoir" is as layered, emotionally rich, witty, and unexpected as any of his novels. Born and bred in a small town a train ride away from Dublin, Banville saw the city as a place of enchantment when he was a child, a birthday treat, the place where his beloved, eccentric aunt lived.

Bart van Es left Holland for England many years ago, but one story from his Dutch childhood never left him. It was a mystery of sorts: A young Jewish girl named Lientje had been taken in during the war by relatives and hidden from the Nazis, handed over by her parents. The girl had been raised by her foster family as one of their own, but then, well after the war, they were no longer in touch. What was the girl's side of the story, Bart wondered? What really happened during the war and after? So began an investigation that would consume Bart van Es's life and change it.

In The Possessed we watch Elif Batuman investigate a possible murder at Tolstoy's ancestral estate. We go with her to Stanford, Switzerland, and St. Petersburg; retrace Pushkin's wanderings in the Caucasus; learn why Old Uzbek has 100 different words for crying; and see an 18th-century ice palace reconstructed on the Neva. Love and the novel, the individual in history, the existential plight of the graduate student: all find their places in The Possessed.

The Lady in Gold, considered an unforgettable masterpiece, one of the 20th century's most recognizable paintings, made headlines all over the world when Ronald Lauder bought it for $135 million a century after Klimt, the most famous Austrian painter of his time, completed the society portrait. Anne-Marie O'Connor, writer for the Washington Post, formerly of the Los Angeles Times, tells the galvanizing story of the Lady in Gold, Adele Bloch-Bauer, a dazzling Viennese Jewish society figure.

Azar Nafisi, author of the beloved international best seller Reading Lolita in Tehran, now gives us a stunning personal story of growing up in Iran, memories of her life lived in thrall to a powerful and complex mother, against the background of a country's political revolution.

With this collection of more than 50 pieces on politics, photography, travel, history, and literature, Teju Cole solidifies his place as one of today's most powerful and original voices. Minute after minute, deploying prose dense with beauty and ideas, he finds fresh and potent ways to interpret art, people, and historical moments, taking in subjects from Virginia Woolf, Shakespeare, and W. G. Sebald to Instagram, Barack Obama, and Boko Haram.

The first short-story collection in English by the acclaimed Chilean author Roberto Bolano. Winner of a 2005 PEN Translation Fund Award. "The melancholy folklore of exile", as Roberto Bolano once put it, pervades these 14 haunting stories. Bolano's narrators are usually writers grappling with private (and generally unlucky) quests, who typically speak in the first person, as if giving a deposition, like witnesses to a crime.

In this deeply personal book, the celebrated Haitian-American writer Edwidge Danticat reflects on art and exile. Inspired by Albert Camus and adapted from her own lectures for Princeton University’s Toni Morrison Lecture Series, here Danticat tells stories of artists who create despite (or because of) the horrors that drove them from their homelands. Combining memoir and essay, these moving and eloquent pieces examine what it means to be an artist from a country in crisis.

Clever and ambitious, Emma Jung yearned to study the natural sciences at the University of Zurich. But the strict rules of proper Swiss society at the beginning of the 20th century dictated that a woman of Emma's stature - one of the richest heiresses in Switzerland - travel to Paris to "finish" her education, to prepare for marriage to a suitable man. Engaged to the son of one of her father's wealthy business colleagues, Emma's conventional and predictable life was upended when she met Carl Jung.

This powerful memoir traces Brazilian-born American Julie Lindahl's journey to uncover her grandparents' role in the Third Reich, as she is driven to understand how and why they became members of Hitler's elite, the SS. Out of the unbearable heart of the story - the unclaimed guilt that devours a family through the generations - emerges an unflinching will to learn the truth.

At once a fiendishly devious mystery, a beguiling love story, and a brilliant symposium on the power of art, My Name Is Red is a transporting tale set amid the splendor and religious intrigue of 16th-century Istanbul, from one of the most prominent contemporary Turkish writers.

Kemal, scion of one of the city's wealthiest families, is about to become engaged to Sibel, daughter of another prominent family, when he encounters Füsun, a beautiful shopgirl and a distant relation. Once the long-lost cousins violate the code of virginity, a rift begins to open between Kemal and the world of the Westernized Istanbul bourgeosie - a world, as he lovingly describes it, with opulent parties and clubs, society gossip, picnics, and mansions on the Bosphorus, infused with the melancholy of decay.

Following years of lonely political exile in Western Europe, Ka, a middle-aged poet, returns to Istanbul to attend his mother's funeral. Only partly recognizing this place of his cultured, middle-class youth, he is even more disoriented by news of strange events in the wider country: a wave of suicides among girls forbidden to wear their head scarves at school.

It is April 1900, in the Levant, on the imaginary island of Mingheria—the twenty-ninth state of the Ottoman Empire—located in the eastern Mediterranean between Crete and Cyprus. Half the population is Muslim, the other half are Orthodox Greeks, and tension is high between the two. When a plague arrives—brought either by Muslim pilgrims returning from the Mecca or by merchant vessels coming from Alexandria—the island revolts.

From the Koran to Shakespeare, this city with three names - Byzantium, Constantinople, Istanbul - resonates as an idea and a place, real and imagined. Standing as the gateway between East and West, North and South, it has been the capital city of the Roman, Byzantine, and Ottoman Empires. For much of its history it was the very center of the world, known simply as "The City", but, as Bettany Hughes reveals, Istanbul is not just a city but a global story.

For more than two millennia, Istanbul has stood at the crossroads of the world, perched at the very tip of Europe, gazing across the shores of Asia. The history of this city - known as Byzantium, then Constantinople, now Istanbul - is at once glorious, outsized, and astounding. Founded by the Greeks, its location blessed it as a center for trade but also made it a target of every empire in history, from Alexander the Great and his Macedonian Empire, to the Romans and later the Ottomans.

Turkey's greatest living novelist guides us through the monuments and lost paradises, dilapidated Ottoman villas, back streets, and waterways of Istanbul - the city of his birth and the home of his imagination.

In her second novel written in English, Elif Shafak confronts her country's violent past in a vivid and colorful tale set in both Turkey and the United States. At its center is the "bastard" of the title, Asya, a 19-year-old woman who loves Johnny Cash and the French Existentialists, and the four sisters of the Kazanci family who all live together in an extended household in Istanbul.

Galip is a lawyer living in Istanbul. His wife, the detective novel-loving Ruya, has disappeared. Could she have left him for her ex-husband or Celâl, a popular newspaper columnist? But Celâl, too, seems to have vanished. As Galip investigates, he finds himself assuming the enviable Celâl's identity, wearing his clothes, answering his phone calls, even writing his columns. Galip pursues every conceivable clue, but the nature of the mystery keeps changing, and when he receives a death threat, he begins to fear the worst.

In this fascinating set of essays, based on the talks he delivered at Harvard University as part of the distinguished Norton Lecture series, Pamuk presents a comprehensive and provocative theory of the novel and the experience of reading. Drawing on Friedrich Schiller’s famous distinction between “naïve” writers—those who write spontaneously—and “sentimental” writers—those who are reflective and aware—Pamuk reveals two unique ways of processing and composing the written word.