Kemal, scion of one of the city's wealthiest families, is about to become engaged to Sibel, daughter of another prominent family, when he encounters Füsun, a beautiful shopgirl and a distant relation. Once the long-lost cousins violate the code of virginity, a rift begins to open between Kemal and the world of the Westernized Istanbul bourgeosie - a world, as he lovingly describes it, with opulent parties and clubs, society gossip, picnics, and mansions on the Bosphorus, infused with the melancholy of decay.

In the 17th century, a young Italian scholar sailing from Venice to Naples is taken prisoner and delivered to Constantinople. There he falls into the custody of a scholar known as Hoja - "master" - a man who is his exact double. In the years that follow, the slave instructs his master in Western science and technology, from medicine to pyrotechnics. But Hoja wants to know more: why he and his captive are the persons they are and whether, given knowledge of each other's most intimate secrets, they could actually exchange identities.

A shimmering evocation, by turns intimate and panoramic, of one of the world’s great cities, by its foremost writer. Orhan Pamuk was born in Istanbul and still lives in the family apartment building where his mother first held him in her arms. His portrait of his city is thus also a self-portrait, refracted by memory and the melancholy—or hüzün—that all Istanbullus share.

Following years of lonely political exile in Western Europe, Ka, a middle-aged poet, returns to Istanbul to attend his mother's funeral. Only partly recognizing this place of his cultured, middle-class youth, he is even more disoriented by news of strange events in the wider country: a wave of suicides among girls forbidden to wear their head scarves at school.

Since his boyhood Mevlut Karataş has fantasized about what his life would become. Not getting as far in school as he'd hoped, at the age of 12 he comes to Istanbul - "the center of the world" - and is immediately enthralled by both the old city that is disappearing and the new one that is fast being built. He follows his father's trade, selling boza on the street and hoping to become rich like other villagers who have settled the desolate hills outside the booming metropolis. But luck never seems to be on Mevlut's side.

Look beyond the abstract dates and figures, kings and queens, and battles and wars that make up so many historical accounts. Over the course of 48 richly detailed lectures, Professor Garland covers the breadth and depth of human history from the perspective of the so-called ordinary people, from its earliest beginnings through the Middle Ages.

Spanning the years 1900 to 1977, The Covenant of Water is set in Kerala, on South India’s Malabar Coast, and follows three generations of a family that suffers a peculiar affliction: in every generation, at least one person dies by drowning—and in Kerala, water is everywhere. At the turn of the century, a twelve-year-old girl from Kerala’s long-existing Christian community, grieving the death of her father, is sent by boat to her wedding, where she will meet her forty-year-old husband for the first time.

The year is 1327. Franciscans in a wealthy Italian abbey are suspected of heresy, and Brother William of Baskerville arrives to investigate. But his delicate mission is suddenly overshadowed by seven bizarre deaths that take place in seven days and nights of apocalyptic terror. Brother William turns detective, and a uniquely deft one at that. His tools are the logic of Aristotle, the theology of Aquinas, the empirical insights of Roger Bacon-- all sharpened to a glistening edge by his wry humor and ferocious curiosity.

The Years is a personal narrative of the period of 1941 to 2006 told through the lens of memory, impressions past and present - even projections into the future - photos, books, songs, radio, television, and decades of advertising and headlines, contrasted with intimate conflicts and written notes from six decades of diaries. Local dialect, words of the time, slogans, brands, and names for ever-proliferating objects are given a voice here. The voice we recognize as the author's continually dissolves and re-emerges.

In this follow-up to her acclaimed 2007 novel The Bastard of Istanbul, Turkish author Elif Shafak unfolds two tantalizing parallel narratives---one contemporary and the other set in the 13th century, when Rumi encountered his spiritual mentor, the whirling dervish known as Shams of Tabriz---that together incarnate the poet's timeless message of love.

Birds Without Wings is the story of a small town in Anatolia in the dying days of the Ottoman Empire told in the richly varied voices of the men and women (Armenians, Christians, and Muslims) whose lives are intertwined and rooted there: Iskander, the potter and local fount of wisdom; Philotei, the Christian girl of legendary beauty, courted almost from infancy by Ibrahim the goatherd, a great love that culminates in tragedy and madness; and many more.

In her second novel written in English, Elif Shafak confronts her country's violent past in a vivid and colorful tale set in both Turkey and the United States. At its center is the "bastard" of the title, Asya, a 19-year-old woman who loves Johnny Cash and the French Existentialists, and the four sisters of the Kazanci family who all live together in an extended household in Istanbul.

For more than two millennia, Istanbul has stood at the crossroads of the world, perched at the very tip of Europe, gazing across the shores of Asia. The history of this city - known as Byzantium, then Constantinople, now Istanbul - is at once glorious, outsized, and astounding. Founded by the Greeks, its location blessed it as a center for trade but also made it a target of every empire in history, from Alexander the Great and his Macedonian Empire, to the Romans and later the Ottomans.

Set across Istanbul and Oxford, from the 1980s to the present day, Three Daughters of Eve is a sweeping tale of faith and friendship, tradition and modernity, love and an unexpected betrayal. Peri, a wealthy Turkish housewife and mother, is on her way to a dinner party at a seaside mansion in Istanbul when a beggar snatches her handbag. As she wrestles to get it back, a photograph falls to the ground - an old polaroid of three young women and their university professor.

In 1540, 12-year-old Jahan arrives in Istanbul. As an animal tamer in the sultan's menagerie, he looks after the exceptionally smart elephant Chota and befriends (and falls for) the sultan's beautiful daughter Princess Mihrimah. A palace education leads Jahan to Mimar Sinan, the empire's chief architect, who takes Jahan under his wing as they construct (with Chota's help) some of the most magnificent buildings in history.

Booker Prize-winning author Salman Rushdie combines a ferociously witty family saga with a surreally imagined and sometimes blasphemous chronicle of modern India and flavors the mixture with peppery soliloquies on art, ethnicity, religious fanaticism, and the terrifying power of love. Moraes "Moor" Zogoiby, the last surviving scion of a dynasty of Cochinese spice merchants and crime lords, is also a compulsive storyteller and an exile.

In 1540, 12-year-old Jahan arrives in Istanbul. As an animal tamer in the sultan's menagerie, he looks after the exceptionally smart elephant Chota and befriends (and falls for) the sultan's beautiful daughter Princess Mihrimah. A palace education leads Jahan to Mimar Sinan, the empire's chief architect, who takes Jahan under his wing as they construct (with Chota's help) some of the most magnificent buildings in history.

Iran in 1576 is a place of peace, wealth, and dazzling beauty. But when the Shah dies without having named an heir, the court is thrown into tumult. Princess Pari, the Shah's daughter and closest adviser, knows more about the inner workings of the state than almost anyone, but the princess's maneuvers to instill order after her father's sudden death incite resentment and dissent. Pari and her trusted servant, a eunuch able to navigate the harem as well as the world beyond the palace walls, are in possession of an incredible tapestry....

Narcissus and Goldmund is the story of a passionate yet uneasy friendship between two men of opposite character. Narcissus, an ascetic instructor at a cloister school, has devoted himself solely to scholarly and spiritual pursuits. One of his students is the sensual, restless Goldmund, who is immediately drawn to his teacher's fierce intellect and sense of discipline.

Immerse yourself in a world of love, vengeance, compassion, and irony with the evocative stories of Eva Luna. Author Isabel Allende introduced this well-loved character to audiences in her earlier novel, Eva Luna. Listen to Allende talk about the role of writing in her life in Giving Birth, Finding Form. This program also features Alice Walker and Jean Shinoda Bolen.

Victor Hugo's tale of injustice, heroism and love follows the fortunes of Jean Valjean, an escaped convict determined to put his criminal past behind him. But his attempts to become a respected member of the community are constantly put under threat: by his own conscience and by the relentless investigations of the dogged Policeman, Javert. It is not simply for himself that Valjean must stay free, however, for he has sworn to protect the baby daughter of Fantine, driven to prostitution by poverty.

Susanna Dallet is the daughter of a Flemish painter and wife to a philandering husband, living in the court of Henry VIII. When her husband is murdered, Susanna is suddenly left with a household to provide for and nothing to her name. Her days of anonymity are over when Susanna finds that guild rules preventing women from working do not apply at the king’s court, and she manages to secure a position as a miniature-portrait painter. Before long, she has not only made a name for herself, she is close to those who surround Princess Mary. But even in this lofty company, Susanna is not safe....

Step into a world of visions, philosophy, and passion in which dreamers, seekers, princesses, and wandering poets dwell. The 6 wonderful, romantic tales in this collection are reminiscent of ancient Oriental and German fairy tales. The selections, "The Poet," "The Flute Dream," "The Dwarf," "Faldum," "Ziegler," and "Dream of the Gods" were hand-picked by the narrator, legendary folk and rock musician Donovan.

Set in the 1860s, The Leopard tells the spellbinding story of a decadent, dying Sicilian aristocracy threatened by the approaching forces of democracy and revolution. The dramatic sweep and richness of observation, the seamless intertwining of public and private worlds, and the grasp of human frailty imbue The Leopard with its particular melancholy beauty and power, and place it among the greatest historical novels of our time.

Inextricably linked with the fatwa called against its author in the wake of the novel’s publication, The Satanic Verses is, beyond that, a rich showcase for Salman Rushdie’s comic sensibilities, cultural observations, and unparalleled mastery of language. The book begins with two Indians plummeting from the sky after the explosion of their airliner, and proceeds through a series of metamorphoses, dreams and revelations.

The Diary of a Madman and Other Stories is a bizarre and colorful collection containing the finest short stories by the iconic Russian writer Nikolai Gogol. From the witty and Kafkaesque "The Nose", where a civil servant wakes up one day to find his nose missing, to the moving and evocative "The Overcoat", about a reclusive man whose only ambition is to replace his old, threadbare coat, Gogol gives us a unique take on the absurd.

Birds Without Wings is the story of a small town in Anatolia in the dying days of the Ottoman Empire told in the richly varied voices of the men and women (Armenians, Christians, and Muslims) whose lives are intertwined and rooted there: Iskander, the potter and local fount of wisdom; Philotei, the Christian girl of legendary beauty, courted almost from infancy by Ibrahim the goatherd, a great love that culminates in tragedy and madness; and many more.

It is 1502, and Rodrigo Borgia, a self-confessed womanizer and master of political corruption, is now on the papal throne as Alexander VI. His daughter Lucrezia, age 22 - already three times married and a pawn in her father's plans - is discovering her own power. And then there is his son Cesare Borgia, brilliant, ruthless, and increasingly unstable; it is his relationship with Machiavelli that gives the Florentine diplomat a master class in the dark arts of power and politics.

The Barbarossa family’s roots are far more ancient and ethereal, but they are bound to the Gearys by a shared history of murder, insanity, and adultery. When Rachel Geary and Galilee, the seductive prince of the Barbarossa clan, fall in love, they unleash powerful enmities that could destroy both dynasties. Shorter and more conventional than some of Barker’s other work, this novel is especially rich with complex, passionate, three-dimensional characters, lush settings, and elegant language.

It is the story of a boy growing up in the war-torn Jerusalem of the 40s and 50s in a small apartment crowded with books in 12 languages and relatives speaking nearly as many. His mother and father, both wonderful people, were ill-suited to each other. When Oz was 12 and a half years old, his mother committed suicide - a tragedy that was to change his life. He leaves the constraints of the family and the community of dreamers, scholars, and failed businessmen to join a kibbutz.

Following years of lonely political exile in Western Europe, Ka, a middle-aged poet, returns to Istanbul to attend his mother's funeral. Only partly recognizing this place of his cultured, middle-class youth, he is even more disoriented by news of strange events in the wider country: a wave of suicides among girls forbidden to wear their head scarves at school.

Kemal, scion of one of the city's wealthiest families, is about to become engaged to Sibel, daughter of another prominent family, when he encounters Füsun, a beautiful shopgirl and a distant relation. Once the long-lost cousins violate the code of virginity, a rift begins to open between Kemal and the world of the Westernized Istanbul bourgeosie - a world, as he lovingly describes it, with opulent parties and clubs, society gossip, picnics, and mansions on the Bosphorus, infused with the melancholy of decay.

A shimmering evocation, by turns intimate and panoramic, of one of the world’s great cities, by its foremost writer. Orhan Pamuk was born in Istanbul and still lives in the family apartment building where his mother first held him in her arms. His portrait of his city is thus also a self-portrait, refracted by memory and the melancholy—or hüzün—that all Istanbullus share.

It is April 1900, in the Levant, on the imaginary island of Mingheria—the twenty-ninth state of the Ottoman Empire—located in the eastern Mediterranean between Crete and Cyprus. Half the population is Muslim, the other half are Orthodox Greeks, and tension is high between the two. When a plague arrives—brought either by Muslim pilgrims returning from the Mecca or by merchant vessels coming from Alexandria—the island revolts.

Galip is a lawyer living in Istanbul. His wife, the detective novel-loving Ruya, has disappeared. Could she have left him for her ex-husband or Celâl, a popular newspaper columnist? But Celâl, too, seems to have vanished. As Galip investigates, he finds himself assuming the enviable Celâl's identity, wearing his clothes, answering his phone calls, even writing his columns. Galip pursues every conceivable clue, but the nature of the mystery keeps changing, and when he receives a death threat, he begins to fear the worst.

It is a perfect spring day in Istanbul. Kemal, a wealthy heir, is about to become engaged to the aristocratic Sibel when he encounters Füsun, a beautiful shop girl. He falls in love and finds his established world of Westernized families, opulent parties, society gossip and dining room rituals is shattered.

For many years, Nobel Prize-winning author Orhan Pamuk kept a record of his daily thoughts and observations, entering them in small notebooks and illustrating them with his own paintings. This book combines those notebooks into one volume. He writes about his travels around the world, his family, his writing process, and his complex relationship with his home country of Turkey. He charts the seeds of his novels and the things that inspired his characters and the plots of his stories. Intertwined in his writings are the vibrant paintings of the landscapes that surround and inspire him.

Set in Burma during the British invasion of 1885, this masterly novel by Amitav Ghosh tells the story of Rajkumar, a poor boy lifted on the tides of political and social chaos, who goes on to create an empire in the Burmese teak forest. When soldiers force the royal family out of the Glass Palace and into exile, Rajkumar befriends Dolly, a young woman in the court of the Burmese Queen, whose love will shape his life. He cannot forget her, and years later, as a rich man, he goes in search of her.

From the Koran to Shakespeare, this city with three names - Byzantium, Constantinople, Istanbul - resonates as an idea and a place, real and imagined. Standing as the gateway between East and West, North and South, it has been the capital city of the Roman, Byzantine, and Ottoman Empires. For much of its history it was the very center of the world, known simply as "The City", but, as Bettany Hughes reveals, Istanbul is not just a city but a global story.

Turkey's greatest living novelist guides us through the monuments and lost paradises, dilapidated Ottoman villas, back streets, and waterways of Istanbul - the city of his birth and the home of his imagination.

El Sultán ha pedido a los artistas más reputados del país un gran libro que celebre las glorias de su reino. Su tarea será iluminar esa obra al estilo europeo. Pero como el arte figurativo puede ser considerado una ofensa al Islam, el encargo se convierte a todas luces en una proposición peligrosa. La élite gobernante no debe conocer el alcance ni la naturaleza de ese proyecto, y el pánico estalla cuando uno de los miniaturistas desaparece. La única pista para resolver el misterio -¿quizá un crimen?- reside en las miniaturas inacabadas.