It’s 1998 in Hooperstown, New Jersey and people are getting sick. Some citizens blame the local chemical plant. A select few believe something far more terrifying is responsible, a dreadful force that causes nightmarish visions and aberrant illnesses. Bad things are blooming in Hooperstown, and the stench of death is growing stronger... Standing on the edge of summer break after the longest last day of eighth grade ever, Doug Simms and his two best friends join a group of older kids for an all-night scavenger hunt. It’s supposed to be a celebration, an evening of fun and freedom.

When Diane Schwebe, the director of a major New York museum, is awakened in the early morning by a text message from the museum’s lawyer, it is the start of a twenty-four hour roller-coaster ride. Diane has sacrificed many things in her life to help the fading institution stave off irrelevance and financial ruin. In this battle, she’s surrounded by her stalwart supporters and a motley assortment of museum employees, each on the precipice of collapse or revelation.

When the mutilated body of a young woman is discovered in the desert on the outskirts of Los Angeles, the detective assigned to the case can't deny the similarities between this murder and one that occurred a year prior. Media outlets are quick to surmise this is the work of a budding serial killer, but Detective Bill Renney is struggling with an altogether different scenario: a secret that keeps him tethered to the husband of the first victim.

Jessica and Linda have been best friends since the first day of school. Both girls are from very different broken homes—and beautiful, wilful Jessica has always ensured their survival. Now eighteen, the two have come to Wilde—an elite university in the heart of Dublin, far away from their troubled childhoods. Jessica thrives immediately, and, with the faithful Linda at her side, finds herself at the heart of a new circle of friends. But then Mark enters the picture.

Jeckle Island offers Rachel’s children the chance to spend summers roaming wild and free, as long as they follow the rules. But when her son comes face to face with a terror they dare not speak of, she must prepare for their perfect world to change. Forever.

“Mother May I” Iverson has spent the past twenty-five years building a massively successful influencer empire with endearing videos featuring her five mixed-race daughters. But the girls are all grown up now, and the ramifications of having their entire childhoods commodified start to spill over into public view, especially in light of the pivotal question: Who killed May’s newlywed husband and then torched her mansion to cover it up?

Freya, Callum, Mischa, and Victoria have nothing in common—well, except for one thing: they’ve each experienced a deep personal loss that has led them to an unconventional group meeting, every Tuesday night at seven. A meeting they’ve been particularly selected for that will help them finally move on. At least, that's the claim. As they warily eye one another and their unnervingly observant group leader, one question hangs over them: why were they chosen?

As a girl, Amane realizes with horror that her parents “copulated” in order to bring her into the world, rather than using artificial insemination, which became the norm in the mid-twentieth century. Amane strives to get away from what she considers an indoctrination in this strange “system” by her mother, but her infatuations with both anime characters and real people have a sexual force that is undeniable.

Maya Patel has it all—her own start-up, a sexy, doting husband, influencer status, and now, a new baby. But behind closed doors, Maya's drowning. Her newborn is taking a toll on her marriage, her best friend won't return her calls, and her company's hanging on by a thread. The worst part? It's all her fault. If she could just be a better boss, mother, wife, daughter, friend… Maybe she wouldn't feel so guilty all the time. Enter: #Girlboss Liz Anderson, who introduces her to the "guilt pill," an experimental supplement that erases female guilt.

The tale begins with Agnes. After losing her baby, Agnes is called to the great manor house to nurse the local lord’s baby boy. But something is wrong with the child: his nails grow too fast, his skin smells of soil, and his eyes remind her of the dark forest. As he grows into a boy, then into man, a plague seems to follow him everywhere. Trees wither at the roots, fruits rot on their branches, and the town turns against him