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G. K. Chesterton: Three BBC Radio Mysteries
The Man Who Was Thursday, The Club of Queer Trades & The Napoleon of Notting Hill
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By:
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G.K. Chesterton
About this listen
Three BBC Radio performances of works by the great G. K. Chesterton.
Best known as the creator of clerical detective Father Brown, G. K. Chesterton was a prolific and talented writer in virtually every area of literature: from novels, poetry and short stories to plays, biographies and essays. A noted thinker, controversialist, raconteur and wit, he has influenced authors from Neil Gaiman to Jorge Luis Borges. This collection comprises his two most famous novels, The Man Who Was Thursday and The Napoleon of Notting Hill, as well as half a dozen tales from his short story collection, The Club of Queer Trades.
The Man Who Was Thursday - Poet-turned-Scotland-Yard-detective Gabriel Syme goes undercover in Edwardian London to investigate a secret society of anarchists—all of whom are named after days of the week.... Read by Geoffrey Palmer.
The Club of Queer Trades - In these six full-cast comedy crime dramas, retired KC Basil Grant, his brother Rupert and friend Charlie Swinburne explore the extraordinary stories of people who earn their living by some novel and unusual means. Starring David Warner as Basil, Martin Freeman as Rupert and Geoffrey McGivern as Charlie.
The Napoleon of Notting Hill - Written in 1904, Chesterton's comic political satire is set in London 80 years on. The city is still full of horse-buses and hansom cabs, but democracy is dead and the King is chosen by lottery. No one cares, because none of it matters—until the choice falls on Auberon Quin.... This full-cast drama stars Roger Hammond as G. K. Chesterton and David Collings as Auberon Quin, with Kim Wall, Stuart Organ and Paul McGann.
First published 1904 (The Napoleon of Notting Hill), 1905 (The Club of Queer Trades), 1908 (The Man Who Was Thursday)
The Man Who Was Thursday
Read by Geoffrey Palmer
Directed by Lawrence Jackson
First broadcast BBC Radio 7, 10-28 March 2005
The Club of Queer Trades
Basil Grant - David Warner
Rupert Grant - Martin Freeman
Charlie Swinburne - Geoffrey McGivern
Major Brown/Lord Beaumont - Geoffrey Whitehead
Lady - Vicki Pepperdine
PG Northover/Gardener/Old Man/Constable/Dr Colman - Martin Hyder
Drummond - Nicholas Farrell
Wimpole/Burrows - Justin Edwards
Sir Walter Chumley/Rev Shorter - Richard Griffiths
Muriel - Alice Lowe
James - Alexei Sayle
Mowbray - Nell Edmond
Brett - Matthew Holness
Lieutenant Keith - Jeff Harding
Montmorency - Simon Jones
Christina - Amelia Bullmore
Bingham - Chris Douglas
Adeleide - Felicity Montagu
Prof Chadd - John Nettleton
Greenwood - James Rawlings
Old Lady - Angela Thorne
Dramatised by Simon Littlefield
Produced by Simon Nicholls
First broadcast BBC Radio 4, 4 April-9 May 2005
The Napoleon of Notting Hill
G. K. Chesterton - Roger Hammond
Auberon Quin - David Collings
Wilfred Lambert - Kim Wall
James Barker - Stephen Hattersley
President del Fuego - Manning Wilson
Policeman/Mr Wilson - Stuart Organ
Boy Adam Wayne - Alexander Goodman
Adam Wayne - Paul McGann
Mr Buck - Aubrey Woods
Mr Mead - Paul Gregory
Mr Bowles - Brian Hewlett
Mr Turnbull - Gordon Reid
Dramatised by Peter Buckman
Produced by Eric Stovell
Directed by Richard Imison
First broadcast BBC Radio 4, 22 December 1986
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It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.
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A Revelation!
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By: George Orwell, and others
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Eleven Numbers
- A Short Story
- By: Lee Child
- Narrated by: James Anderson Foster
- Length: 1 hr and 28 mins
- Unabridged
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Overall
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Performance
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Story
Nathan Tyler is an unassuming professor at a middling American university with a rather obscure specialty in mathematics—in short, a nobody from nowhere. So why is the White House calling? Summoned to Washington, DC, for a top-secret briefing, Nathan discovers that he’s the key to a massive foreign intelligence breakthrough. Reading between the lines of a cryptic series of equations, he could open a door straight into the heart of the Kremlin and change the global balance of power forever.
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Wonderful
- By Or on 02-02-25
By: Lee Child
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Do You Remember?
- By: Freida McFadden
- Narrated by: Teri Schnaubelt
- Length: 7 hrs and 12 mins
- Unabridged
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Overall
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Performance
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Story
Tess Strebel can’t recognize her own face. She can’t recognize her home. Her bedroom is unfamiliar. And she can’t remember the handsome stranger lying next to her in bed. A stranger who claims he’s her husband. Tess reads a letter in her own handwriting, composed during a rare lucid day, explaining her life as it now exists: she was in a terrible car accident one year ago. Every morning, she wakes up unable to remember most of the last decade. Including her own wedding.
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One of the better ones
- By cotswoldrose on 10-13-24
By: Freida McFadden
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Artemis
- By: Andy Weir
- Narrated by: Rosario Dawson
- Length: 8 hrs and 57 mins
- Unabridged
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Overall
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Performance
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Story
Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.
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A ferrari with no motor
- By will on 11-18-17
By: Andy Weir
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Say No More
- By: Caroline Overington
- Narrated by: Anna Skellern
- Length: 5 hrs and 47 mins
- Original Recording
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Overall
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Performance
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Story
Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.
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Wow! Didn’t see that coming!
- By linda on 02-10-25
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The Grandmother
- By: Jane E. James
- Narrated by: Anna Cordell, Max Dinnen
- Length: 8 hrs and 39 mins
- Unabridged
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Overall
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Performance
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Story
Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.
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Not too outlandish
- By Jackie H on 12-14-24
By: Jane E. James
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10 Rules for the Perfect Murder
- By: James Patterson, Chris Tebbetts
- Narrated by: Reid Scott, Cobie Smulders, full cast
- Length: 3 hrs and 2 mins
- Original Recording
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Overall
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Performance
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Story
After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”
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Tricky
- By Robert Scott Read on 10-30-24
By: James Patterson, and others
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7 Hours to Die
- By: James Patterson, Duane Swierczynski
- Narrated by: Sarah Paulson, Patina Miller, Mel Rodriguez, and others
- Length: 2 hrs and 25 mins
- Original Recording
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Overall
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Performance
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Story
Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.
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This was such a fun Quick listen
- By Mdc on 10-08-24
By: James Patterson, and others
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The Ex
- By: Freida McFadden
- Narrated by: Nicol Zanzarella
- Length: 8 hrs and 33 mins
- Unabridged
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Overall
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Performance
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Story
Cassie thinks she has met the perfect man. Joel is sweet, handsome, romantic, and best of all, he’s crazy about Cassie. She thinks she’s found the guy she’ll spend the rest of her life with. Have children with. Grow old with. Yes, she knows about his perfect ex-girlfriend, Francesca. The beautiful, brilliant chef, beloved by all his friends. But she thinks Francesca is out of the picture. She thinks Francesca is gone for good. Think again, Cassie.
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Too bizarre for someone who loves bizarre
- By G. C. Webster on 07-01-22
By: Freida McFadden
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Too Late
- Definitive Edition
- By: Colleen Hoover
- Narrated by: Ryan Gray, Maxine Mitchell, Joe Arden
- Length: 10 hrs and 19 mins
- Unabridged
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Overall
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Performance
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Story
Sloan will go through hell and back for those she loves. And she does so, every single day. Caught up with the alluring Asa Jackson, a notorious drug trafficker, Sloan has finally found a lifeline to cling to, even if it’s meant compromising her morals. She was in dire straits trying to pay for her brother’s care until she met Asa. But as Sloan became emotionally and economically reliant on him, he in turn developed a disturbing obsession with her—one that becomes increasingly dangerous every day.
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Triggering and poor narration
- By Katherine Epperson on 07-11-23
By: Colleen Hoover
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