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Everything's Gotta Be Love or Death
- Narrated by: Aksel Erzinclioglu
- Length: 2 hrs and 19 mins
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Publisher's summary
Who could possibly be miserable while vacationing on a beautiful sunny island with his best friends, surrounded by people having a wonderful time?
Brandon. Brandon could.
He hated everything about his life, himself most of all. Hated it so much, he’d begun contemplating just ending it rather than dragging himself through another boring day of being a nothing and a nobody and a pathetic loser.
But then he met Vince. A mysterious, handsome, dangerous stranger with a proposition. One simple action that would change things forever, a deed Brandon couldn’t go back on. Which would give him the chance he so desperately desired -- the chance to remake himself in ways he’d never imagined.
“Wanna kill someone?”
Welcome to the latest extreme novella from the twisted mind of Stephen Cooper, author of Addicted to Vengeance and The Rot. A story about lust, love, and good old-fashioned brutal murder, this book isn’t for the faint-hearted, and probably isn’t good advice for the broken-hearted.
But, sometimes, you have to live in the moment, where Everything’s Gotta Be Love or Death.
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- By Jennifer Chichester on 09-16-22
By: Freida McFadden
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Frankenstein
- By: Mary Shelley
- Narrated by: Dan Stevens
- Length: 8 hrs and 35 mins
- Unabridged
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Narrator Dan Stevens ( Downton Abbey) presents an uncanny performance of Mary Shelley's timeless gothic novel, an epic battle between man and monster at its greatest literary pitch. In trying to create life, the young student Victor Frankenstein unleashes forces beyond his control, setting into motion a long and tragic chain of events that brings Victor to the very brink of madness. How he tries to destroy his creation, as it destroys everything Victor loves, is a powerful story of love, friendship, scientific hubris, and horror.
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ARE WE ALWAYS TO BE UNHAPPY?
- By Jim "The Impatient" on 01-28-16
By: Mary Shelley
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Fahrenheit 451
- By: Ray Bradbury
- Narrated by: Tim Robbins
- Length: 5 hrs and 1 min
- Unabridged
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Guy Montag is a fireman. In his world, where television rules and literature is on the brink of extinction, firemen start fires rather than put them out. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden. Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television "family."
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Wish I Hadn't Cliff Noted This in High School
- By Joel on 03-27-17
By: Ray Bradbury
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The Cut
- By: Richard Armitage
- Narrated by: Richard Armitage, Jacob Dudman
- Length: 10 hrs and 13 mins
- Original Recording
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Welcome to Barton Mallet, a remote village in the Midlands that has been chosen as the unlikely location for a new feature film from Hollywood producer Max Crow. Teenagers from the local drama group are encouraged to audition for a story about the trials and tribulations of growing up. Benjamin Knot, the CEO of a well-known architecture firm, discovers that his children, Lily and Nathan, have each been offered a role. But Barton Mallet has a deep wound that has never truly healed.
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Hard to get into
- By felicialeash on 09-15-24
By: Richard Armitage
What listeners say about Everything's Gotta Be Love or Death
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- CoolGhoulsBookClub
- 04-30-24
wwyd to escape unbearable loneliness?
Stephen Cooper. My fellow extreme horror and splatterpunk fiends know and love him. His support for his fellow authors is endless and unwavering. His YouTube channel Splatploitation features book reviews, interviews, vlogs about his experience as an indie author, and so much more. We know his face and his soft voice and the joy he radiates when he’s talking about his latest read. We know him, but have we read any of his books? I admit I am guilty of not having read any of them until today. I own a few but you know, stiflingly large TBR.
One day, Cooper shared a new vlog expressing his disappointment over his latest release, Beneath the Rot. He remains positive as ever, but the melancholy in that soft voice combined with the furrowed brows was just too much. It was time for me to read his work. Because I haven’t read The Rot, I skipped Beneath the Rot and bought his first audiobook, Everything’s Gotta Be Love or Death. This is less book review and more a letter to Stephen Cooper.
That said, this is still a book review so let’s talk about it. Everything’s Gotta Be Love or Death is both a mantra and foreshadowing. Brandon hates his life. People walk all over him and his existence is one big pity party. His friends keep him around to be the responsible one, the one who keeps an eye on the clock and makes sure tabs are paid. One night while his friends are having their fun and he’s just waiting, he meets a sexy stranger named Vince who promises to change his life. He is immediately taken by this handsome man with the devilish grin and lofty promises. He has no idea what Vince has in store for him. What follows is what Brandon perceives as a whirlwind romance on a trail of brutality. Everything’s Gotta Be Love or Death is more than Vince’s mantra; it’s his lifestyle.
A note about the audiobook: I loved it. I really enjoyed both the performance and the sound of the narrator’s voice. There is only one book narrated by Aksel Erzinclioglu on Audible but I hope that he continues in this line of work. He mastered the dark charisma of Vince.
This book will get you thinking about the lengths you’d go to escape unbearable loneliness and find a sense of belonging. I think we all can relate on some level. Really enjoyed this book. It is a mere 95 pages long, but Cooper managed well developed characters and a cohesive story. He writes murder and erotic scenes with equal skill and zero cringe. Well, except in the way you want to cringe at horror. This might ruin burgers for you for a minute. Maybe. What a great ending. I look forward to reading more of Cooper’s work.
I hope you’re okay, Stephen. I hope you know that your contributions to the community matter. And I hope you don’t let your failed release make you doubt your ability as a writer or your value to the community.
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