Barbra Streisand is by any account a living legend, a woman who in a career spanning six decades has excelled in every area of entertainment. She is among the handful of EGOT winners (Emmy, Grammy, Oscar, and Tony) and has one of the greatest and most recognizable voices in the history of popular music. She has been nominated for a Grammy 46 times, and with Yentl she became the first woman to write, produce, direct, and star in a major motion picture. In My Name Is Barbra, she tells her own story about her life and extraordinary career.

Despite being hailed as one of the best guitarists of his era, George Harrison, particularly in his early decades, battled feelings of inferiority. He was often the butt of jokes from his bandmates owing to his lower-class background and, typically, was allowed to contribute only one or two songs per Beatles album out of the dozens he wrote.

From 1783, when German immigrant John Jacob Astor first arrived in the United States, until 2009, when Brooke Astor’s son, Anthony Marshall, was convicted of defrauding his elderly mother, the Astor name occupied a unique place in American society. The family fortune, first made by a beaver trapping business that grew into an empire, was then amplified by holdings in Manhattan real estate. Over the ensuing generations, Astors ruled Gilded Age New York society and inserted themselves into political and cultural life, but also suffered the most famous loss on the Titanic.

Malcolm Evans, the Beatles’ long-time roadie, personal assistant, and devoted friend, was an invaluable member of the band’s inner circle. A towering figure in horn-rimmed glasses, Evans loomed large in the Beatles’ story, contributing at times as a performer and sometime lyricist, while struggling mightily to protect his beloved “boys.” He was there for the whole of the group’s remarkable, unparalleled story: from the Shea Stadium triumph through the creation of the timeless cover art for Sgt. Pepper’s Lonely Hearts Club Band and the famous Let It Be rooftop concert.

From her early years in Nutbush, Tennessee, to her rise to fame alongside Ike Turner to her phenomenal success in the 1980s and beyond, Tina candidly examines her personal history, from her darkest hours to her happiest moments and everything in between. My Love Story is an explosive and inspiring story of a woman who dared to break any barriers put in her way. Emphatically showcasing Tina’s signature blend of strength, energy, heart, and soul, this is a gorgeously wrought memoir as enthralling and moving as any of her greatest hits.

Little Girl Blue is an intimate profile of Karen Carpenter, a girl from a modest Connecticut upbringing who became a Southern California superstar. Karen was the instantly recognizable lead singer of the Carpenters. The top-selling American musical act of the 1970's, they delivered the love songs that defined a generation. Little Girl Blue reveals Karen's heartbreaking struggles with her mother, brother, and husband; the intimate disclosures she made to her closest friends; and much more.

Even before the Beatles hit the big time, a myth was created. This version of the Beatles legend smoothed the rough edges and filled in the fault lines, and for more than forty years this manicured version of the Beatles story has sustained as truth, until now.

Musician, actor, activist, and the iconic face of New York City cool, Debbie Harry is the front woman of Blondie, a band that forged a new sound that brought together the worlds of rock, punk, disco, reggae, and hip-hop to create some of the most beloved pop songs of all time. As a muse, she collaborated with some of the boldest artists of the past four decades. The scope of Debbie Harry’s impact on our culture has been matched only by her reticence to reveal her rich inner life - until now.

With over 70 million records sold, Black Sabbath, dubbed by Rolling Stone “the Beatles of heavy metal,” helped create the genre itself, with their distinctive heavy riffs, tuned down guitars, and apocalyptic lyrics. Bassist and primary lyricist Geezer Butler played a gigantic part in the band’s renown, from suggesting the band name to using his fascination with horror, religion, and the occult to compose the lyrics and build the foundation of heavy metal as we know it. In Into the Void, Butler tells his side of the story.

Since the age of 21, Paul McCartney has lived one of the ultimate rock 'n' roll lives, played out on the most public of stages. Now Paul's story is told by rock music's foremost biographer, with McCartney's consent and access to family members and close friends who have never spoken on the record before.

The story of how The Godfather was made is as dramatic, operatic, and entertaining as the film itself. Over the years, many versions of various aspects of the movie’s fiery creation have been told - sometimes conflicting, but always compelling. Mark Seal sifts through the evidence, has extensive new conversations with director Francis Ford Coppola and several heretofore silent sources, and complements them with colorful interviews with key players including actors Al Pacino, James Caan, Talia Shire, and others.

If Howard Kaylan had sung only one song, the Turtles' 1967 No. 1 smash hit "Happy Together," his place in rock-and-roll history would still be secure. But that recording, named in 1999 by BMI as one of the top 50 songs of the 20th century, with over five million radio plays, is only the tip of a rather eye-opening iceberg. For nearly five decades, Howard Kaylan has been a player in the rock-and-roll revolution.

In this star-studded autobiography, Clive Davis shares a personal, candid look into his remarkable life and the last 50 years of popular music as only a true insider can. In the history of popular music, no one looms as large as Clive Davis. His career has spanned more than 40 years, and he has discovered, signed, or worked with a staggering array of artists: Whitney Houston, Janis Joplin, Simon and Garfunkel, Barry Manilow, Patti Smith, Lou Reed, Dionne Warwick, Carlos Santana, The Grateful Dead, Alicia Keyes, Kelly Clarkson, Jennifer Hudson, and Aretha Franklin, to name a few.

Rolling Stone founder, co-editor, and publisher Jann Wenner's deeply personal memoir vividly describes and brings you inside the music, the politics, and the lifestyle of a generation, an epoch of cultural change that swept America and beyond. The age of rock and roll in an era of consequence, what will be considered one of the great watersheds in modern history. Wenner writes with the clarity of a journalist and an essayist. He takes us into the life and work of Bob Dylan, John Lennon, Mick Jagger, Bono, and Bruce Springsteen, to name a few.

Through such hits as "The Sound of Silence", "Bridge Over Troubled Water", "Still Crazy After All These Years", and "Graceland", Paul Simon has spoken to us in songs for a half-century about alienation, doubt, resilience, and empathy in ways that have established him as one of the most honored and beloved songwriters in American pop music history. His music has gone beyond the sales charts into our cultural consciousness. He was the first songwriter awarded the Gershwin Prize by the Library of Congress and is a member of the Rock and Roll Hall of Fame and the Songwriters Hall of Fame.

On New Year's Eve, 1970, Paul McCartney told his lawyers to issue the writ at the High Court in London, effectively ending The Beatles. You might say this was the last day of the pop era. The following day, which was a Friday, was 1971. You might say this was the first day of the rock era. And within the remaining 364 days of this monumental year, the world would hear Don McLean's "American Pie", The Rolling Stones' "Brown Sugar", The Who's "Baba O'Riley", Zeppelin's "Stairway to Heaven", and more.

The age of the rock star, like the age of the cowboy, has passed. Like the cowboy, the idea of the rock star lives on in our imaginations. What did we see in them? Swagger. Recklessness. Sexual charisma. Damn-the-torpedoes self-belief. A certain way of carrying themselves. Good hair. Interesting shoes. Talent we wished we had. What did we want of them? To be larger than life but also like us. To live out their songs. To stay young forever. No wonder many didn't stay the course.

The year that changed everything for the Beatles was 1966 - the year of their last concert and of Revolver, their first album created to be listened to rather than performed. This was the year the Beatles risked their popularity by retiring from live performances, recording songs that explored alternative states of consciousness, experimenting with avant-garde ideas, and speaking their minds on issues of politics, war, and religion. Music journalist and Beatles expert Steve Turner investigates the enormous changes that took place in the Beatles' lives and work during 1966.

What was it like to be John Lennon? What was it like to be the castoff child, the clown at school, the middle-class suburban boy who pretended to be a working-class hero? How did it feel to have one of the most recognizable singing voices in the world but to dislike it so much he always wanted to disguise it? Being John Lennon is not about the whitewashed Prince of Peace of “Imagine” legend - because that was only a small part of him. The John Lennon depicted in this book is a much more kaleidoscopic figure, sometimes almost a collision of different characters.

In 1969, in Capitol Records' Hollywood studio, a blonde-haired troubadour named Larry Norman laid track for an album that would launch a new genre of music and one of the strangest, most interesting careers in modern rock. Having spent the bulk of the 1960s playing on bills with acts like The Who, Janis Joplin, and The Doors, Norman decided that he wanted to sing about the most countercultural subject of all: Jesus.

From our talent-rich neighbor to the north comes this biography of one of the most successful Canadian rock bands, The Tragically Hip, which announced a year-long tour after sharing the news of lead singer Gord Downie’s inoperable cancer. Now available to US listeners, The Never-Ending Present details what led up to the memorable night when music fans all over the world watched Downie’s heroic final performance.

Philip Norman turns his formidable talent to the Beatle for whom belonging to the world's most beloved pop group was never enough. Drawing on previously untapped sources, and with unprecedented access to all the major characters, here is the definitive portrait of John Lennon. This biography takes a fresh and penetrating look at Lennon's much-chronicled life, including the songs that have turned him, posthumously, into almost a secular saint.

Michael Jackson, Inc. reveals the incredible rise, fall, and rise again of Michael Jackson's fortune - driven by the unmatched perfectionism of the King of Pop. Forbes senior editor Zack O'Malley Greenburg uncovers never-before-told stories from interviews with more than 100 people, including music industry veterans Berry Gordy, John Branca, and Walter Yetnikoff; artists 50 Cent, Sheryl Crow, and Jon Bon Jovi; and members of the Jackson family.

January 1970: the Beatles assemble one more time to put the finishing touches on Let It Be; Crosby, Stills, Nash & Young are wrapping up Déjà Vu; Simon and Garfunkel are unveiling Bridge Over Troubled Water; James Taylor is an upstart singer-songwriter who's just completed Sweet Baby James. Over the course of the next twelve months, their lives---and the world around them---will change irrevocably.

From the voice of a generation: the most highly anticipated autobiography of the year, and the story of a man who wanted The Who to be called The Hair; wanted to be a sculptor, a journalist, a dancer and a graphic designer; became a musician, composer, librettist, fiction writer, literary editor, sailor; drank too much and nearly died; detached from his body in an airplane, on LSD, and nearly died; planned to write his memoir when he was 21; and published this book at 67.

Ed Ward covers the first half of the history of rock & roll in this sweeping and definitive narrative - from the 1920s, when the music of rambling medicine shows mingled with the songs of vaudeville and minstrel acts to create the very early sounds of country and rhythm and blues, to the rise of the first independent record labels post-World War II, and concluding in December 1963, just as an immense change in the airwaves took hold and the Beatles prepared for their first American tour.

Purple Rain is a song, an album, and a film - each one a commercial success and cultural milestone. How did this semiautobiographical musical masterpiece that blurred R&B, pop, dance, and rock sounds come to alter the recording landscape and become an enduring touchstone for successive generations of fans?

With more than 90 million records sold and eight Grammy Awards throughout its 40-year history, Earth, Wind & Fire has staked its claim as one of the most successful, influential, and beloved acts in music history. Now, for the first time, its dynamic lead singer, Philip Bailey, chronicles the group's meteoric rise to stardom and his own professional and spiritual journey. Never before had a musical act crossed multiple styles and genres with a quixotic blend of astrology, universalism, and Egyptology as Earth, Wind & Fire (EWF) did when it exploded into the public's conscience during the 1970s.

From the moment their hugely influential 1978 debut landed, Van Halen set a high bar for the rock 'n' roll lifestyle, creating an entirely new style of post-'60s hard rock and becoming the quintessential rock band of the 1980s. But the high-flying success was fraught with difficulty, as Eddie struggled with alcohol and drug addiction while simultaneously battling David Lee Roth over the musical direction of the band, eventually taking the band in an entirely new direction with Sammy Hagar and scaling new heights, before that iteration of Van Halen disintegrated.

Phil Spector, born in the Bronx in 1940, grew up an outsider despised by his peers. But he formed a band, and had a number-one hit with "To Know Him Is to Love Him". He quickly became the top producer of early rock and roll and the originator of such girl groups as the Ronettes. Hit followed hit, and for all of them he used a new recording style called the "wall of sound". But the reign of the boy-man who owned pop music was doomed, and Spector spiraled into paranoid isolation and peculiar behavior.