Homer’s Iliad and Odyssey are unquestionably two of the greatest epic masterpieces in Western literature. Though more than 2,700 years old, their stories of brave heroics, capricious gods, and towering human emotions are vividly timeless. The Iliad can justly be called the world’s greatest war epic. The terrible and long-drawn-out siege of Troy remains one of the classic campaigns. The Odyssey chronicles the many trials and adventures Odysseus must pass through on his long journey home from the Trojan wars to his beloved wife.

"Apollo's history is a confusing one," said the renowned poet and mythologist Robert Graves. This notion is also illustrated in a quote from the sixth century BCE Homeric Hymn to Apollo, which gives the listener a brief glimpse into the confusion surrounding Apollo's multi-faceted nature.

Countless civilizations have come and gone over the course of time, but interest in mythology is one of the great constants. People have approached myths from countless angles, some denigrating and self-righteous, others earnest and open-minded, but there is something mystical and universal in all myths that speaks to the reader across the years, regardless of what they know of historiography or "schools of thought".

Today, the term "Philistine" is often used as a euphemism for a person who is particularly uncouth, uncultured, ignorant, and possibly violent. Most people probably do not know the etymology of the word when they use it, and those that do probably only know the Philistines as villains from the Old Testament who were the eternal enemies of the Hebrews prior to and immediately after the latter formed the kingdom of Israel.

During Egypt's Second Intermediate Period, a mysterious foreign group of people, known as the Hyksos, conquered Egypt and established the 15th and 16th Dynasties some time shortly after 1700 BCE. For centuries, the Hyksos rule over Egypt was an enigma shrouded in half-truths and myth.

A one-eyed old man, with a gray cloak and a wide-brimmed hat leaning on a staff. A wanderer who appears when least expected, bringing triumph or doom. The god of prophecy, poetry and fate. A shape changer. A sorcerer. The god Odin cuts a dramatic figure in Norse mythology and is still a part of the popular imagination. He is the inspiration for figures like J.R.R. Tolkien's Gandalf the Grey, and he still appears in modern literature as varied as Marvel Comics and Neil Gaiman's novel American Gods.

Psyche, princess of Myce­nae, was born with a prophecy that she will one day conquer a great monster. Rejecting her royal duties, Psyche spends her youth mastering blade and bow, preparing for her destiny. Tales of her beauty and rebellious nature reach even the goddess Aphrodite, who decides to teach Psyche a lesson. Aphro­dite commands Eros, the god of desire, to deliver a cruel love curse. After eons watching humanity misuse his gifts, the last thing Eros wants is to become involved in the chaos of the mortal world.

When Princess Atalanta is born, a daughter rather than the son her parents hoped for, she is left on a mountainside to die. But even then, she is a survivor. Raised by a mother bear under the protective eye of the goddess Artemis, Atalanta grows up wild and free, with just one condition: if she marries, Artemis warns, it will be her undoing. Although she loves her beautiful forest home, Atalanta yearns for adventure. When Artemis offers her the chance to fight in her name alongside the Argonauts, the fiercest band of warriors the world has ever seen, Atalanta seizes it.

Do you know that the Olympians weren’t the original immortals? Or that the Goddess Hera restored her virginity each year? The ancient Greeks wove one of the richest and best-preserved collections of stories of all the early civilizations, from the dawn of creation to the bloody siege at Troy.

The tellers of Greek myths—historically men—have routinely sidelined the female characters. When they do take a larger role, women are often portrayed as monstrous, vengeful or just plain evil—like Pandora, the woman of eternal scorn and damnation whose curiosity is tasked with causing all the world’s suffering and wickedness when she opened that forbidden box. But, as Natalie Haynes reveals, in ancient Greek myths there was no box. It was a jar . . . which is far more likely to tip over.

Founded by Alexander the Great and built by self-styled Greek pharaohs, the city of Alexandria at its height dwarfed both Athens and Rome. It was the marvel of its age, legendary for its vast palaces, safe harbors, and magnificent lighthouse. But it was most famous for the astonishing intellectual efflorescence it fostered and the library it produced. If the European Renaissance was the "rebirth" of Western culture, then Alexandria, Egypt, was its birthplace.

The Roman Republic, and later the Roman Empire, was an unusual conqueror because it would absorb and assimilate elements of the cultures it dominated. A standing practice was to allow the defeated to continue practicing their culture and religion so long as they paid their taxes on time. Such a procedure was part of why Christianity would seep into the Roman Empire around the 1st century CE, for example. For the Etruscans, this meant they influenced aspects of Roman civilization, one of the most powerful cultures in the history of the Western world.

This classic presents historical, archaeological, and anthropological evidence to support the theory that ancient Egypt was a black civilization.

Acclaimed classics scholar Edith Hall's Introducing the Ancient Greeks is the first book to offer a synthesis of the entire ancient Greek experience, from the rise of the Mycenaean kingdoms of the sixteenth century BC to the final victory of Christianity over paganism in AD 391. Each of the ten chapters visits a different Greek community at a different moment during the twenty centuries of ancient Greek history.

The sheer importance of Sumerian culture in regards to world culture as a whole is impossible to overstate. This civilization is single-handedly responsible for some of the most major innovations in nearly every field relevant to maintaining a civilized society - this includes religion, lawmaking, architecture, schooling, art, literature, and even entertainment. Naturally, most of what we see as negative aspects of society were established in ancient Sumer as well. There wasn’t an aspect of Sumerian life that wasn’t plagued with corruption or devastation of one form or another.