Yuri Herrera does not simply write about the border between Mexico and the United States and those who cross it. He explores the crossings and translations people make in their minds and language as they move from one country to another, especially when there's no going back. Traversing this lonely territory is Makina, a young woman who knows only too well how to survive in a violent, macho world. Leaving behind her life in Mexico to search for her brother, she is smuggled into the USA carrying a pair of secret messages - one from her mother and one from the Mexican underworld.

The late Chilean writer Roberto Bolaño has been called the García Marquez of his generation. The Savage Detectives is a hilarious and sexy, meandering and melancholy, companionable and complicated road trip through Mexico City, Barcelona, Israel, Liberia, and finally the desert of northern Mexico. It is the first of Bolaño's two giant works, with 2666, to be translated into English and is already being hailed as a masterpiece.

Composed in the last years of Roberto Bolaño's life, 2666 was greeted across Europe and Latin America as his highest achievement, surpassing even his previous work in its strangeness, beauty, and scope. Its throng of unforgettable characters includes academics and convicts, an American sportswriter, an elusive German novelist, and a teenage student and her widowed, mentally unstable father. Their lives intersect in the urban sprawl of Santa Teresa - a fictional Juárez - on the U.S.-Mexico border.

In the early days of the new millennium, pages of a worn and weathered original sonata manuscript - the gift of a Czech immigrant living out her final days in Queens - come into the hands of Meta Taverner, a young musicologist whose concert piano career was cut short by an injury. To Meta's eye, it appears to be an authentic 18th-century work; to her discerning ear, the music rendered there is commanding, hauntingly beautiful, clearly the undiscovered composition of a master. But there is no indication of who the composer might be.

Cyril Avery is not a real Avery - or at least that's what his adoptive parents tell him. And he never will be. But if he isn't a real Avery, then who is he? Born out of wedlock to a teenage girl cast out from her rural Irish community and adopted by a well-to-do if eccentric Dublin couple via the intervention of a hunchbacked Redemptorist nun, Cyril is adrift in the world, anchored only tenuously by his heartfelt friendship with the infinitely more glamourous and dangerous Julian Woodbead.

Edwin St. Andrew is eighteen years old when he crosses the Atlantic by steamship, exiled from polite society following an ill-conceived diatribe at a dinner party. He enters the forest, spellbound by the beauty of the Canadian wilderness, and suddenly hears the notes of a violin echoing in an airship terminal—an experience that shocks him to his core.

It’s 1986, the heart of the Cold War, and Marie Mitchell is an intelligence officer with the FBI. She’s brilliant, but she’s also a young Black woman working in an old boys’ club. Her career has stalled out, she’s overlooked for every high-profile squad, and her days are filled with monotonous paperwork. So when she’s given the opportunity to join a shadowy task force aimed at undermining Thomas Sankara, the charismatic revolutionary president of Burkina Faso whose Communist ideology has made him a target for American intervention, she says yes.

Two brown girls dream of being dancers - but only one, Tracey, has talent. The other has ideas: About rhythm and time, about Black bodies and Black music, what constitutes a tribe, or makes a person truly free. It's a close but complicated childhood friendship that ends abruptly in their early 20s, never to be revisited, but never quite forgotten, either. Tracey makes it to the chorus line but struggles with adult life, while her friend leaves the old neighborhood behind, traveling the world as an assistant to a famous singer, Aimee, observing close up how the one percent live.

Indian American journalist Smita has returned to India to cover a story, but reluctantly: long ago she and her family left the country with no intention of ever coming back. As she follows the case of Meena—a Hindu woman attacked by members of her own village and her own family for marrying a Muslim man—Smita comes face to face with a society where tradition carries more weight than one’s own heart, and a story that threatens to unearth the painful secrets of Smita’s own past.

From London to Corsica to Paris — as a young woman pursues the truth about her late mother, two captivating love stories unfurl in this captivating novel from the author of the New York Times bestsellers The Paris Apartment and The Guest List.

Not since childhood has Faraz returned to the Mohalla, in Lahore’s walled inner city, where women continue to pass down the art of courtesan from mother to daughter. But he still remembers the day he was abducted from the home he shared with his mother and sister there, at the direction of his powerful father, who wanted to give him a chance at a respectable life. Now Wajid, once more dictating his fate from afar, has sent Faraz back to Lahore, installing him as head of the Mohalla police station and charging him with a mission: to cover up the violent death of a young girl.

Tang Yitian has been living in America, estranged from his family, for almost a decade when he receives an urgent phone call from his mother: his father has disappeared from the family’s rural village in China. When Yitian returns home and attempts to piece together what may have happened, he struggles to navigate the country’s impenetrable bureaucracy as an outsider. So he seeks out a childhood friend: Tian Hanwen, who as a teenager was “sent down” from Shanghai to Yitian’s village as part of China’s rustication campaign.

Propelled into the priesthood by a family tragedy, Odran Yates is full of hope and ambition. When he arrives at Clonliffe Seminary in the 1970s, it is a time in Ireland when priests are highly respected, and Odran believes that he is pledging his life to "the good."

Salim has always known that his father does not want him. Living with his parents and his adored Uncle Amir in a house full of secrets, he is a bookish child, a dreamer haunted by night terrors. It is the 1970s and Zanzibar is changing. Tourists arrive, the island’s white sands obscuring the memory of recent conflict—the longed-for independence from British colonialism swiftly followed by bloody revolution. When his father moves out, retreating into dishevelled introspection, Salim is confused and ashamed. His mother does not discuss the change.

An ambitious novel that spans decades and continents, The Things We Cherished tells the story of Charlotte Gold and Jack Harrington, two fiercely independent attorneys who find themselves slowly falling for one another while working to defend the brother of a Holocaust hero against allegations of World War II-era war crimes. The defendant, wealthy financier Roger Dykmans, mysteriously refuses to help in his own defense, revealing only that proof of his innocence lies within an intricate timepiece last seen in Nazi Germany.

In this lyrical, unsentimental, and compelling memoir, the son of a Black African father and a White American mother searches for a workable meaning to his life as a Black American. It begins in New York, where Barack Obama learns that his father - a figure he knows more as a myth than as a man - has been killed in a car accident. This sudden death inspires an emotional odyssey - first to a small town in Kansas, from which he retraces the migration of his mother’s family to Hawaii, and then to Kenya, where he meets the African side of his family.

All Our Names is the story of a young man who comes of age during an African revolution, drawn from the hushed halls of his university into the intensifying clamor of the streets outside. But as the line between idealism and violence becomes increasingly blurred, and the path of revolution leads to almost certain destruction, he leaves behind his country and friends for America. There, pretending to be an exchange student, he falls in love with a social worker and settles into the routines of small-town life. Yet this idyll is inescapably darkened by the secrets of his past....

Ethiopian émigré Dinaw Mengestu is a skilled observer of people who offers a colorful debut work of fiction. Insightful and swiftly paced, this novel evokes past and present in the course of its compelling narrative. It's the `70s, and one D.C. neighborhood is undergoing big changes. In the mix is Ethiopian grocery owner Sepha Stephanos - a man with a complex past who fled his homeland after seeing his father brutalized by themilitary. He hopes for new prospects in D.C.'s gentrification process.

Cyril Avery is not a real Avery - or at least that's what his adoptive parents tell him. And he never will be. But if he isn't a real Avery, then who is he? Born out of wedlock to a teenage girl cast out from her rural Irish community and adopted by a well-to-do if eccentric Dublin couple via the intervention of a hunchbacked Redemptorist nun, Cyril is adrift in the world, anchored only tenuously by his heartfelt friendship with the infinitely more glamourous and dangerous Julian Woodbead.

On the outskirts of a town 30 miles from Istanbul, a master well digger and his young apprentice are hired to find water on a barren plain. As they struggle in the summer heat, excavating without luck meter by meter, the two will develop a filial bond neither has known before - not the poor middle-aged bachelor nor the middle-class boy whose father disappeared after being arrested for politically subversive activities. The pair will come to depend on each other and exchange stories reflecting disparate views of the world.

Florence Fein grows up in Brooklyn in the 1930s, in a family that is gaining a foothold in the middle class. At City College she becomes engaged politically with the left-leaning student groups, and eventually, in the midst of the Depression, she takes a job with a trade organization that has a position for her in Moscow. There, she falls in love with another expatriate American and has a son. Soon after, Florence is sent to a work camp and her son to an orphanage.

In "Books and Roses", one special key opens a library, a garden, and clues to at least two lovers' fates. In "Is Your Blood as Red as This?", an unlikely key opens the heart of a student at a puppeteering school. "'Sorry' Doesn't Sweeten Her Tea" involves a "house of locks", where doors can be closed only with a key - with surprising unobservable developments. And in "If a Book Is Locked There's Probably a Good Reason for That Don't You Think", a key keeps a mystical diary locked (for good reason).

Kemal, scion of one of the city's wealthiest families, is about to become engaged to Sibel, daughter of another prominent family, when he encounters Füsun, a beautiful shopgirl and a distant relation. Once the long-lost cousins violate the code of virginity, a rift begins to open between Kemal and the world of the Westernized Istanbul bourgeosie - a world, as he lovingly describes it, with opulent parties and clubs, society gossip, picnics, and mansions on the Bosphorus, infused with the melancholy of decay.

Claire Harwell hasn't settled into grief; events haven't let her. Cool, eloquent, raising two fatherless children, Claire has emerged as the most visible of the 9/11 widows who became a potent political force in the aftermath of the catastrophe. She longs for her husband, but she has found her mission: she sits on a jury charged with selecting a fitting memorial for the victims of the attack.

History professor Ned Brummel is living happily with his partner of 12 years in small-town Maine when he receives a phone call from his estranged friend - Jack - telling him that another friend - Andy - is very ill and possibly near death. As Ned boards a plane to Chicago on his way to his friend's bedside, he embarks on another journey into memory, examining the major events and small moments that have shaped his world and his relationships with these two very different, very important men.

A chilling novel about the nightmare of a corrupt and brutal dictatorship. The star of Roberto Bolano's hair-raising novel Distant Star is Alberto Ruiz-Tagle, an air force pilot who exploits the 1973 coup to launch his own version of the New Chilean Poetry, a multimedia enterprise involving sky-writing, poetry, torture, and photo exhibitions. For our unnamed narrator, who first encounters this "star" in a college poetry workshop, Ruiz-Tagle becomes the silent hand behind every evil act in the darkness of Pinochet's regime.

For a long time, Nadja Spiegelman believed her mother was a fairy. More than her famous father, Maus creator Art Spiegelman, and even more than most mothers, hers - French-born New Yorker art director Françoise Mouly - exerted a force over reality that was both dazzling and daunting. As Nadja's body changed and "began to whisper to the adults around me in a language I did not understand", their relationship grew tense.

Set across Istanbul and Oxford, from the 1980s to the present day, Three Daughters of Eve is a sweeping tale of faith and friendship, tradition and modernity, love and an unexpected betrayal. Peri, a wealthy Turkish housewife and mother, is on her way to a dinner party at a seaside mansion in Istanbul when a beggar snatches her handbag. As she wrestles to get it back, a photograph falls to the ground - an old polaroid of three young women and their university professor.

When Hisham Matar was a 19-year-old university student in England, his father was kidnapped. One of the Qaddafi regime's most prominent opponents in exile, he was held in a secret prison in Libya. Hisham would never see him again. But he never gave up hope that his father might still be alive. "Hope," as he writes, "is cunning and persistent." Twenty-two years later, after the fall of Qaddafi, the prison cells were empty, and there was no sign of Jaballa Matar. Hisham returned with his mother and wife to the homeland he never thought he'd go back to again.

By 1939, Anglo-American journalist John Russell has spent over a decade in Berlin, where his son lives with his mother. He writes human-interest pieces for British and American papers, avoiding the investigative journalism that could get him deported. But as World War II approaches, he faces having to leave his son as well as his girlfriend of several years, a beautiful German starlet. When an acquaintance from his old communist days approaches him to do some work for the Soviets, Russell is reluctant, but he is unable to resist the offer.