He thinks, as he escapes from Zanzibar, that he will probably never return, and yet the dream of studying in England matters above that. Things do not happen quite as he imagined—the school where he teaches is cramped and violent, he forgets how it feels to belong. But there is Emma, beautiful, rebellious Emma, who turns away from her white, middle-class roots to offer him love and bear him a child. And in return, he spins stories of his home and keeps her a secret from his family. Twenty years later, the barriers come down in Zanzibar and he is able and compelled to go back.

When he was just a boy, Ilyas was stolen from his parents on the coast of East Africa by German colonial troops. After years away, fighting against his own people, he returns home to find his parents gone and his sister, Afiya, abandoned into de facto slavery. Hamza, too, returns home from the war, scarred in body and soul and with nothing but the clothes on his back—until he meets the beautiful, undaunted Afiya.

Writing at the peak of his powers, Abdulrazak Gurnah gives us in Desertion a spellbinding novel of forbidden love and cultural upheaval, with consequences powerfully reverberating through three generations and across continents—from the heyday of the British empire to the aftermath of African independence.

Shortlisted for the Booker Prize and the Whitbread Award, Paradise was characterized by the Nobel Prize committee as Abdulrazak Gurnah’s “breakthrough” work. It is at once the chronicle of an African boy’s coming-of-age, a tragic love story, and a tale of the corruption of African tradition by European colonialism.

On a late November afternoon, Saleh Omar arrives at Gatwick Airport from his native Zanzibar. With him he has a small bag in which lies his most precious possession—a mahogany box containing incense. He used to own a furniture shop, have a house and be a husband and father. Now he is an asylum seeker from paradise, silence his only protection.

Spanning the years 1900 to 1977, The Covenant of Water is set in Kerala, on South India’s Malabar Coast, and follows three generations of a family that suffers a peculiar affliction: in every generation, at least one person dies by drowning—and in Kerala, water is everywhere. At the turn of the century, a twelve-year-old girl from Kerala’s long-existing Christian community, grieving the death of her father, is sent by boat to her wedding, where she will meet her forty-year-old husband for the first time.

Set in the mountains of southern Appalachia, Demon Copperhead is the story of a boy born to a teenaged single mother in a single-wide trailer, with no assets beyond his dead father’s good looks and copper-colored hair, a caustic wit, and a fierce talent for survival. Relayed in his own unsparing voice, Demon braves the modern perils of foster care, child labor, derelict schools, athletic success, addiction, disastrous loves, and crushing losses.

The Years is a personal narrative of the period of 1941 to 2006 told through the lens of memory, impressions past and present - even projections into the future - photos, books, songs, radio, television, and decades of advertising and headlines, contrasted with intimate conflicts and written notes from six decades of diaries. Local dialect, words of the time, slogans, brands, and names for ever-proliferating objects are given a voice here. The voice we recognize as the author's continually dissolves and re-emerges.

Even through the roar and effervescence of the 1920s, everyone in New York has heard of Benjamin and Helen Rask. He is a legendary Wall Street tycoon; she is the daughter of eccentric aristocrats. Together, they have risen to the very top of a world of seemingly endless wealth—all as a decade of excess and speculation draws to an end. But at what cost have they acquired their immense fortune? This is the mystery at the center of Bonds, a successful 1937 novel that all of New York seems to have read. Yet there are other versions of this tale of privilege and deceit.

Colombo, 1990. Maali Almeida—war photographer, gambler, and closet queen—has woken up dead in what seems like a celestial visa office. His dismembered body is sinking in the serene Beira Lake and he has no idea who killed him. In a country where scores are settled by death squads, suicide bombers, and hired goons, the list of suspects is depressingly long, as the ghouls and ghosts with grudges who cluster round can attest. But even in the afterlife, time is running out for Maali.

When the world is still counting the cost of the Second World War and the Iron Curtain has closed, eleven-year-old Roland Baines's life is turned upside down. 2,000 miles from his mother's protective love, stranded at an unusual boarding school, his vulnerability attracts piano teacher Miss Miriam Cornell, leaving scars as well as a memory of love that will never fade.

In the wake of an unimportant battle between two long-forgotten kingdoms in fourteenth-century southern India, a nine-year-old girl has a divine encounter that will change the course of history. After witnessing the death of her mother, the grief-stricken Pampa Kampana becomes a vessel for a goddess, who begins to speak out of the girl’s mouth. Granting her powers beyond Pampa Kampana’s comprehension, the goddess tells her that she will be instrumental in the rise of a great city called Bisnaga—“victory city”—the wonder of the world.

Florence, the 1550s. Lucrezia, third daughter of the grand duke, is comfortable with her obscure place in the palazzo: free to wonder at its treasures, observe its clandestine workings, and to devote herself to her own artistic pursuits. But when her older sister dies on the eve of her wedding, Lucrezia is thrust into the limelight: the duke is quick to request her hand in marriage, and her father just as quick to accept on her behalf. Having barely left girlhood behind, Lucrezia must make her way in a court whose customs are opaque and where her arrival is not universally welcomed.

Every Friday for the last 25 years of her life, I had lunch with Charlotte and each week she told me more of her extraordinary story. To all appearances, she was a strong and dignified survivor, with old-world courtesies, a twinkling sense of humor, and a lilting Austrian syntax. Yet deep within, she'd been scarred by a profound personal trauma.

Baumgartner’s life had been defined by his deep, abiding love for his wife, Anna, who was killed in a swimming accident nine years earlier. Now 71, Baumgartner continues to struggle to live in her absence as the novel sinuously unfolds into spirals of memory and reminiscence, delineated in episodes spanning from 1968, when Sy and Anna meet as broke students working and writing in New York, through their passionate relationship over the next 40 years, and back to Baumgartner’s youth in Newark and his Polish-born father’s life as a dress-shop owner and failed revolutionary.

In this lyrical, unsentimental, and compelling memoir, the son of a Black African father and a White American mother searches for a workable meaning to his life as a Black American. It begins in New York, where Barack Obama learns that his father - a figure he knows more as a myth than as a man - has been killed in a car accident. This sudden death inspires an emotional odyssey - first to a small town in Kansas, from which he retraces the migration of his mother’s family to Hawaii, and then to Kenya, where he meets the African side of his family.

When the Templeton family from England takes up residence in a stately home in country Australia, they set the locals talking – and with good reason. From the outside, the seven Templetons seem so bohemian, peculiar even. No one is more intrigued by the family than their neighbours, single mother Nina Donovan and her young son Tom. Before long, the two families' lives become entwined in unexpected ways.

Kemal, scion of one of the city's wealthiest families, is about to become engaged to Sibel, daughter of another prominent family, when he encounters Füsun, a beautiful shopgirl and a distant relation. Once the long-lost cousins violate the code of virginity, a rift begins to open between Kemal and the world of the Westernized Istanbul bourgeosie - a world, as he lovingly describes it, with opulent parties and clubs, society gossip, picnics, and mansions on the Bosphorus, infused with the melancholy of decay.

Mary Doyle arrives in Dublin in 1913, doomed, she fears, to a life of domestic service. Instead, however, she finds herself deeply affected by the social and political turmoil of a fledgling nation struggling for independence. Suddenly, all that was once inevitable is no longer a certainty as she is embroiled in the very heart of the Easter Rising.

On the brink of a life-changing decision, Alexis Fielding plans a trip to her mother's childhood home in Plaka, Greece hoping to unravel Sofia's hidden past. Given a letter to take to Sofia's old friend, Fotini, Alexis is promised that through Fotini, she will learn more. Arriving in Plaka, Alexis is astonished to see that it lies a stone's throw from the deserted island of Spinalonga—Greece's former leper colony. Fotini reveals the story that Sofia has buried all her life: the tale of her great-grandmother Eleni and her daughters, and a family rent by tragedy, war, and passion.

When Hisham Matar was a 19-year-old university student in England, his father was kidnapped. One of the Qaddafi regime's most prominent opponents in exile, he was held in a secret prison in Libya. Hisham would never see him again. But he never gave up hope that his father might still be alive. "Hope," as he writes, "is cunning and persistent." Twenty-two years later, after the fall of Qaddafi, the prison cells were empty, and there was no sign of Jaballa Matar. Hisham returned with his mother and wife to the homeland he never thought he'd go back to again.

Now a major motion picture directed by Stephen Frears ( The Queen, High Fidelity) and starring Judi Dench ( Skyfall, Notes on a Scandal) and Steve Coogan ( The Trip, Hamlet 2): the heartbreaking true story of an Irishwoman and the secret she kept for 50 years. When she became pregnant as a teenager in Ireland in 1952, Philomena Lee was sent to a convent to be looked after as a "fallen woman". Then the nuns took her baby from her and sold him, like thousands of others, to America for adoption. Fifty years later, Philomena decided to find him.

David is the small boy who is always asking questions. Simon and Ines take care of him in their new town, Estrella. He is learning the language; he has begun to make friends. He has the big dog, Bolivar, to watch over him. But he'll be seven soon, and he should be at school. And so, with the guidance of the three sisters who own the farm where Simon and Ines work, David is enrolled in the Academy of Dance. It's here, in his new golden dancing slippers, that he learns how to call down the numbers from the sky.

New York Times best-selling author Alexander McCall Smith, winner of the first-ever Saga Award for Wit, has entertained millions with his beloved No. 1 Ladies' Detective Agency mysteries. Now this phenomenally popular author introduces a fresh series, brimming with the charm and humor his stable of dedicated fans can't get enough of.

The brilliant Alexander McCall Smith became an international sensation with his New York Times best-selling No. 1 Ladies' Detective Agency novels. His award-winning wit, made famous through that series, is fully on display in 44 Scotland Street.

Cyril Avery is not a real Avery - or at least that's what his adoptive parents tell him. And he never will be. But if he isn't a real Avery, then who is he? Born out of wedlock to a teenage girl cast out from her rural Irish community and adopted by a well-to-do if eccentric Dublin couple via the intervention of a hunchbacked Redemptorist nun, Cyril is adrift in the world, anchored only tenuously by his heartfelt friendship with the infinitely more glamourous and dangerous Julian Woodbead.

Hannah Shah is an Imam's daughter. She lived the life of a devout Muslim in a family of Pakistani Muslims in England, but behind the front door, she was a caged butterfly. For many years, her father abused her in the cellar of their home. At 16, she discovered a plan to send her to Pakistan for an arranged marriage, and she gathered the courage to run away. Relentlessly hunted by her angry father and brothers, who were intent on executing an "honor" killing, she moved from house to house in perpetual fear to escape them.

Find Me Unafraid tells the uncommon love story between two uncommon people whose collaboration sparked a successful movement to transform the lives of vulnerable girls and the urban poor. With a foreword by Nicholas Kristof.

In "Books and Roses", one special key opens a library, a garden, and clues to at least two lovers' fates. In "Is Your Blood as Red as This?", an unlikely key opens the heart of a student at a puppeteering school. "'Sorry' Doesn't Sweeten Her Tea" involves a "house of locks", where doors can be closed only with a key - with surprising unobservable developments. And in "If a Book Is Locked There's Probably a Good Reason for That Don't You Think", a key keeps a mystical diary locked (for good reason).

Catalina, grand-daughter of Spanish refugees, is a disciplined student with the School of the Paris Opera Ballet. Little gets inthe way of her career until the visit of an otherworldly being, who leaves her a mysterious pair of golden earrings. Given a quest, Catalina realises she must explore her own Spanish heritage and makes the connection between the visitor and ‘La Rusa’, a young Andalusian flamenco star. La Rusa died in exile in Paris in 1952, her death ruled as suicide. But as Catalina begins to discover, there were those in the community, who had good reason for wanting La Rusa dead.

When he was just a boy, Ilyas was stolen from his parents on the coast of East Africa by German colonial troops. After years away, fighting against his own people, he returns home to find his parents gone and his sister, Afiya, abandoned into de facto slavery. Hamza, too, returns home from the war, scarred in body and soul and with nothing but the clothes on his back—until he meets the beautiful, undaunted Afiya.

Shortlisted for the Booker Prize and the Whitbread Award, Paradise was characterized by the Nobel Prize committee as Abdulrazak Gurnah’s “breakthrough” work. It is at once the chronicle of an African boy’s coming-of-age, a tragic love story, and a tale of the corruption of African tradition by European colonialism.

Abbas has never told anyone about his past—before he was a sailor on the high seas, before he met his wife Maryam outside a drugstore in Exeter, before they settled into a quiet life with their children, Jamal and Hanna. Now, at the age of sixty-three, he suffers a collapse that renders him unable to speak about things he thought he would one day have to.

Chopin's heart is carried back to Warsaw in secret by his adoring sister. A woman must return to her native Poland in order to poison her terminally ill high school sweetheart, and a young man slowly descends into madness when his wife and child mysteriously vanish during a vacation and just as suddenly reappear. Through these brilliantly imagined characters and stories, interwoven with haunting, playful, and revelatory meditations, Flights explores what it means to be a traveler, a wanderer, a body in motion not only through space but through time.

On a late November afternoon, Saleh Omar arrives at Gatwick Airport from his native Zanzibar. With him he has a small bag in which lies his most precious possession—a mahogany box containing incense. He used to own a furniture shop, have a house and be a husband and father. Now he is an asylum seeker from paradise, silence his only protection.

He thinks, as he escapes from Zanzibar, that he will probably never return, and yet the dream of studying in England matters above that. Things do not happen quite as he imagined—the school where he teaches is cramped and violent, he forgets how it feels to belong. But there is Emma, beautiful, rebellious Emma, who turns away from her white, middle-class roots to offer him love and bear him a child. And in return, he spins stories of his home and keeps her a secret from his family. Twenty years later, the barriers come down in Zanzibar and he is able and compelled to go back.

Poverty and depravity wreak havoc on Hassan Omar’s family. Amid great hardship he decides to escape. The arrival of independence brings new upheavals as well as the betrayal of the promise of freedom. The new government, fearful of an exodus of its most able men, discourages young people from travelling abroad and refuses to release examination results. Deprived of a scholarship, Hassan travels to Nairobi to stay with a wealthy uncle, in the hope that he will release his mother’s rightful share of the family inheritance.

Pak Jun Do is the haunted son of a lost mother - a singer “stolen” to Pyongyang - and an influential father who runs Long Tomorrows, a work camp for orphans. There the boy is given his first taste of power, picking which orphans eat first and which will be lent out for manual labor. Recognized for his loyalty and keen instincts, Jun Do comes to the attention of superiors in the state, rises in the ranks, and starts on a road from which there will be no return.

Dottie Badoura Fatma Balfour finds solace amidst the squalor of her childhood by spinning warm tales of affection about her beautiful names. But she knows nothing of their origins, and little of her family history—or the abuse her ancestors suffered as they made their home in Britain. At seventeen, she takes on the burden of responsibility for her brother and sister and is obsessed with keeping the family together. However, as Sophie, lumpen yet voluptuous, drifts away, and the confused Hudson is absorbed into the world of crime, Dottie is forced to consider her own needs.

In the mid-18th century, as new ideas—and a new unrest—begin to sweep the Continent, a young Jew of mysterious origins arrives in a village in Poland. Before long, he has changed not only his name but his persona; visited by what seem to be ecstatic experiences, Jacob Frank casts a charismatic spell that attracts an increasingly fervent following.

When Elwood Curtis, a black boy growing up in 1960s Tallahassee, is unfairly sentenced to a juvenile reformatory called the Nickel Academy, he finds himself trapped in a grotesque chamber of horrors. Elwood’s only salvation is his friendship with fellow “delinquent” Turner, which deepens despite Turner’s conviction that Elwood is hopelessly naive, that the world is crooked, and that the only way to survive is to scheme and avoid trouble.