From the number-one best-selling author of The Ashes of London and The Fire Court this is the first instalment in the acclaimed Lydmouth series. Workmen in the small market town of Lydmouth are demolishing an old cottage. A sledgehammer smashes into what looks like a solid wall. Instead, layers of wallpaper conceal the door of a locked cupboard which holds a box - and in the box is the skeleton of a young baby.

Florence, the 1550s. Lucrezia, third daughter of the grand duke, is comfortable with her obscure place in the palazzo: free to wonder at its treasures, observe its clandestine workings, and to devote herself to her own artistic pursuits. But when her older sister dies on the eve of her wedding, Lucrezia is thrust into the limelight: the duke is quick to request her hand in marriage, and her father just as quick to accept on her behalf. Having barely left girlhood behind, Lucrezia must make her way in a court whose customs are opaque and where her arrival is not universally welcomed.

London, September 1666. The Great Fire rages through the city, consuming everything in its path. Even the impregnable cathedral of St. Paul's is engulfed in flames and reduced to ruins. Among the crowds watching its destruction is James Marwood, son of a disgraced printer and reluctant government informer. In the aftermath of the fire, a semi-mummified body is discovered in the ashes of St. Paul's, in a tomb that should have been empty. The man's body has been mutilated, and his thumbs have been tied behind his back.

England, 1819. Two enigmatic Americans arrive in London and soon after, a bank collapses. A man is found dead on a building site; another goes missing in the teeming stews of Seven Dials. A deathbed vigil ends in an act of theft and a beautiful heiress flirts with her inferiors. A strange destiny links each of these events to the American boy Edgar Allen Poe, brought to England by his foster father and sent to the leafy village of Stoke Newington to be educated.

Harriet Vanger, a scion of one of Sweden's wealthiest families disappeared over forty years ago. All these years later, her aged uncle continues to seek the truth. He hires Mikael Blomkvist, a crusading journalist recently trapped by a libel conviction, to investigate. He is aided by the pierced and tattooed punk prodigy Lisbeth Salander. Together they tap into a vein of unfathomable iniquity and astonishing corruption.

This is a tale of sorrow, a tale of survival, a tale of one man's search for meaning in his universe, and how that search, and the indomitable will that drove it, gave birth to a legend.

Zachary Quinto - best known for his role as the Nimoy-approved Spock in the recent Star Trek reboot and the menacing, power-stealing serial killer, Sylar, in Heroes - brings his well-earned sci-fi credentials and simmering intensity to this audio-exclusive novella from master storyteller John Scalzi. One day, not long from now, it becomes almost impossible to murder anyone - 999 times out of a thousand, anyone who is intentionally killed comes back. How? We don't know.

This is the way the world ends...for the last time. It starts with the great red rift across the heart of the world's sole continent, spewing ash that blots out the sun. It starts with death, with a murdered son and a missing daughter. It starts with betrayal, and long dormant wounds rising up to fester. This is the Stillness, a land long familiar with catastrophe, where the power of the Earth is wielded as a weapon. And where there is no mercy.

On the world called Hyperion, beyond the law of the Hegemony of Man, there waits the creature called the Shrike. There are those who worship it. There are those who fear it. And there are those who have vowed to destroy it. In the Valley of the Time Tombs, where huge, brooding structures move backward through time, the Shrike waits for them all.

It's 1949. When war veteran Aloysius Archer is released from Carderock Prison, he is sent to Poca City on parole with a short list of dos and a much longer list of don'ts: do report regularly to his parole officer, don't go to bars, certainly don't drink alcohol, do get a job - and don't ever associate with loose women. The small town quickly proves more complicated and dangerous than Archer's years serving in the war or his time in jail.

The year is 1896, the place, New York City. On a cold March night New York Times reporter John Schuyler Moore is summoned to the East River by his friend and former Harvard classmate Dr. Laszlo Kreizler, a psychologist, or "alienist." On the unfinished Williamsburg Bridge, they view the horribly mutilated body of an adolescent boy, a prostitute from one of Manhattan's infamous brothels.

One of the most revered works in English literature, Great Expectations traces the coming of age of a young orphan, Pip, from a boy of shallow aspirations into a man of maturity. From the chilling opening confrontation with an escaped convict to the grand but eerily disheveled estate of bitter old Miss Havisham, all is not what it seems in Dickens’ dark tale of false illusions and thwarted desire.

In this prequel to the international best seller The Ruin, set 10 years prior, bright-eyed Carrie Ryan is at the very start of her career. When she has a hunch about an ongoing murder investigation, she knows it could be her only chance to prove herself and truly break into the “boys' club” of Dublin’s police force.

English magicians were once the wonder of the known world, with fairy servants at their beck and call; they could command winds, mountains, and woods. But by the early 1800s they have long since lost the ability to perform magic. They can only write long, dull papers about it, while fairy servants are nothing but a fading memory.

Oliver Ryan, handsome, charismatic, and successful, has long been married to his devoted wife, Alice. Together they write and illustrate award-winning children's books; their life together is one of enviable privilege and ease - until, one evening after a delightful dinner, Oliver delivers a blow to Alice that renders her unconscious and subsequently beats her into a coma.