Pakistani American Farah Naz Rishi’s first year of college was perfectly, thankfully, uneventful. After all, she was in college to learn and forge a path of self-sufficiency, especially after her last relationship fell apart—dashing her mother’s aspirations for an early marriage. What could Farah expect, anyway? For the ideal guy to just conveniently waltz into her life? Life isn’t a love story.

This passionate autobiography—at once history lesson, prison memoir, metaphysical inquiry, love story, and cry for justice—provides insights into the Israeli occupation and the struggle of the Palestinian people.

As an Afghan girl, Zarifa Adiba has big, unfathomable dreams. Her family is poor, her country mired in conflict. Walking to school in Kabul, Zarifa has to navigate suicide bombers. But Zarifa perseveres, nurturing her passion for music despite its “sinful” nature under Taliban law. At sixteen, she gains admission to the Afghanistan National Institute of Music, and at eighteen she becomes the lead violist, conductor, and spokesperson for Zohra, the first all-female orchestra in the Muslim world.

Zarifa Ghafari was three years old when the Taliban banned girls from schools, and she began her education in secret. She was seven when American airstrikes began. She was twenty-six when she became mayor—the only female mayor in the country—of Maidan Wardak, Kabul. An extremist mob barred her from her office; her male staff walked out in protest; assassins tried to kill her six times. Finally, they killed their father. Ghafari stood her ground. She ended corruption in the province, promoted peace and tried to lift up women, despite constant fear for herself and her family.

Nabil, freshly plucked from middle school in Scarborough, is struggling to find his place at Al Haque Islamic Academy. Between the intense religious studies and new rules, he still longs for his past life of baseball, video games, comic books, and girls. When he stumbles upon Maaz and Nawaaz doing something they shouldn't be doing, he quickly falls into their company and joins them in their misdeeds. And together with the new transfer student and unruly class clown Farid, the group executes their rebellion.

By the time he was twelve, Taymullah Abdur-Rahman (born Tyrone Sutton) was a rising pop star, recruited as part of the RB group Perfect Gentlemen, with a top-ten hit, national teen magazine covers, and an appearance on The Oprah Winfrey Show. However, after his music career peaked, Abdur-Rahman found himself back home, with little to show for his success. He quickly became a teen father struggling to survive in Roxbury, MA. Seeing Islam as a way out of his hard-scrabble environment, he happily converted.

The daughter of Indian and Pakistani intellectuals and advocates, Abedin grew up in the United States and Saudi Arabia and traveled widely. Both/And grapples with family, legacy, identity, faith, marriage, motherhood - and work - with wisdom, sophistication, grace, and clarity.

As an immigrant who came to the West, El Akkad believed that it promised freedom. A place of justice for all. But in the past twenty years, reporting on the War on Terror, Ferguson, climate change, Black Lives Matter protests, and more, and watching the unmitigated slaughter in Gaza, El Akkad has come to the conclusion that much of what the West promises is a lie. That there will always be entire groups of human beings it has never intended to treat as fully human—not just Arabs or Muslims or immigrants, but whoever falls outside the boundaries of privilege.

Razia Mirza grows up amid the wild grape vines and backyard sunflowers of Corona, Queens, with her best friend, Saima, by her side. When a family rift drives the girls apart, Razia’s heart is broken. She finds solace in Taslima, a new girl in her close-knit Pakistani-American community. They embark on a series of small rebellions: listening to scandalous music, wearing miniskirts, and cutting school to explore the city.

When fourteen-year-old Lamya H realizes she has a crush on her teacher—her female teacher—she covers up her attraction, an attraction she can’t yet name, by playing up her roles as overachiever and class clown. Born in South Asia, she moved to the Middle East at a young age and has spent years feeling out of place, like her own desires and dreams don’t matter, and it’s easier to hide in plain sight. To disappear. But one day in Quran class, she reads a passage about Maryam that changes everything: When Maryam learned that she was pregnant, she insisted no man had touched her.