Quiara Alegría Hudes was the sharp-eyed girl on the stairs while her family danced their defiance in a tight North Philly kitchen. She was awed by her mother and aunts and cousins, but haunted by the unspoken, untold stories of the barrio — even as she tried to find her own voice in the sea of language around her, written and spoken, English and Spanish, bodies and books, Western art and sacred altars.

The Montoyas are used to a life without explanations. They know better than to ask why the pantry never seems to run low, or why their matriarch won’t ever leave their home in Four Rivers - not for graduations, weddings, or baptisms. But when Orquídea Divina invites them to her funeral and to collect their inheritance, they hope to learn the secrets that she has held onto so tightly their whole lives. Instead, Orquídea is transformed into a ceiba tree, leaving them with more questions than answers.

Maria Hinojosa is an award-winning journalist who, for nearly 30 years, has reported on stories and communities in America that often go ignored by the mainstream media - from tales of hope in the South Bronx to the unseen victims of the war on terror and the first detention camps in the US. Best-selling author Julia Álvarez has called her “one of the most important, respected, and beloved cultural leaders in the Latinx community”. In Once I Was You, Maria shares her intimate experience growing up Mexican American on the South Side of Chicago.

No one expects to meet their father at their mother’s funeral. But for Gabby Medina, that’s exactly what happens. Her dad abandoned her when she was a baby, and now he’s back. And he wants to give her a house. Gabby doesn’t want the house—or him. But she could use the money. So Gabby agrees to take it under two conditions: First, she can sell the house whenever she wants. Second, accepting it doesn’t mean she accepts him.

Alejandra Campoverdi has been a child on welfare, a White House aide to President Obama, a Harvard graduate, a gang member’s girlfriend, and a candidate for U.S. Congress. She’s ridden on Air Force One and in G-rides. She’s been featured in Maxim magazine and had a double mastectomy. Living a life of contradictory extremes often comes with the territory when you’re a “First and Only.” It also comes at a price. With candor and heart, Alejandra retraces her trajectory as a Mexican American woman raised by an immigrant single mother in Los Angeles.

Violeta Sanoguera had always done what she was told. She left the man she loved in Colombia in pursuit of a better life for herself and because her mother and grandmother didn’t approve of him. Chasing dreams of education and art in New York City, and with a new love, twenty-eight-year-old Violeta establishes a new life for herself, on her terms. But when her grandmother suddenly dies, everything changes.

As the fatherless biracial child of a Mexican immigrant, Danny Donnelly was never expected to amount to much. Before the age of nine, his single mother had moved her seven children more than thirty times—from the impoverished streets of South Central Los Angeles to rural Oregon and everywhere in between.

Set in a fictional small town on the Texas-Mexico border, it tells the funny, sad, and quietly outrageous saga of the children and grandchildren of Mama Chona the indomitable matriarch of the Angel clan who fled the bullets and blood of the 1911 revolution for a gringo land of promise. In bold creative strokes, Islas paints on unforgettable family portrait of souls haunted by ghosts and madness - sinners torn by loves, lusts, and dangerous desires.

From the award-winning, best-selling author of When I Was Puerto Rican, a powerful novel of family, race, faith, sex, and disaster that moves between Puerto Rico and the Bronx, revealing the lives and loves of five women and the secret that binds them together.

Elio Morillo’s life is abruptly spun out of orbit when economic collapse and personal circumstances compel his mother to flee Ecuador for the United States in search of a better future for her son. His itinerant childhood sets into motion a migration that will ultimately carry Elio to the farthest expanse of human endeavor: space.

A veteran of New York and national politics, Luis Miranda embodies the relentless spirit of progress of American immigrants. There is no one on the Latino, New York, and national political scene with the breadth of experience, passion, and storytelling charm of Luis Miranda. In Relentless, he shares a fascinating narrative of his life and career—from his early days as a radically minded Puerto Rican activist to his decades of political advice and problem-solving.

THE WAY FROM ME TO US is the story of two pioneers. It’s the true account of a love that began nearly 50 years ago in a Nashville gay bar called The Other Side. It was 1977, when coming out could mean you lost everything. Your job. Your friends. Your family. Mike and Ted were all too aware of the risks at the bar that night. It was literally a step to the other side for Mike, who was nowhere near as accepting of his true self as Ted was of his. “I like being gay,” Ted told him. “I’d like to find somebody who likes being gay with me.”

A unique collection of 41 groundbreaking essays, poems, and artwork by migrants, refugees and Dreamers—including award-winning writers, artists, and activists—that illuminate what it is like living undocumented today.

New York, 1998. Santiago Larrea, a wealthy Argentine diplomat, is holding court alongside his wife, Lila, and their daughter, Paloma, a college student and budding jewelry designer, at their annual summer polo match and soiree. All seems perfect in the Larreas’ world—until an unexpected party guest from Santiago's university days shakes his usually unflappable demeanor. The woman's cryptic comments spark Paloma’s curiosity about her father’s past, of which she knows little. Paloma is determined to learn more about his life in the years leading up to the dictatorship of 1976.

Creep is “sharp, conversational cultural criticism” (Bustle), a blistering and slyly informal sociology of creeps (the individuals who deceive, exploit, and oppress) and creep culture (the systems, tacit rules, and institutions that feed them and allow them to grow and thrive). In eleven bold, electrifying pieces, Gurba mines her own life and the lives of others—some famous, some infamous, some you’ve never heard of but will likely never forget—to unearth the toxic traditions that have long plagued our culture and enabled the abusers who haunt our books, schools, and homes.