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A Voice in the Night
DI Wilkins Mysteries, Book 4
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Narrated by:
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Matt Addis
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By:
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Simon Mason
About this listen
DEEP DECEPTION. TWISTED FATE.
'As great a contribution to the noble British genre of detective fiction as any writer for decades' Stephen Fry
Thames Valley has a new Superintendent - DCS Wainwright - young, charismatic and ruthless, charged with pushing through big reforms. Her in-tray is full of problems - and at the top of the pile is the problem of Wilkins and Wilkins.
Trailer park boy DI Ryan Wilkins, interesting looking in baggy trackies and over-large lime-green puffa. In his personnel file is a handwritten note scribbled by the outgoing Super: 'Do not, repeat not, give him responsibility.' And posh boy DI Ray Wilkins, improbably handsome in navy blazer and tan chinos: 'Thinks too highly of himself. More experience needed at the wet end.' Their previous investigations - though somehow successful - were models of disorder and dysfunction. The new Super needs to take action.
There's been a shocking murder in the heart of Oxford, the stabbing of a security guard during an attempted armed robbery. Meanwhile, an elderly professor of linguistics goes missing from his home in cosy Iffley Village.
The high-profile murder investigation can be safely handled by reliable detective DI Hare. The entry-level enquiry into the wandering academic can be given to the problem duo, with instructions to keep it simple. But when the body of the professor is found, still dressed in his pyjamas and dripping wet, spreadeagled on a hotel lawn miles from home, things get a little unexpected for the Wilkinses. Will Ray keep on top of the brief? Will Ryan keep it together?
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Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.
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A ferrari with no motor
- By will on 11-18-17
By: Andy Weir
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Say No More
- By: Caroline Overington
- Narrated by: Anna Skellern
- Length: 5 hrs and 47 mins
- Original Recording
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Who is Audrey Hoedemaker? It's a question her sister Maureen has heard more times than she can count, and she doesn't know what the short answer would be. Little sister, troubled teen, backpacker, musical theatre coach, con artist, childcare worker. Murderer. A tragic, traumatic childhood casts a long shadow on the Hoedemaker sisters. Maureen has worked hard to move beyond the violence of the past and build a good, honest life for herself. Audrey, however, just can't seem to do the same, careening from one state of chaos to another.
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Wow! Didn’t see that coming!
- By linda on 02-10-25
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The Grandmother
- By: Jane E. James
- Narrated by: Anna Cordell, Max Dinnen
- Length: 8 hrs and 39 mins
- Unabridged
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Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.
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Not too outlandish
- By Jackie H on 12-14-24
By: Jane E. James
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10 Rules for the Perfect Murder
- By: James Patterson, Chris Tebbetts
- Narrated by: Reid Scott, Cobie Smulders, full cast
- Length: 3 hrs and 2 mins
- Original Recording
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After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”
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Tricky
- By Robert Scott Read on 10-30-24
By: James Patterson, and others
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7 Hours to Die
- By: James Patterson, Duane Swierczynski
- Narrated by: Sarah Paulson, Patina Miller, Mel Rodriguez, and others
- Length: 2 hrs and 25 mins
- Original Recording
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Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.
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This was such a fun Quick listen
- By Mdc on 10-08-24
By: James Patterson, and others
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The Ex
- By: Freida McFadden
- Narrated by: Nicol Zanzarella
- Length: 8 hrs and 33 mins
- Unabridged
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Cassie thinks she has met the perfect man. Joel is sweet, handsome, romantic, and best of all, he’s crazy about Cassie. She thinks she’s found the guy she’ll spend the rest of her life with. Have children with. Grow old with. Yes, she knows about his perfect ex-girlfriend, Francesca. The beautiful, brilliant chef, beloved by all his friends. But she thinks Francesca is out of the picture. She thinks Francesca is gone for good. Think again, Cassie.
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Too bizarre for someone who loves bizarre
- By G. C. Webster on 07-01-22
By: Freida McFadden
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Too Late
- Definitive Edition
- By: Colleen Hoover
- Narrated by: Ryan Gray, Maxine Mitchell, Joe Arden
- Length: 10 hrs and 19 mins
- Unabridged
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Sloan will go through hell and back for those she loves. And she does so, every single day. Caught up with the alluring Asa Jackson, a notorious drug trafficker, Sloan has finally found a lifeline to cling to, even if it’s meant compromising her morals. She was in dire straits trying to pay for her brother’s care until she met Asa. But as Sloan became emotionally and economically reliant on him, he in turn developed a disturbing obsession with her—one that becomes increasingly dangerous every day.
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Triggering and poor narration
- By Katherine Epperson on 07-11-23
By: Colleen Hoover
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What listeners say about A Voice in the Night
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Teacher 44
- 01-19-25
Best Yet in a Great Series
I have loved this series since A KILLING IN NOVEMBER, and I have become a huge fan of Simon Mason's writing. His deft character portraits make me concerned for even minor characters, but I absolutely love Ryan Wilkins, and his son Little Ryan. Readers must have told Mason how much they love this boy because he has more dialogue in this title and every bit of it is perfect--it will either delight you or break your heart. Mason also provides more dimension to both Jade Wilkins and Ray Wilkins, and I found the plot compelling enough that I forgot my Saturday chore list and focused only on this wonderful mystery.
I hope Simon Mason NEVER loses Matt Addis as narrator, as his gift for making the characters come alive provide a rich and vibrant performance. Kudos to Simon Mason, and Matt Addis, and their respective publishers. Keep this series coming!
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- Anonymous User
- 01-19-25
Please write more!
I absolutely love this series. Ryan and his relationship with little Ry warm my heart. Ryan also has a great relationship with Ray as the unlikely pair solve crime.
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