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A Shadow on the Glass
- Narrated by: Grant Cartwright
- Length: 21 hrs and 26 mins
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Story
The Imperial Merchant Ship Chathrand is the last of her kind. Six hundred years old, the secrets of her construction long forgotten, the massive vessel dwarfs every other sailing craft in the world. It is a palace with sails, a floating outpost of the Empire of Arqual. And it is on its most vital mission yet: to deliver a young woman whose marriage will seal the peace between Arqual and its mortal enemy, the secretive Mzithrin Empire.
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Not Bad, not great.
- By Aerindel on 10-15-09
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The Ninth Rain
- The Winnowing Flame Trilogy, Book 1
- By: Jen Williams
- Narrated by: Jot Davies
- Length: 20 hrs and 6 mins
- Unabridged
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Jen Williams, acclaimed author of The Copper Cat trilogy, featuring The Copper Promise, The Iron Ghost and The Silver Tide, returns with the first in a blistering new trilogy. The great city of Ebora once glittered with gold. Now its streets are stalked by wolves. Tormalin the Oathless has no taste for sitting around waiting to die while the realm of his storied ancestors falls to pieces - talk about a guilt trip. Better to be amongst the living, where there are taverns full of women and wine.
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Couldn’t put it down!
- By Renae on 09-09-22
By: Jen Williams
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The Autumn Castle
- By: Kim Wilkins
- Narrated by: Richard Aspel
- Length: 19 hrs and 19 mins
- Unabridged
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Berlin in autumn: Christine Starlight lives in an artists' colony with her lover Jude, whose patience and beauty have eased her battle with chronic pain. But Christine begins to be haunted by childhood recollections of a little girl's disappearance and the flapping of a blackbird's wings. Then her world is rocked by the return of a childhood friend... Mayfridh rules over a land where a wolf is the queen's counsellor, fate turns on the fall of an autumn leaf and mortals feel no pain.
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Great Story, Horrible Narration
- By KathyDB on 03-24-15
By: Kim Wilkins
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Shadowmarch
- Shadowmarch, Volume I
- By: Tad Williams
- Narrated by: Dick Hill
- Length: 29 hrs and 19 mins
- Unabridged
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For generations the misty Shadowline has marked the boundary between the lands of men and the lost northern lands that are the lair of their inhuman enemies, the ageless Qar. But now that boundary line is moving outward, threatening to engulf the northernmost land in which humans still live - the kingdom of Southmarch.
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It's the characters that matter...
- By JC on 11-09-10
By: Tad Williams
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The Mirror Empire
- Worldbreaker Saga, Book 1
- By: Kameron Hurley
- Narrated by: Liza Ross
- Length: 17 hrs and 41 mins
- Unabridged
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On the eve of a recurring catastrophic event known to extinguish nations and reshape continents, a troubled orphan evades death and slavery to uncover her own bloody past - while a world goes to war with itself. In the frozen kingdom of Saiduan, invaders from another realm are decimating whole cities, leaving behind nothing but ash and ruin.
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Captivating & thrilling
- By Sean Higgins on 09-19-15
By: Kameron Hurley
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Edge of Eternity
- By: Randy Alcorn
- Narrated by: Roger Marsh, Phil Ross
- Length: 4 hrs and 25 mins
- Abridged
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Nick Seagrave is a disillusioned business executive who has lost loved ones to tragedy and his family to neglect. Now, at a point of great crisis, he finds himself inexplicably transported to what appears to be another world. Suddenly he's confronted with profoundly clear views of his own past and personality. And he's enabled to see, hear, taste, and smell the realities of both heaven and hell - realities that force him to face dangers and trials far greater than any he's known before.
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AMAZING
- By Julie R. VanderMate on 08-12-10
By: Randy Alcorn
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The Scar
- By: Sergey Dyachenko, Marina Dyachenko, Elinor Huntington - translator
- Narrated by: Jonathan Davis
- Length: 15 hrs and 17 mins
- Unabridged
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Sergey and Marina Dyachenko mix dramatic scenes with romance, action and wit, in a style both direct and lyrical. Written with a sure artistic hand, The Scar is the story of a man driven by his own feverish demons to find redemption and the woman who just might save him. Egert is a brash, confident member of the elite guards and an egotistical philanderer. But after he kills an innocent student in a duel, a mysterious man known as “The Wanderer” challenges Egert and slashes his face with his sword, leaving Egert with a scar that comes to symbolize his cowardice.
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Highly, highly, Highly Recommended
- By Robert on 08-13-12
By: Sergey Dyachenko, and others
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Dreamwalker
- The Ballad of Sir Benfro, Book 1
- By: J.D. Oswald
- Narrated by: Wayne Forester
- Length: 12 hrs and 23 mins
- Unabridged
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Penguin presents the unabridged, downloadable, audiobook edition of The Ballad of Sir Benfro: Dreamwalker, the first installment in the new fantasy series from JD Oswald, read by Wayne Forester. Miles from the great cities of the Twin Kingdoms, a young boy called Errol tries to find his way in the world. He's an outsider, and no one, not even himself, has any knowledge of his true lineage. Deep in the forest, Benfro, the young male dragon begins his training in the subtle arts.
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Entertaining, albeit predictable
- By Marilyn C on 02-05-15
By: J.D. Oswald
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Bloodleaf
- By: Crystal Smith
- Narrated by: Nicola Barber
- Length: 10 hrs and 35 mins
- Unabridged
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Princess Aurelia is a prisoner to her crown and the heir that nobody wants. Surrounded by spirits and banned from using her blood-magic, Aurelia flees her country after a devastating assassination attempt. To escape her fate, Aurelia disguises herself as a commoner in a new land and discovers a happiness her crown has never allowed. As she forges new bonds and perfects her magic, she begins to fall for a man who is forbidden to rule beside her.
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Not Understanding All the Praise
- By GPChlorine on 08-23-19
By: Crystal Smith
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The List
- By: Patricia Forde
- Narrated by: Imogen Wilde
- Length: 8 hrs and 10 mins
- Unabridged
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In the post-apocalyptic, neo-medieval city of Ark, speech is constrained to 500 sanctioned words. If somewhere were to speak outside that approved lexicon, they'd face banishment. The only exceptions to this rule are the Wordsmith and his apprentice, Letta. Together, they are the keepers and archivists of all language. But when Letta's master dies, she is suddenly promoted to Wordsmith and finds the situation more complicated than she knew.
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Love is Language
- By Jennie Smith on 02-19-21
By: Patricia Forde
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The Golden Queen
- The Golden Queen, Book 1
- By: David Farland
- Narrated by: Peter Ganim
- Length: 12 hrs and 48 mins
- Unabridged
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Insectoid Dronons have slain the queen Semarritte, throwing into chaos the ten thousand worlds over which she reigned. Desperate to save mankind, Lord Veriasse, Semarritte's near-immortal consort, has created a new queen: Everynne, cloned from her dead mother. Born to rule, Everynne instead is on the run, often only one planet ahead of advancing forces of the invaders, who recognize that Everynne is a powerful rallying point for threatened humanity.
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KISS ME QUICK BIRDS
- By Jim "The Impatient" on 06-16-14
By: David Farland
What listeners say about A Shadow on the Glass
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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Overall
- Mary Blake
- 08-14-10
Excellent series
This is a most excellent fantasy series. I've listened to hundreds, probably thousands, of Audible hours over the past few years and this is one of my favorites. The world Ian Irvine has created is well defined and completely believable. He keeps the tension tight throughout the four books: you are never bored. The plot is seldom predictable and the character development is extensive. There is a good balance between dreadful moments when things go all wrong for the heros, and "happy sigh" moments when things go just right. The reader is perfect with a rich variety of voices that are never annoying. The first book can be a bit tedious sometimes as the heroine is running for her life through most of it, but the other three books have a much better variety of action.
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6 people found this helpful
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Overall
- Jennifer L
- 09-13-10
Fabulous Read
This book is full of wonderful drawn characters, who exude warmth. You can feel their pain, sorrow and joys. I didn't want it to end. So much so that when it did I went right away and downloaded the next book. My daughters (age 11) loved it too. Especially since she is dyslexic and finds reading difficult. I make them listen to these books in the car and they love them.
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4 people found this helpful
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- Dale
- 12-03-15
Worst reader ever
This voice actor/reader is just awful. I can't stand it, so I going to read it myself.
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- Scott S.
- 03-13-12
Not quite good enough.
I really wanted to like this book. I seem to be currently waiting for the next installment of 3 or 4 different series. I was looking for a series of books that were already complete, and this story looked like a good one. I listened to the preview before downloading, and the narrator seemed to have a good voice, and I was excited to get started.
Unfortunately, I listened through this story, and never seemed to get into it. I kept listening, hoping it would get better as many books do, but it never did. Initially the story seemed to have promise. I liked both the characters of Llian and especially Karan. But soon Llian began to seem like a spoiled kid, and I lost interest in his part of the story. I continued to like Karan, but her story seemed jumbled and tedious. In one scene she is being chased by creatures through a swamp. The description of her struggle goes on forever. Just when you think it can't go any longer, she is suddenly free and the story takes up days later. Another thing that lacked was the magic in the story. Some sort of mind fighting between the characters that made little sense.
The last thing I didn't care for was the narrator. While I initially thought this would be a strength of the book, I soon found out I was wrong. Cartwright has a decent voice that was initially pleasing to listen too, but I started to notice that he continually stopped to swallow, and make noises that seemed like he was licking his lips. It became very distracting. I have never heard anything like it before in an audiobook.
Overall, this book had promise, it just never seemed to fulfill it.
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8 people found this helpful
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- John
- 06-06-12
Almost as Frustrating as Robin Hobb
Being an avid reader (listener) of fantasy books, I've grown to expect certain tropes. They don't NEED to be applied, they're just classic storytelling elements that have worked in the past. Tried and true, as it were. Sometimes effective authors can turn those tropes on their head and create shocking endings or amusing reversals of expectations. In any event, Ian Irvine sets up a massive amount of commonly used tropes early on in the book that come to absolutely no payoff, ironic or not. Reading this book is like feeling a sneeze coming on, then having nothing happen. I understand that this is the first novel in a series of, like, four, but the first novel was so off-putting that I really don't want to go on to the next one.
For example: early on in the novel, we're told that one of the main characters has a sort of empathic magic; able to sense the feelings of others and project her own feelings into the minds of others. At no point during the story is this talent used in any way that would benefit her. In fact, she becomes a complete liability precisely due to this magic. What's more is that during the first act of the novel, she's constantly ridiculed as a useless member of the Fantasy Quest until she finds herself alone. Here we might expect that hitherto useless magic to become a boon to her survival. Perhaps she could project feelings of pacifism onto her pursuers. But no. That doesn't happen. Instead she becomes Chuck Norris, Houdini, and Davy Crockett all rolled into one and her magic is never really used. And the only time her talents aid her in any way is a newly discovered spell that we're never told about until she thinks to use it. It almost seemed like the author was making things up as he went along.
In a similar vein, the author also gives us another protagonist, a master storyteller and historian. Early on we're given the impression that he's somewhat naive and short-sighted, and that his talents would only serve him in civilized areas. Normal fantasy logic would indicate that his story-telling abilities, while unused and undervalued at first, would come in handy later on. Maybe some oft-ignored bit of trivia would aid in solving a puzzle, getting our heroes out of a nasty scrape. Perhaps he would know some language many others don't, and be able to talk his way into getting aid from an unlikely source. He seemed to have an eidetic memory, maybe he'll be really good at memorizing and interpreting an old journal they find. But none of that ever happened. Instead nothing happened.
Well, nothing that's set up in the beginning of the book, at least. He's completely useless at the beginning of the book and he remains completely useless at the end of the book. Nothing changes. He doesn't learn how to defend himself, his talent affords him nothing of surpassing helpfulness, and every moment of heroism he has could be described as An Ordinary Person in an Extraordinary Situation. There was no reason for him to be a scribe or a storyteller at all. He could have been a janitor for all the help his on-the-job skills gave him.
Also, there seems to be a theme of People in Charge all being huge, manipulative jerks. They all act like entitled teenagers, lying, whining, and imposing their will upon people with less bullishness they they. Again, none of them seem to learn a lesson on civility towards their subordinates, even when faced with extraordinary evidence of their own failings.
My final complaint would be that the action never lets up. Normally that would be a good thing. David Gemmell, Brandon Sanderson, and Joe Abercrombie are all authors whose books have high levels of action, and I enjoy all of them. The key difference is that they're all experts at building up tension and releasing it with a climactic action scene. This could be done chapter by chapter, it could be done over a series of chapters, but the point is there must be a "room temperature" for the action scenes to have any impact. In this book, we're given two or three chapters of exposition, then a chase ensues and literally DOES NOT STOP until halfway through the book. After a brief respite, it starts up again and doesn't stop until the end of the book. Since the characters are so busy running around back and forth, they're given scant opportunity to talk, think, or grow in many ways. They become one-dimensional archetypes of The Cold, Mercurial Warrior Woman, The Clumsy, Effeminate Scribe, or the The Ruthless, Conflicted Wizard.
It's not all bad. There are some moments of high suspense. And I did find myself warming to the male protagonist, who remained naively well-meaning throughout. At the end of the book, though, no one's grown (unless you count going insane), no one's learned anything (in a cosmic, game-changing kind of way), and the balance of power - which was ridiculously unbalanced to begin with - retained the status quo from beginning to end.
I don't recommend it.
The voice actor was good, though.
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7 people found this helpful
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- Summer
- 06-12-18
lazy author doesn't bother with consistent rules
performance was great.
characters literally go from helpless against a regular criminal to scaring off powerful immortals and back to helpless without any explanation. the author makes no effort at consistency or character development just throws characters into the next encounter without bothering to apply logic or reason to the surrounding situation. I suffered through the whole book just to see if some underlying logic would be revealed but unfortunately it ended the same lazy fashion.
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