I used to have it all. My ex-boyfriend and I were madly in love and dreamed of starting a family. When I found out I couldn’t have children, it broke me. Now, at my job at the fertility clinic, I give other couples what I could never have. The day my ex and his new wife walk into my clinic, my heart shatters all over again. He’s back. Now, I stand here with a syringe trembling in my hand and an impossible decision to make: Do I help them conceive a child—even though I know he’s keeping a dangerous secret? Or do I protect his wife—my patient, now—and take what’s rightfully mine?

On the last day of school, my friends and I gather on the beach to celebrate the long summer ahead. Sipping cans of warm cider and watching campfire embers dance into the inky sky, I don’t think I’ve ever been happier. Until a scream pierces the night. The next morning, we find shy newcomer Pippa on the beach, sandflies gathering on her lifeless body…

When we move into the exclusive Westford Park housing estate, we feel safe at last. More like a country club, it has everything we might need – beautiful houses with big gardens, a pool, a boating lake, extensive grounds. It’s also got 24/7 security. Our new neighbours are lovely too. We start to make friendships that feel like they could last a lifetime. It feels like nothing could possibly go wrong here. It’s like our secrets haven’t followed us here. Or that’s what we think at first…

Young couple Elena and Adam are housesitting in a posh corner of London and are instantly seduced by their new upscale surroundings. Here, Elena meets her neighbor, the enigmatic artist Sophia, and soon becomes obsessed with her beauty, her easy poise, and her husband, Finn. Sophia is everything Elena isn’t—glamorous, alluring, successful—and Finn exerts a mysterious pull on Elena that she can’t seem to shake.

We loved our new neighbours straight away. They seemed so normal and friendly. Especially their bubbly teenage daughter Rachel. My partner Aaron and I soon doted on her and our teenage boys took quite a liking to her, too. But that was before I found my sensitive son Jacob comforting Rachel, tears running down her frightened face. They wouldn’t tell me what was wrong, and soon afterwards, Rachel fell from her bedroom window.

Sarah Westfield is unhappily married to perfect husband Nick. Handsome, devoted and kind, he should be the ideal man for her, but Sarah knows their marriage is the biggest mistake she’s ever made…and she wants out. But then Nick offers her one last chance to make their marriage work – a baby. Sarah is horrified – a baby would tie herself to this man forever…wouldn’t it? Or could it be exactly what she needs?

How well do you really know your own family? The wife: Eve is desperate for her life to be perfect. Living in a beautiful house, with gorgeous views of the countryside, is all she’s ever wanted. And she’ll do whatever it takes to hold onto her dream life. The son: Joe is a model student; he never puts a foot wrong. He knows his mother wouldn’t tolerate it. Until the night of his sixteenth birthday party, when things go horribly wrong and someone in the house is left fighting for their life. As the blue flashing lights of the police and ambulance arrive, all eyes are on the Griffiths family.

Twenty-five years ago, a young girl left home to walk to school. Her younger sister soon followed. But one of them arrived, and one of them didn’t. Her sister’s disappearance has defined Willa’s life. Everyone thinks her sister is dead, but Willa knows she isn’t. Because there are some things that only sisters know about each other—and some bonds only sisters can break. When Willa is invited to a party thrown by her first love, she has no reason to expect it will be anything other than an ordinary evening But nothing about Willa’s life has been ordinary since the day her sister disappeared.

A gifted new suspense writer makes her sizzling debut with this serpentine tale exploring all the ways in which men enact violence on women, how women try to reclaim their own sense of self, and the lingering effects on their children’s lives. Filled with shocking twists and turns, this is a book that both asks what it means for a woman to be in control of her life while also highlighting the impact of small daily violences upon women, and the connection between physical and psychological harm.

After my first husband died, I thought my heart was completely broken, and that I’d never feel happy again. Until I met Theo. He’s a doctor. A man who seems good and caring and kind. Soon after we start dating, he says he wants to marry me. And even though his grown-up children are less sure about me, to everyone else it’s the second chance for love and happiness I deserve. But the truth is maybe his children are right to be suspicious. Because I know something about Theo. That he was there in the operating theatre the day my first husband died. And I think it was his fault.

Three friends from small-town Pennsylvania set out to conquer Denali, North America's highest peak, but only two come down alive. On the mountain, their grand adventure unravels into a harrowing tale of survival, betrayal, and the haunting consequences of ambition pushed too far. For fans of Into Thin Air, Touching the Void, and 127 Hours, Denali has a full cast, jaw-dropping twists, and immersive sound design that will transport you to one of the most extreme environments on earth.

Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of best-selling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity's notes and outlines, hoping to find enough material to get her started. What Lowen doesn't expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read.

Two little girls stand with their heads bowed in my living room. I’m told they’re my granddaughters. Daisy is nine, and Alice seven. Daisy is the spitting image of her mother. This is the first time I’ve met them since my daughter and I fell out after she married that waste of space, Vince. They’ve come to live with me because their mother — my daughter — was murdered. In her own home while they slept close by. I think Vince killed her. But the police can’t prove it. I’ve always known he was no good. He treated my daughter like dirt. I said he’d cheat on her — but she wouldn’t listen.

It’s 1984, and life has changed beyond recognition. Airstrip One, formerly known as Great Britain, is a place where Big Brother is always watching, and nobody can hide. Except, perhaps, for Winston Smith. Whilst working at the Ministry of Truth, rewriting history, he secretly dreams of freedom. And in a world where love and sex are forbidden, where it’s hard to distinguish between friend and foe, he meets Julia and O’Brien and vows to rebel.

After the killing of a prominent mob lawyer, NYPD homicide detectives Jacob Jackson and Caitlin Grimes start receive chilling, written “rules” for how to commit the perfect murder. "Rule number one for the perfect murder: Evidence is your enemy. Leave none behind." Jackson (Reid Scott) and Grimes (Cobie Smulders) race to find the killer, setting them on a collision course with the city’s crime underbelly, and a perpetrator who seems happy to toy with them. “Rule number two. No crimes of passion. The perfect murder is always business, never pleasure.”

Kidnappers grabbed Jenna in broad daylight, right in front of her children and their horrified classmates. Her family was issued an insane ransom demand: $25 million in cash and jewels, payable by the end of the school day, otherwise they’ll never see her again. As Jenna’s mother scrambles to gather the money, detectives Mo Butler and George Ortega follow the trail of the kidnappers, which will lead them through a sordid landscape of jealous lovers, broken dreamers, and twisted schemers. But every second counts, and there’s one thing Jenna Wade doesn’t have: very much time.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down.

England, 1914. The world is at war. Captain Hastings, injured and shaken, is invited to Styles Court to recover. It’s a grand old country house - the family home of his old friend - and a perfect haven. Or so it seems. But in the blistering summer heat, trouble is afoot. Simmering tensions are tearing the family apart, and it all comes to a head in the most horrifying way.

Guy Montag is a fireman. In his world, where television rules and literature is on the brink of extinction, firemen start fires rather than put them out. His job is to destroy the most illegal of commodities, the printed book, along with the houses in which they are hidden. Montag never questions the destruction and ruin his actions produce, returning each day to his bland life and wife, Mildred, who spends all day with her television "family."

Jenny sits in the same seat on the same train every week, seeing familiar faces come and go. Until a chance encounter shatters her world. Sixteen years ago, Jenny survived a traumatic ordeal that left her best friend, Susie, missing and presumed dead. The world has its theories about what happened to Susie Patterson, and one of those theories points the finger at Jenny. Now she lives a quiet life, volunteering at a crisis helpline while trying to deal with her own anxiety and the true crime fans obsessed with finding her missing friend.