A Carnival of Snackery
Diaries: Volume Two
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Narrated by:
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David Sedaris
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Tracey Ullman
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By:
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David Sedaris
About this listen
There's no right way to keep a diary, but if there's an entertaining way, David Sedaris seems to have mastered it.
If it's navel-gazing you're after, you've come to the wrong place; ditto treacly self-examination. Rather, his observations turn outward: a fight between two men on a bus, a fight between two men on the street; collecting Romanian insults, or being taken round a Japanese parasite museum. There's a dirty joke shared at a book signing, then a dirtier one told at a dinner party - lots of jokes here. Plenty of laughs.
These diaries remind you that you once really hated George W. Bush, and that not too long ago, Donald Trump was a harmless laughingstock, at least on French TV. Time marches on, and Sedaris, at his desk or on planes, in fine hotel dining rooms and Serbian motels, records it. The entries here reflect an ever-changing background - new administrations, new restrictions on speech and conduct. What you can say at the start of the book, you can't by the end.
Sedaris has been compared to Truman Capote and Tennessee Williams, Lewis Carroll and a 'sexy Alan Bennett'. A Carnival of Snackery illustrates that he is very much his own singular self.
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Critic reviews
"Could there be a more delightful American import than the memoirist David Sedaris? Not since the peanut butter and jelly sandwich have we inherited something so sweet and comforting yet so wickedly naughty." (The Times)
"So often Sedaris's phrasing is beautiful in its piquancy and minimalism.... His life is extraordinary in so many ways - the drug addiction, the eccentric family, the crazy jobs, the fame, the globetrotting - but one of the more unlikely achievements here is in making it all seem quite ordinary. Ultimately, his masterstroke is in acting as a bystander in his own story." (Book of the Day, Guardian)
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Writer Karla Cornejo Villavicencio was on DACA when she decided to write about being undocumented for the first time using her own name. It was right after the election of 2016, the day she realized the story she'd tried to steer clear of was the only one she wanted to tell. So she wrote her immigration lawyer's phone number on her hand in Sharpie and embarked on a trip across the country to tell the stories of her fellow undocumented immigrants—and to find the hidden key to her own.
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Raw, heartbreaking - we can do better by others
- By RapaciousReader on 04-11-20
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Junkie Love
- By: Joe Clifford
- Narrated by: Timothy McKean
- Length: 6 hrs and 12 mins
- Unabridged
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From the cow fields of Connecticut to the streets of San Francisco, Joe Clifford's Junkie Love traverses the lost highways of America, down the rocky roads of mental illness to the dead ends of addiction. Based on Clifford's own harrowing experience with drugs as a rock 'n' roll wannabe in the 1990s, the audiobook draws on the best of Kerouac and the Beats, injecting a heavy dose of pulp fiction as it threads a rollicking narrative through a doomed love triangle, lit up by the many strange characters he meets along the way.
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WOW! an inside look into an junkies mind
- By TinkerMel on 05-16-17
By: Joe Clifford
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Dr. No
- A Novel
- By: Percival Everett
- Narrated by: Amir Abdullah
- Length: 6 hrs and 22 mins
- Unabridged
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The protagonist of Percival Everett's puckish new novel is a brilliant professor of mathematics who goes by Wala Kitu. (Wala, he explains, means "nothing" in Tagalog, and Kitu is Swahili for "nothing.") He is an expert on nothing. That is to say, he is an expert, and his area of study is nothing, and he does nothing about it.
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(Ian Fleming + Vonnegut) +/- J-P Sartre = 0
- By Darwin8u on 10-30-24
By: Percival Everett
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I Hate Everyone, Except You
- By: Clinton Kelly
- Narrated by: Clinton Kelly
- Length: 4 hrs and 55 mins
- Unabridged
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Clinton Kelly is probably best known for teaching women how to make their butts look smaller. But in I Hate Everyone, Except You, he reveals some heretofore unknown secrets about himself, like that he's a finicky connoisseur of 1980s pornography, a disillusioned critic of New Jersey's premier water parks, and perhaps the world's least enthused high school commencement speaker.
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Filthy language overshadowed stories
- By Doris on 04-29-17
By: Clinton Kelly
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Autobiography of a Fat Bride
- True Tales of a Pretend Adulthood
- By: Laurie Notaro
- Narrated by: Hillary Huber
- Length: 7 hrs and 54 mins
- Unabridged
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In Autobiography of a Fat Bride, Laurie Notaro tries painfully to make the transition from all-night partyer and bar-stool regular to mortgagee with plumbing problems and no air conditioning. Laurie finds grown-up life just as harrowing as her reckless youth, as she meets Mr. Right, moves in, settles down, and crosses the toe-stubbing threshold of matrimony.
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Hilarious
- By MissSusie66 on 05-10-12
By: Laurie Notaro
What listeners say about A Carnival of Snackery
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- A User
- 03-17-22
Huge David Sedaris fan for years...but
Really disappointed that he didn't narrate the whole thing. Tracey Ullman was just not needed here AT ALL and she wasn't just used to for the Irish/British accents as he says in the beginning! He's got such great delivery reading his own work - I didn't want to hear Tracy's voice! Whose bad idea was that?! Sorry Tracy, you're very talented, but not for this. Otherwise, David, you're the best.
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- MWH
- 11-03-21
Always loved Books by David Sedaris
This insight into an author's life is a treat and I love the fact that I can relate to these events... sometimes
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- Amazon Customer
- 01-09-23
Using a different narrator ruins the audible book
No disrespect to Tracy Ulman, who is a talented actor and comedian, but I’m a big fan of Sedaris’ own narration, and couldn’t listen to the pieces narrated by Ulman. Sedaris’ observations are as wonderful as ever, The heavy accents used by Ulman to voice characters, though, are overdone and kill the lightness of touch in Sedaris’ writing. His own narration and comic timing only enhance the deftness of his humour. So I was disappointed, and ended up forwarding through every Ulman-narrated piece. Had the sample included some of Ulman’s narration, I’d have known immediately not to buy the audible.
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