New Literary Fiction

Believe is the fourteenth novella in the ongoing story of the Andersen family. Livia Andersen was a woman who held her family together with a quiet smile and an iron will. It’s only been months since her death and the four children she leaves behind continue to grapple with the shifting changes in their lives now that she’s gone especially her youngest daughter, Claire. Claire Andersen Slavik came to her lakeside cabin shortly after her mother’s death. She needed the refuge it offered her at a time when little else did. She’s had several visitors over the last several months ...

Tepper enjoys sitting in his car, reading his newspaper in peace. His car always seems to be parked in a prime spot and other drivers want to know if Tepper is going out. He isn't. This drives some people crazy - including the mayor - but leads others to think Tepper harbors some hidden wisdom. The tale that emerges is "refreshing and completely likable."

Ravaged and sore from giving birth to her first child, Megan is mostly raising her newborn alone while her husband travels for work. Physically exhausted and mentally drained, she’s also wracked with guilt over her unfinished dissertation - a thesis on mid-century children’s literature. Enter a new upstairs neighbor: the ghost of quixotic children’s book writer Margaret Wise Brown - author of the beloved classic Goodnight Moon -whose existence no one else will acknowledge.

What do you worship when the gods have fallen silent? In a society unraveling at the seams, one generation clings to ancient ideals while another rises to challenge the very foundations of truth, virtue, and power. As temples crumble and dogmas fail, a quiet scribe named Lucian finds himself at the center of a philosophical revolution—one that may reshape his city, his family, and the meaning of morality itself. From candlelit vigils to defiant assemblies, A Song for the New Gods traces the fragile birth of a post-idealist world. Haunted by the memory of a father who died defending order,...

It's 1941. In the chaos of wartime Marseille, American engineer - and occult disciple - Jack Parsons stumbles onto a clandestine anti-Nazi group, including surrealist theorist André Breton. In the strange games of the dissident diplomats, exiled revolutionaries, and avant-garde artists, Parsons finds and channels hope. But what he unwittingly unleashes is the power of dreams and nightmares, changing the war and the world forever.

I've moved through life doing what's expected of me. I'm the middle daughter, the dutiful daughter. The one who braved a vicious attack and survived. The one who devoted herself to her family's business empire. The one who met an ambitious man and fell in love. We were going to run Fleur Cosmetics together, Zachary and I. When Zachary got a promotion, however, he left me in the dust. Maybe it's for the best, between his disloyalty and his wandering eye. But another man was waiting for me. Wanting me.

I know nothing. I am a tabula rasa, a blank sheet of paper, an unhatched egg. I have not yet become a woman, although I possess a woman's shape. Not a woman, no: both more and less than a real woman. Now I am a being as mythic and monstrous as Mother herself.... New York has become the City of Dreadful Night where dissolute Leilah performs a dance of chaos for Evelyn.

«Ella» es una mujer hermosa, alocada, y su nombre es Lila. Es la misma niña que conocimos en La amiga estupenda, el primer tomo de esta espléndida saga y ahora, recién cumplidos los dieciséis años, acaba de casarse con un hombre al que desprecia. La otra, que la escucha, la sigue y sin querer la imita, es Lenù, una alumna brillante, empeñada en aprender de los libros todo aquello que Lila aprende de la vida a secas.

The end of the world didn't happen overnight. After years of war, societal breakdown, freak storms, and rising tides, humanity already hovered near the edge. Then came the most unexpected threat of all: the world's corpses rising up to deliver the final blow.

Wolff here returns with fresh revelations - about biding one's time, or experiencing first love, or burying one's mother - that come to a variety of characters in circumstances at once everyday and extraordinary. A retired Marine enrolls in college while her son trains for Iraq. A lawyer takes a difficult deposition. An American in Rome indulges the Gypsy who's picked his pocket.

Go, Went, Gone is the masterful new novel by the acclaimed German writer Jenny Erpenbeck, “one of the most significant German-language novelists of her generation” (The Millions). The novel tells the tale of Richard, a retired classics professor who lives in Berlin. His wife has died, and he lives a routine existence until one day he spies some African refugees staging a hunger strike in Alexanderplatz. Curiosity turns to compassion and an inner transformation, as he visits their shelter, interviews them, and becomes embroiled in their harrowing fates.

In one of the poorest parts of rural New Hampshire, teenage girls have been disappearing, snatched from back country roads, never to be seen alive again. For 17-year-old Marjorie Richards, the fear raised by these abductions is the backdrop to what she lives with in her own home, every day. Marjorie has been raised by parents so intentionally isolated from normal society that they have developed their own dialect, a kind of mountain hybrid of English that displays both their ignorance of and disdain for the wider world.

New York City is not only The New Yorker magazine's place of origin and its sensibility's lifeblood, it is the heart of American literary culture. Wonderful Town, an anthology of superb short fiction by many of the magazine's most accomplished contributors, celebrates the 75-year marriage between a preeminent publication and its preeminent context with this collection of 44 of its best stories from (so to speak) home.

Will the contents of dozens of old trunks filled with century’s old and fragile dresses, antique books and journals, and an even older jeweled sword, provide the answers to any of Mae’s well-guarded secrets?Sisters of the Heart is the fifth book in the ongoing story of the Engstrom family in the Mae’s Second Chance series. In the small ghost town of Mae’s Second Chance, where centuries old secrets remain hidden and the surrounding hills continue to guard another woman’s treasures, Julie Engstrom brings her family in search of a place that can replace what they had to leave behind....

Introduced with characteristic wit and sympathy by Sloane Crosley, Constant Reader gathers the complete weekly New Yorker reviews that Parker published from October 1927 through November 1928, with gimlet-eyed appreciations of the high and low, from Isadora Duncan to Al Smith, Charles Lindbergh to Little Orphan Annie, Mussolini to Emily Post.

Jack had two dying wishes: that his wife scatter his ashes somewhere "exotic", and that she not give up on life once he was gone. He intended to spur her on to new adventures, but despite clinging to her red suitcase, Geraldine Verne hasn’t left the house for three months. It takes an accident for Geri to accept help from her friends, but when Meals on Wheels arrive she is mortified. Yet heartbroken volunteer Lottie brings with her more than cottage pie and custard. Like Geri, she too is struggling to cut loose.

When My Search for Warren Harding, Robert Plunket’s glittering story of literary sleuthing and deceit, first appeared in 1983, it garnered immediate and far-reaching acclaim. Frank Conroy at the Washington Post exclaimed, “The author pulled me in so deftly, moved me up an escalating scale of sly hyperbole so cunningly, that after a hundred pages, I seemed to have turned over the keys, so to speak, of my nervous system”; Florence King at the Dallas Times Herald, “The most exciting event in American letters for a very long time: a momentous book.”

Ingrid is desperate to sell up and move on. Recently widowed, she no longer needs the large house or the treasures (and tat) collected by her late husband, Tommy, an auctioneer. Then there’s the debt he left her with, too. So, she jumps at the chance to downsize and move to Willowbrook on a temporary lease. She’ll open a pop-up shop for just one year – to dispose of Tommy’s accumulated goods – and then move on. No getting embroiled in village life. But Ingrid hasn’t reckoned on Willowbrook’s extrovert local ladies. Or handsome local craftsman Joel, with whom there’s a definite attraction.

After WWII, a small Italian town struggles to emerge from under the thumb of Fascism. With wit, tenderness, and irony, Elsa, the novel’s narrator, weaves a rich tapestry of provincial Italian life: two generations of neighbors and relatives, their gossip and shattered dreams, their heartbreaks and struggles to find happiness. Elsa wants to imagine a future for herself, free from the expectations and burdens of her town’s history, but the weight of the past will always prove unbearable, insistently posing the question: “Why has everything been ruined?”

Leading us through the wake of these changes is Nanny Goodman, a girl living in Marin County, California. A half-adult child among often childish adults, Nanny grows up with two spectacularly odd parents: a writer father and a mother who is a constant source of material. As she moves into her adolescence, so, it seems, does America. While grappling with her own coming of age, Nanny witnesses an entire culture's descent into drugs, the mass exodus of fathers from her town, and rapid real estate and technological developments that foreshadow a drastically different future.