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Jenny Erpenbeck’s much anticipated new novel Kairos is a complicated love story set amidst swirling, cataclysmic events as the GDR collapses and an old world evaporates.

Die neunzehnjährige Katharina und Hans, ein verheirateter Mann Mitte fünfzig, begegnen sich Ende der achtziger Jahre in Ost-Berlin, zufällig, und kommen für die nächsten Jahre nicht voneinander los. Vor dem Hintergrund der untergehenden DDR und des Umbruchs nach 1989 erzählt Jenny Erpenbeck in ihrer unverwechselbaren Sprache von den Abgründen des Glücks - vom Weg zweier Liebender im Grenzgebiet zwischen Wahrheit und Lüge, von Obsession und Gewalt, Hass und Hoffnung. Alles in ihrem Leben verwandelt sich noch in derselben Sekunde, in der es geschieht, in etwas Verlorenes.

Go, Went, Gone is the masterful new novel by the acclaimed German writer Jenny Erpenbeck, “one of the most significant German-language novelists of her generation” (The Millions). The novel tells the tale of Richard, a retired classics professor who lives in Berlin. His wife has died, and he lives a routine existence until one day he spies some African refugees staging a hunger strike in Alexanderplatz. Curiosity turns to compassion and an inner transformation, as he visits their shelter, interviews them, and becomes embroiled in their harrowing fates.

A forested property on a Brandenburg lake outside Berlin lies at the heart of this darkly sensual, elegiac novel. Encompassing over 100 years of German history, from the 19th century to the Weimar Republic, from World War II to the Socialist German Democratic Republic, and finally reunification and its aftermath, Visitation offers the life stories of 12 individuals who seek to make their home in this one magical little house. The novel breaks into the everyday life of the house and shimmers through it, while relating the passions and fates of its inhabitants.

Berlin. 11 July 1986. They meet by chance on a bus. She is a young student, he is older and married. Theirs is an intense and sudden attraction, fueled by a shared passion for music and art, and heightened by the secrecy they must maintain. But when she strays for a single night he cannot forgive her and a dangerous crack forms between them, opening up a space for cruelty, punishment and the exertion of power. And the world around them is changing too.

Winner of the Independent Foreign Fiction Prize and the Hans Fallada Prize, The End of Days, by the acclaimed German writer Jenny Erpenbeck, consists essentially of five "books", each leading to a different death of the same unnamed female protagonist. The first chapter begins with the death of a baby in the early 20th-century Hapsburg Empire. In the next chapter, the same girl grows up in Vienna after World War I, but a pact she makes with a young man leads to a second death. In the next scenario, she survives adolescence and moves to Russia with her husband.

Starting with her childhood days in East Berlin (“I start with my life as a schoolgirl.... My own conscious life begins at the same time as the socialist life of Leipziger Strasse”), Not a Novel provides a glimpse of growing up in the GDR and of what it was like to be 22 when the wall collapsed; it takes us through Erpenbeck’s early adult years, working in a bakery after immersing herself in the worlds of music, theater, and opera, and ultimately discovering her path as a writer.

Wie erträgt man das Vergehen der Zeit, wenn man zur Untätigkeit gezwungen ist? Wie geht man um mit dem Verlust derer, die man geliebt hat? Wer trägt das Erbe weiter? Richard, emeritierter Professor, kommt durch die zufällige Begegnung mit den Asylsuchenden auf dem Oranienplatz auf die Idee, die Antworten auf seine Fragen dort zu suchen, wo sonst niemand sie sucht: Bei jenen jungen Flüchtlingen aus Afrika, die in Berlin gestrandet und seit Jahren zum Warten verurteilt sind.

Wie lang wird das Leben des Kindes sein, das gerade geboren wird? Wer sind wir, wenn uns die Stunde schlägt? Wer wird um uns trauern...

From one of the most daring voices in European fiction, this is a story of the twentieth century traced through the various possible lives of one woman. She is a baby who barely suffocates in the cradle. Or perhaps not? She lives to become as an adult and dies beloved. Or dies betrayed. Or perhaps not? Her memory is honoured. Or she is forgotten by everyone.

Ein Haus an einem märkischen See: Es ist der Schauplatz für fünfzehn Lebensläufe, Geschichten, Schicksale von den Zwanzigerjahren bis heute. Das Haus und seine Bewohner erleben die Weimarer Republik, das Dritte Reich, den Krieg und dessen Ende, die DDR, die Wende und die Zeit der Nachwende. Jedem einzelnen Schicksal gibt Jenny Erpenbeck eine eigene literarische Form, jedes entfaltet auf ganz eigene Weise seine Dramatik, seine Tragik, sein Glück.

In East Prussia, January 1945, the German forces are in retreat, and the Red Army is approaching. The von Globig family's manor house, the Georgenhof, is falling into disrepair. Auntie runs the estate as best she can since Eberhard von Globig, a special officer in the German army, went to war, leaving behind his beautiful but vague wife, Katharina, and her bookish 12-year-old son, Peter. As the road fills with Germans fleeing the occupied territories, the Georgenhof begins to receive strange visitors - a Nazi violinist, a dissident painter, a Baltic baron, even a Jewish refugee.

Richard has spent his life as a university professor, immersed in the world of books and ideas. Recently retired, he steps into the streets of his city, Berlin, and discovers a new community. A tent city has grown up on Oranienplatz, established by African asylum seekers. Hesitantly getting to know the people there, Richard finds his life changing, as he begins to question his own sense of belonging in a city that once divided its citizens into them and us.

By the side of a lake in Brandenburg, a young architect builds the house of his dreams—a summerhouse with wrought-iron balconies, stained-glass windows the colour of jewels, and a bedroom with a hidden closet, all set within a beautiful garden. But the land on which he builds has a dark history of violence that began with the drowning of a young woman in the grip of madness and that grows darker still over the course of the century.

For fans of Tina Fey and David Sedaris - Internet star Jenny Lawson, aka The Bloggess, makes her literary debut. Jenny Lawson realized that the most mortifying moments of our lives - the ones we'd like to pretend never happened - are in fact the ones that define us. In Let's Pretend This Never Happened, Lawson takes readers on a hilarious journey recalling her bizarre upbringing in rural Texas, her devastatingly awkward high school years, and her relationship with her long-suffering husband, Victor.

What happened was this: Jenny Slate was a human mammal who sniffed the air every morning hoping to find another person to love who would love her, and in that period there was a deep dark loneliness that she had to face and befriend, and then we are pleased to report that she did fall in love, and in that period she was like chimes, or a flock of clean breaths, and her spine lying flat was the many-colored planks on the xylophone, but also she was rabid with fear of losing this love, because of past injury.

"Menschen können gut ohne Gedichte sein, aber ein Gedicht nicht ohne Menschen." Wie kann es sein, dass eine Strickerin aus dem Lavanttal in Kärnten zu einer der größten deutschsprachigen Dichterinnen des 20. Jahrhunderts wird? Jenny Erpenbeck lässt uns an ihrer Faszination für Christine Lavant (1915–1973) teilhaben, deren Gedichte sie zum ersten Mal liest, als sie Mitte der Neunziger in Graz lebt. An der Faszination für eine Frau, die sich durch ihre Lesewut, Sensibilität und Klugheit aus dem elenden Dasein, das ihr durch Krankheit und Armut vorgezeichnet war, herausgeschrieben hat.

Gabor Steingart präsentiert das Pioneer Briefing

SuperSummary, a modern alternative to SparkNotes and CliffsNotes, offers high-quality instructional study guides for challenging works of literature. This audio study guide for Go, Went, Gone by Jenny Erpenbeck includes detailed summary and analysis of each chapter and an in-depth exploration of the book’s multiple symbols, motifs, and themes such as homeland and refuge, the value of work, and the problems of the privileged. Featured content also includes commentary on major characters, 25 important quotes, essay questions, and discussion topics.