Film Director

1974 was a busy year for Mel Brooks. Although still recovering after a series of failed projects threatened his career, he pulled off a one-two punch that saw the release of two of the most beloved American comedies ever made: Blazing Saddles and Young Frankenstein. Although both films are well-known, the stories beyond the making of each movie are less so. How did they come to be, and how did the era's culture and politics not only permit them to be made, but help them to become enduring comedy classics?

A romance so wild even a polar bear can’t keep a straight face. In the frosty mayhem of the Alaskan film set for Everybody Loves Polar Bears, accident-prone Macy Applegate catapults herself into a hilarious array of mishaps better suited for a blooper reel. As Macy dreams of stardom, she reluctantly works with Nick Westwood, the grumpiest and most arrogant assistant director this side of the Arctic Circle—a man who irritates her more than a stuck zipper in a sub-zero wind chill. Beneath Nick's stoic exterior lies a mysterious secret, and the only thing more challenging than Alaska's ...

From Keith McCabe, the author of Rabbit King, comes a terrifying thriller about a film no one was meant to see... A chilling and immersive thriller, Director’s Cut plunges readers into the depths of internet horror and cinematic obsession. The novel follows Amanda Sloan, a film preservationist who stumbles upon a mysterious collection of old film reels and video tapes hidden in the depths of a psychiatric hospital. Among them is a lost film linked to the infamous and reclusive director Maynard Burke, a filmmaker whose violent films have earned a rabid cult following. As Amanda begins to ...

Millie has one goal: to make a movie in tribute to her late father. At the Manhattan Movie Academy, run by Ricky O’Naire, her favorite director, she’s determined to make it happen. But before she can finish her project, the academy is shut down. Six months later, she sees a preview for the new O’Naire movie—and he’s stolen her idea. Outraged, she reunites her former film crew to steal the movie and hold it for ransom days before its high-profile premiere. Putting their training and film-nerd backgrounds to use, they pull off the heist in extravagant fashion.

Dominic Smith’s The Electric Hotel winds through the nascent days of cinema in Paris and Fort Lee, New Jersey - America’s first movie town - and on the battlefields of Belgium during World War I. A sweeping work of historical fiction, it shimmers between past and present as it tells the story of the rise and fall of a prodigious film studio and one man’s doomed obsession with all that passes in front of the viewfinder.

Today's most acclaimed film directors reveal intimate behind-the-scenes details of their most influential work and their unique approaches to their art. In the companion to the Silver Plaque-winning Starz/Encore documentary series, this book offers interviews with 13 top filmmakers. Contains each director's filmography, complete listings of major awards, and cast credits for all films discussed.

Stanley Kubrick revolutionized Hollywood with movies like Dr. Strangelove, 2001: A Space Odyssey, and A Clockwork Orange, and electrified audiences with The Shining and Full Metal Jacket. David Mikics takes listeners on a deep dive into Kubrick's life and work, illustrating his intense commitment to each of his films.

Cinematography is both an art and science—capturing motion requires a combination of skill, ingenuity, and artistic genius. Lighting, camera movement, and framing are just a few of the important components in the process of turning words on a page into unforgettable moving images. It’s not hyperbole to say that Roger Deakins is the greatest artist & scientist that the craft of cinematography has ever known. In Reflections: On Cinematography, Sir Roger Deakins offers his fans a one-of-a-kind look into his life and improbable road to Hollywood immortality.

The first major biography of one of Old Hollywood’s greatest directors. Sometime partner of the eccentric Howard Hughes, drinking buddy of William Faulkner and Ernest Hemingway, an inveterate gambler and a notorious liar, Howard Hawks was the most modern of the great masters and one of the first directors to declare his independence from the major studios. He played Svengali to Lauren Bacall, Montgomery Clift, and others, but Hawks’s greatest creation may have been himself.

Melvin Donalson’s Dream Warrior: Passages of a Creative-Scholar reveals a Black man’s artistic and educational journey during America’s decades of changes and challenges. Growing up in the South’s racial segregation of the 1950s, Mel survived the oppressive region through the bonds of family. Replanted within the integrated world of Massachusetts and Maine in the 1960s-1970s, and later to the Midwest and Los Angeles, his imagination was shaped through reading, music, and movies while honing educational skills that eventually led him to a Ph.D. from an Ivy League university. From New...

While many film fans may not be familiar with Bill Duke's name, they most certainly recognize his face. Dating back to the 1970s, Duke has appeared in a number of popular films, including Car Wash, American Gigolo, Commando, Predator, and X-Men: The Last Stand. Fewer still might be aware of Duke's extraordinary accomplishments off-screen as a talented director, producer, entrepreneur, and humanitarian. Bill Duke is the memoir of a Hollywood original.

A Companion to Martin Scorsese is a comprehensive collection of original essays assessing the career of one of America's most prominent contemporary filmmakers....

Critic-producer Nat Segaloff was granted access to private papers, production records, never-before-published interviews, and specialized archives in reconstructing the colorful, touching, and sometimes scandalous stories behind the making of the last films of some of Hollywood's top directors.

The city of Pittsburgh is starting to resemble "Tinseltown" in that it is now the home-base to hundreds of acclaimed movies that have been filmed right here in the "Steel City,"and along with that comes the thousands of movie stars that have temporarily made the 'Burgh' their home in order to make those big screen masterpieces come to life. The Steel City welcomes celebrities, movie producers, actors, directors, extras, cameramen, light and sound technicians, and anyone else who enjoys stories recorded by camera to enjoy all that Pittsburgh has to offer. The "steel city" is fastly becoming ...

Robert Altman and the Elaboration of Hollywood Storytelling reveals an Altman barely glimpsed in previous critical accounts of the filmmaker. This re-examination of his seminal work during the "Hollywood Renaissance" or "New Hollywood" period of the early 1970s (including M*A*S*H and Nashville) sheds new light on both the films and the filmmaker, reframing Altman as a complex, pragmatic innovator whose work exceeds, but is also grounded in, the norms of classical Hollywood storytelling rather than someone who rejected those norms in favor of modernist art cinema.

Hailed by the New Yorker as "a crucial forebear of generations," award–winning director Joyce Chopra came of age in the 1950s, prior to the dawn of feminism, and long before the #MeToo movement. As a young woman, it seemed impossible that she might one day realize her dream of becoming a film director. In this engaging, candid memoir, award–winning director Joyce Chopra describes how she learned to navigate the deeply embedded sexism of the film industry, helping to pave the way for a generation of women filmmakers who would come after her.

New York City, 1977. Cool and crime-ridden, cheap and wild. Bruce Van Dusen shows up in town with a film degree and $150 to his name. He wants to make movies. So he does. The only ones anyone will pay him to make? Little ones. Thirty seconds long. Commercials. He has no idea what he's doing, and the money sucks. But he's a director. He quickly learns he has the two things he needs to succeed in the fickle world of commercial-making: a talent for telling short, emotional stories, and the hustle to fight for every job no matter how small.

In 1971, Newsweek heralded The Last Picture Show as "the most impressive work by a young American director since Citizen Kane." Indeed, few filmmakers rivaled Peter Bogdanovich's popularity over the next decade. Riding the success of What's Up, Doc? (1972) and Paper Moon (1973), Bogdanovich became a bona fide celebrity, making regular appearances in his own movie trailers, occasionally hosting late-night television shows, and publicly advocating for mentors John Ford and Howard Hawks.

George Arliss was an actor, author, playwright, and filmmaker who was active from 1887 to his retirement in 1939. This genial gentleman spent much of his life in the Victorian Era, and in many respects, he was a child of his times. However, as the 20th century advanced, Arliss realized that times had changed. By the 1910s a contraption called “motion pictures” was competing with his domain of the legitimate theater in which he was one of its most popular stars. Arliss realized that films could no longer be ignored when he received several persistent offers to star in them. When he began...

What do you do when actors won't do what you tell them to? Remembering his own awkwardness and terror as a beginning director working with actors who always had their own ideas, director John Badham has a bookload of knowledge to pass along in this inspired and insightful must-listen for cinema fans as well as actors and directors at all levels of their craft.