Art Director

Becoming a director is not just about making a film, webseries, commercial, or music video. The opportunity to direct for television is not a given because you’ve successfully completed a project in another medium. Turning your passion into your profession requires the ability to make transitions at the exact moment a pivot is needed, with creativity and confidence. This book helps directors across all mediums shape their career with targeted anecdotes, worksheets, and other resources, all of which fall into three designated categories: how-to, self-help, and inspiration.

In 1971, Newsweek heralded The Last Picture Show as "the most impressive work by a young American director since Citizen Kane." Indeed, few filmmakers rivaled Peter Bogdanovich's popularity over the next decade. Riding the success of What's Up, Doc? (1972) and Paper Moon (1973), Bogdanovich became a bona fide celebrity, making regular appearances in his own movie trailers, occasionally hosting late-night television shows, and publicly advocating for mentors John Ford and Howard Hawks.

Cinematography is both an art and science—capturing motion requires a combination of skill, ingenuity, and artistic genius. Lighting, camera movement, and framing are just a few of the important components in the process of turning words on a page into unforgettable moving images. It’s not hyperbole to say that Roger Deakins is the greatest artist & scientist that the craft of cinematography has ever known. In Reflections: On Cinematography, Sir Roger Deakins offers his fans a one-of-a-kind look into his life and improbable road to Hollywood immortality.

A Band Director's Guide to Everything Tuba: A Collection of Interviews with the Experts features some of the best tuba teachers in the world discussing everything tuba.

Learn how to become a successful working actor in TV commercials in Los Angeles in this fun step-by-step guide by top casting session director and commercial actor Shaan Sharma. The audiobook covers everything you need to know about the business, what you need to get started, how to get the right training, and walks you through the entire process of auditioning, booking and shooting projects - all from an insider's point of view. Even veterans will learn useful tips for converting more auditions into bookings.

Critic-producer Nat Segaloff was granted access to private papers, production records, never-before-published interviews, and specialized archives in reconstructing the colorful, touching, and sometimes scandalous stories behind the making of the last films of some of Hollywood's top directors.

This book was designed to provide both motivation and direction to any person passionate about gospel choir singing and performance. Whether you are involved in a world renowned professional choir, a local community choir, or just considering joining the existing choir at your church, this book is full of proven critical knowledge which will help you become fruitful in that endeavor. This book emphasizes the universal importance of specific spiritual and mechanical fundamentals which are far too often neglected.

1974 was a busy year for Mel Brooks. Although still recovering after a series of failed projects threatened his career, he pulled off a one-two punch that saw the release of two of the most beloved American comedies ever made: Blazing Saddles and Young Frankenstein. Although both films are well-known, the stories beyond the making of each movie are less so. How did they come to be, and how did the era's culture and politics not only permit them to be made, but help them to become enduring comedy classics?

Robert Altman and the Elaboration of Hollywood Storytelling reveals an Altman barely glimpsed in previous critical accounts of the filmmaker. This re-examination of his seminal work during the "Hollywood Renaissance" or "New Hollywood" period of the early 1970s (including M*A*S*H and Nashville) sheds new light on both the films and the filmmaker, reframing Altman as a complex, pragmatic innovator whose work exceeds, but is also grounded in, the norms of classical Hollywood storytelling rather than someone who rejected those norms in favor of modernist art cinema.

David Jiménez va ser nomenat director d'El Mundo. La il·lusió es va anar transformant en una crua batalla per defensar la independència del periodisme, que va acabar amb l’acomiadament del director després d'un any en el càrrec. Jiménez destapa aquí la podrida xarxa de pressions i influències que s'estableix entre els grups de poder econòmic i polític, i la premsa que suposadament ha de vigilar els dos primers. El director és un relat únic sobre com funciona el joc de favors entre els mitjans i l’elit d’un país, i quin preu paguen els que es neguen a participar-hi.

April of 1958 - the Iron Curtain was at its heaviest, and the outcome of the Tchaikovsky International Piano Competition seemed preordained. Nonetheless, as star musicians from across the globe descended on Moscow, an unlikely favorite emerged: Van Cliburn, a polite, lanky Texan whose passionate virtuosity captured the Russian spirit. This is the story of what unfolded that spring - for Cliburn and the other competitors, jurors, party officials, and citizens of the world who were touched by the outcome.

Hailed by the New Yorker as "a crucial forebear of generations," award–winning director Joyce Chopra came of age in the 1950s, prior to the dawn of feminism, and long before the #MeToo movement. As a young woman, it seemed impossible that she might one day realize her dream of becoming a film director. In this engaging, candid memoir, award–winning director Joyce Chopra describes how she learned to navigate the deeply embedded sexism of the film industry, helping to pave the way for a generation of women filmmakers who would come after her.

New York City, 1977. Cool and crime-ridden, cheap and wild. Bruce Van Dusen shows up in town with a film degree and $150 to his name. He wants to make movies. So he does. The only ones anyone will pay him to make? Little ones. Thirty seconds long. Commercials. He has no idea what he's doing, and the money sucks. But he's a director. He quickly learns he has the two things he needs to succeed in the fickle world of commercial-making: a talent for telling short, emotional stories, and the hustle to fight for every job no matter how small.

Are you auditioning, and want something fresh to recite? These monologues are character-driven, and full of the opportunity to really show your ability to take on a role, in your own way. They cover a variety of topics, and they are interesting to listen to. Display your abilities in a new light. These speakers are in assorted situations, and trying to make sense of the world.They are NOT ONLY FOR AUDITIONS, they are for anyone who would like to understand people attempting to decipher the world around them. Share as others look at their confusions and their options in life. When someone is...

Known as one of the most influential filmmakers of all time, Alfred Hitchcock's unique vision in movies like Psycho and The Birds sent shivers down our spines and shock waves through the film industry. His innovative camera techniques have been studied for decades, and his gift for storytelling cemented his place in history. Many directors make great movies, but the genius of Hitchcock helped make movies great. Learn how a chubby boy from London became the "Master of Suspense".

The Blues Brothers hit theatres on June 20, 1980. Their scripted mission was to save a local Chicago orphanage; but Aykroyd, who conceived and wrote much of the film, had a greater mission: to honour the then-seemingly forgotten tradition of rhythm and blues, some of whose greatest artists.

So many talented actors have trouble preparing and making choices when it comes to tapping into the emotional life of a character. When your director says action, are you truly connected to your character and their world? Be Your Own Coach, by Amy Werba and Peter Meagher, is a manual that will allow you to prepare by yourself, for yourself, before an audition or on set.

Ron Howard is long overdue to have his filmography viewed through the lens of the auteur theory. Since his debut in the late-1970s, he has remained one of the most prolific and recognizable working filmmakers, and yet... his "directed by" titles have garnished a low amount of commentary by film academics. Even younger mainstream directors have earned more than one volume of academic attention ? and yet Howard, who has continually developed himself, seems to only get treated with pop-culture-trivia "fun fact" regarding his acting career.

Introducing Jiri Trnka: Stop Motion Animation, Puppets, and Political Change–a captivating exploration of the life and artistic brilliance of Jiří Trnka, the visionary animator who revolutionized the world of animation. Within this audiobook, listeners will embark on a mesmerizing journey through Trnka's remarkable career, discovering the magic of his stop-motion animation, the enchantment of his puppets, and the profound impact of his artistic contributions.

When Italian journalist Father Antonio Spadaro and Martin Scorsese first sat down together in Scorsese’s home, neither could have predicted the depth of the conversation, intellectual exchange, or friendship that would result. While discussing the acclaimed director’s film Silence, about the persecution of Jesuits in Japan, they began a dialogue about faith that continues to this day.