English Theater

Listen as stage and screen performer Jason Gotay (Gossip Girl, Evita) brings his breathtaking vocals and gift of storytelling to a musical narrative about his journey to self-acceptance. With soulful interpretations of musical theater selections and pop favorites, the Bring It On: The Musical actor walks us through transformational moments of his past while paying homage to the fierce women who have inspired him.

A misfit crew of relic hunters armed with magical weapons set off on a series of action-packed quests. Their mission: Seek out and recover magical artifacts that might be used in the battle against the Dark Lord. They never anticipated that their actions might send their world hurtling toward a dire fate.

No one does glamour, severity, girlish charm, or tight-lipped witticism better than Dame Maggie Smith. Michael Coveney's biography shines a light on the life and career of a truly remarkable performer, one whose stage and screen career spans six decades.

How do master storytellers compel us? There have been many attempts to understand what makes a good story, but few have used a scientific approach. In The Science of Storytelling, Will Storr applies dazzling psychological research and cutting-edge neuroscience to our myths and archetypes to show how we can tell better stories, revealing, among other things, how storytellers - and also our brains - create worlds by being attuned to moments of unexpected change.

This riveting Pulitzer Prize and Tony Award-winning drama tells the fascinating, real-life story of Charlotte von Mahlsdorf, a transgender woman who managed to defy insurmountable odds. Based on interviews conducted by the playwright, I Am My Own Wife takes us on a theatrical journey that vividly chronicles the bravery, cunning, and strength that Von Mahlsdorf used to survive both the Nazi and Communist regimes of East Germany.

After a hundred years of regrets, revenge is just around the corner. We have finally reunited with Kristan, Marko, Franja, and Renata, who proved to be instrumental in our battle against Harkel's Hellhounds and the siege on Arrdeam. Having brought down the first leg of Harkel's slaving empire, we're getting ever closer to cutting off the head of the snake. Before we can face him, though, we must still grow stronger, but assassins lurk in the shadows and dangerous foes want us dead.

Was murder part of the game? Seventeen-year-old Kat McDonough grew up with theater in her blood - and a penchant for make-believe. More than a decade older, Seth Mazzaglia was well-known in the community theater circle of Portsmouth, New Hampshire. He, too, had a rich inner life - and he soon had Kat convinced that they were soul mates. To intensify their bond, Seth lured Kat into a world of violent sex and role-playing, where she was his slave. Enter Lizzi Marriott, the new girl in town. And when she accepts an invitation to Kat and Seth's apartment....

A gunslinger with four affinities is a myth. It's the kind of story whispered in frontier saloons one drink before closing and around campfires in the dead of night. For the heroes and villains in those tales, that impossible power is a boon, a gift. For Mr. Jones, it's a curse. Of course, that's not his real name. He's had many. Changing names is necessary when you possess a power that every lawman and outlaw would kill to obtain. To survive, you keep your head down, kill when you must, and never stay in one place too long.

Lin-Manuel Miranda's groundbreaking musical Hamilton is as revolutionary as its subject: the poor kid from the Caribbean who fought the British, defended the Constitution, and helped to found the United States. Fusing hip-hop, pop, R&B, and the best traditions of theater, this once-in-a-generation show broadens the sound of Broadway, reveals the storytelling power of rap, and claims our country's origins for a diverse new generation.

Ah, Nyil, with its magic, its monsters, and its petty gods. A divine spat leaves French medic Viv stranded in the middle of an arcane disaster zone crawling with undead horrors. Thankfully, there are strange allies to be found, not least the mysterious interface that helps humans survive in this merciless world. Viv will have to progress fast to survive this calamity and find civilisation. She will also need a bit of luck. Unless, of course, she becomes the calamity herself. After all, luck is such a fickle thing.

Tennessee Williams: Mad Pilgrimage of the Flesh gives intimate access to the mind of one of the most brilliant dramatists of his century, whose plays reshaped the American theater and the nation's sense of itself. This astute, deeply researched biography sheds a light on Tennessee Williams's warring family, his guilt, his creative triumphs and failures, his sexuality and numerous affairs, his misreported death, even the shenanigans surrounding his estate.

From its debut in 1962, Edward Albee’s Who’s Afraid of Virginia Woolf? was a wild success and a cultural lightning rod. The play transpires over one long, boozy night, laying bare the lies, compromises, and scalding love that have sustained a middle-aged couple through decades of marriage. It scandalized critics but magnetized audiences. Across 644 sold-out Broadway performances, the drama demolished the wall between what could and couldn’t be said on the American stage and marked a definitive end to the I Love Lucy 1950s.

From the archives of the American Film Institute comes a unique picture of what it was like to work in Hollywood from its beginnings to its present day. Gleaned from nearly three thousand interviews, involving four hundred voices from the industry, Hollywood: The Oral History, lets a listener “listen in” on candid remarks from the biggest names in front of the camera—Bette Davis, Meryl Streep, Tom Hanks, Harold Lloyd—to the biggest behind it—Frank Capra, Steven Spielberg, Alfred Hitchcock, Jordan Peele, as well as the lesser known individuals that shaped what was heard and seen on screen.

In an age of miracles where our greatest heroes from history have magically, unexplainably returned to shake us out of our confusion and hate, Harriet Tubman is back, and she has a lot to say. Harriet Tubman and four of the enslaved persons she led to freedom want to tell their story in a unique way. Harriet wants to create a hip-hop album and live show about her life, and she needs a songwriter to help her. She calls upon Darnell Williams, a once successful hip-hop producer who was topping the charts before being outed on a BET talk show.

Stephen Sondheim died on November 26, 2021, but for countless fans around the world, he is “still here,” to quote one of his lyrics. With acclaimed revivals of his landmark shows occurring around the world and introducing new generations to the man who transformed American musical theater, Sondheim’s legacy has only grown. What is it about such classic songs as “Rose’s Turn” from Gypsy, “Send in the Clowns” from A Little Night Music, and “Children Will Listen” from Into the Woods that speaks to us so intimately and profoundly?

Stranded in a world without magic, the Dungeon Lord must now find a way to return to the magical realm of Ivalis. If his enemies realize he’s disappeared, they’ll undoubtedly fall upon his dungeon like vultures. Worse yet, he’s not alone on Earth. The Silver Knights, the order of the ancient warriors that defeated Lord Sephar long ago, are back and ready to vanquish another Dungeon Lord. Behind them hides an individual who may connect Ed to the mighty Heroes, the unbeatable machines of the Light.

Growing up on Long Island, lonely and quiet and queer, she was enchanted by Hollywood starlets like Kim Novak. She found her turn in New York’s early Off-Off-Broadway theater scene, in Warhol’s films Flesh and Women in Revolt, and at the famed nightclub Max's Kansas City. She inspired songs by Lou Reed and the Rolling Stones. She became friends with Jane Fonda and Lily Tomlin, borrowed a dress from Lauren Hutton, posed for Richard Avedon, and performed alongside Tennessee Williams in his own play.

Richmond, Virginia 1811. It’s the height of the winter social season, the General Assembly is in session, and many of Virginia’s gentleman planters, along with their wives and children, have made the journey to the capital. On the night after Christmas, the city's only theater is packed with holiday revelers. In the middle of a performance, the theater goes up in flames. Based on the true story of Richmond’s theater fire, The House Is on Fire offers proof that sometimes, in the midst of great tragedy, we are offered our most precious—and fleeting—chances at redemption.

After the collapse of the known world, Rowan Wilder opened his eyes and found himself on the first floor of the Tower. With a flawless memory and a mere eight cards to his name, he must venture out and prepare himself for the coming calamity.

When Edward is swept into the world of Ivalis as a Dungeon Lord, the Dark's most powerful servant, he has no servitude in mind. He'll oppose the evil plans of the Dark god, Murmur, whatever it takes. Through only his wits and his guts to help him survive a weakened arrival, Edward must rise to power if he is to earn the right to live another day. But in the battle between Dark and Light, what can Edward choose if both sides are cruel, uncaring monsters?