English Theater

In reality, Alex welcomes all of his friends back from their month abroad, as they quickly notice the newest additions to his life, as they prepare to truly get used to living in Alex’s new home together. Meanwhile, in Eternal Dominion, the time has finally come for Xeal to meet with the reclusive elven queen to speak about the future relations between men and elves. Will the talks go smoothly, or will Xeal have to deal with a few unwanted wrinkles?

Francis Hamit writes about his experiences at the University of Iowa in 1965 and 1966. He transferred in as a junior and was caught up in the cultural and political events that were changing the world. As the Sexual Revolution got under way, he became involved with several very interesting and unusual women. There was also a darker revolution, the sudden widespread popularity of illegal drugs. This he could not abide; friends of his were under threat of prison for simple possession unless they turned over the names of their dealers. Hamit made a deal with the cops: leave my friends alone ...

Few people in recent memory have dedicated themselves as devotedly to the story of twentieth-century American music as Rob Kapilow, the composer, conductor, and host of the hit NPR music radio program, What Makes It Great? Now, in Listening for America, he turns his keen ear to the Great American Songbook, bringing many of our favorite classics to life.

Sixteen-year-old Ruth worries she'll never have a boyfriend. She marvels at her best friend Rigby's outsized confidence despite his average appearance. When they both audition for the high school theatre production, she wonders how they will fare with all the other competition. And then something unexpected happens between them. Is it true that the show must go on no matter what? Note: Fans of Cape Disappointment Book 1 will enjoy this novella. It's the story of another couple in the same seaside town. If you love Young Adult Contemporary romance, check it out. This is also a good choice ...

In Yankee Doodle Dandy, the first book on Cohan in fifty years, author Elizabeth T. Craft situates Cohan as a central figure of his day. Examining his multifaceted contributions and the various sociocultural identities he came to embody, Craft shows how Cohan and his works indelibly shaped the American cultural landscape. Informative and engaging, this book offers rich listening for Broadway musical aficionados as well as scholars of musical theater and American cultural history.

The Provincetown Players created a revolution in American theatre, making room for truly modern approaches to playwriting, stage production, and performance. In Staging America, Jeffery Kennedy gives the unabridged story in a meticulously researched and comprehensive narrative that sheds new light on the history of the Provincetown Players. At the center of the study is an extensive account of the career of George Cram Cook, the Players' leader and artistic conscience, as well as one of the most significant facilitators of modernist writing in early twentieth-century American literature.

Characters search for a conflict, upset audience members disrupt the show, a spy mission goes wrong, cowboys try but can’t do a simple shootout correctly, and a considerate and mannerly thief asks permission before he robs people. These are some of the situations found in this collection of ten-minute plays. Here are delightful theatrical nuggets that range from the comical to the serious. Each one is designed to be produced with just a few actors, few props, and within a single setting. They are easy to perform or fun to just read.

Quarantine is an adaptation for the theater by E. Thomalen of Albert Camus' The Plague translated by Stuart Gilbert. It is a play in four acts and begins with the observation of rats dying, ending with "freedom" because of the lifting of the quarantine. Not everyone finds freedom to his liking. The characters capture the angst, boredom, grief, heroism, spiritual questioning, villainy, courage and longing brought on by the quarantine and the plague.

A snowy road trip. A cozy cabin. An impossible romance. All Elle wanted was to dance the role of the Sugar Plum Fairy and get a paycheck big enough to cover her Manhattan rent. If only the gig had been so simple. When a snowstorm traps her in a remote cabin, Elle is stuck with a man she vowed to hate. Spending some time curled up by the fire with a charming, handsome man could have been perfect. Too bad he’s her womanizing dance partner Zach. As the snow swirls around them, sparks begin to fly. But even a winter wonderland can’t erase a painful past. With time before their performance ...

Having picked up a trio of young ladies who are in need of an escort back home, Xeal sets off to return them to their tribes in the beast-man lands. If Xeal can manage to strike a few deals with the various tribes along the way, all the better.

Edward Zanni has been kicked out of drama school because he's just too "jazz hands" for Juilliard. He moves to New York City and lands a job working as a stealth guest at corporate parties. When he gets caught up in an insider trading scandal, his crew of theater friends comes to his rescue.

Do Christmas wishes really come true? Lacey Cooper dreams of directing plays. When the manager at the local theater company falls ill, she gets her chance to direct the annual Christmas play, A White Christmas. Then, the lead role is injured in an accident and Lacey must ask the man in charge of stage setup to step in. Dillon Marks is growing tired of his job as probation officer, but volunteers on a regular basis at the local theater company, bringing several of his clients with him. When Lacey begs him to step into the leading role, he initially says no. He can sing, but can't dance at ...

All the Ways to Say I Love You by Neil LaBute, directed by Leigh Silverman, is a thoughtful, psychological solo play centered around the character Faye Johnson, performed by multi-award-winning actress Judith Light (Transparent, American Crime Story, Who's the Boss?). Reflecting on an event from her past, Johnson confronts the defining question of her life: What is the weight of a lie?

All the Ways to Say I Love You received its World Premiere production at the MCC Theater in September of 2016. MCC is under the leadership of Artistic Directors Robert Lupone, Bernard Telsey, William Cantler, and Executive Director Blake West.

Bonus content includes an Audible-exclusive conversation between director Leigh Silverman and actress Judith Light.

Before "Fred and Ginger" there was "Fred and Adele", a show-business partnership and cultural sensation like no other. In our celebrity-saturated era, it's hard to comprehend what a genuine phenomenon these two siblings from Omaha were. At the height of their success in the mid-1920s, the Astaires seemed to define the Jazz Age. They were Gershwin's music in motion, a fascinating pair who wove spellbinding rhythms in song and dance. In this book, the first comprehensive study of their theatrical career together, Kathleen Riley traces the Astaires' rise to fame from humble midwestern origins.

Guys & Dolls...The Boyfriend...How to Succeed in Business Without Really Trying...Can-Can... These are just a few of the many Broadway shows produced by the legendary Cy Feuer, who, in partnership with the late Ernest H. Martin, brought to life many of America's most enduring musicals. Cy Feuer was at the center of these creations, as well as the films based on two of Broadway's most exceptional musicals, Cabaret and A Chorus Line. He was the man in charge, the one responsible for putting everything together, and - almost more important - for holding it together.

Draysky was born to die on the ridge. Like his father before him, his fate was to harvest elemental treasures until the dust claimed his lungs. As the lowest of society, a Knotted, the thin cord around his neck signifies to all his low rank. He would never progress as a mage, nor learn of the forbidden runes of the kingdom magicians.

Ed Lowry joined the vaudeville circuit in 1910 at the age of 14. He never achieved stardom equal to the likes of Fred Allen, Jack Benny, George Burns, Buster Keaton, or Eddie Cantor, and he never considered himself an "artiste". Instead, he saw himself as a hoofer and comic simply trying to make a living on the vaude scene. My Life in Vaudeville recounts Lowry's long career in entertainment from the viewpoint of a foot soldier with a big dream.

Bob Fosse is recognized as one of the most significant figures in post-World War II American musical theater. With his first Broadway musical, The Pajama Game, in 1954, the "Fosse style" was already fully developed, with its trademark hunched shoulders, turned-in stance, and stuttering, staccato jazz movements. Fosse moved decisively into the role of director with Redhead in 1959 and was a key figure in the rise of the director-choreographer in the Broadway musical.

Divorced and working as a security guard in Portland, 73-year-old Carl is attacked by an unknown creature before he is able to taser it to death. After being released from the hospital, he discovers that he is unwittingly acquiring DNA samples from other people he touches. He discovers a number of shocking facts about himself when a blue box appears in his right eye. His health is nowhere near what he assumed it would be. Can he reverse the negative aspects of his health using these blue boxes? And can he reverse his poor financial situation after his wife took half his pension?

The Risk Theatre Model of Tragedy presents a profoundly original theory of drama that speaks to modern audiences living in an increasingly volatile world driven by artificial intelligence, gene editing, globalization, and mutual-assured destruction ideologies. Tragedy, according to risk theatre, puts us face to face with the unexpected implications of our actions by simulating the profound impact of highly improbable events.