Artist Architect

A great American artist, John Singer Sargent is an abiding enigma. He scandalized viewers with the frankness and sensuality of his work, while dressing like a businessman and crafting a highly respectable persona. In The Grand Affair, scholar Paul Fisher explores the enigmas of fin de siecle sexuality and art, fashioning a biography that grants the man and his paintings new and intense life.

A wild and unexpected journey through culture, science, philosophy, and religion to better understand the mercurial genius of William Blake.

A classic work for artists of all kinds, about reconciling the call of creative work with the demands of daily life and narrated by Anne Truitt herself. Renowned American artist Anne Truitt kept this illuminating and inspiring journal over a period of seven years, determined to come to terms with the forces that shaped her art and life. Within its beautifully written pages, you will come to know a woman whose range of sensitivity - moral, intellectual, sensual, emotional, and spiritual - is remarkably broad.

Life with Picasso, written with Carlton Lake, is about Picasso the artist and Picasso the man. We hear him talking about painting and sculpture, his life, his career, as well as other artists, both contemporaries and old masters. We glimpse Picasso in his many and volatile moods, dismissing his work, exultant over his work, entertaining his various superstitions, being an anxious father. But Life with Picasso is not only a portrait of a great artist; it is also a picture of a talented young woman of exacting intelligence at the outset of her own notable career.

In the early 1920s, surrounded by the roaring streets of avant-garde Paris, Piet Mondrian began creating what would become some of the most recognizable abstract paintings of the 20th century. With rectangles of primary colors against a dazzling white background, this was geometric abstraction in its purest form. These revolutionary compositions exhilarated, intoxicated, confused, and enraged the international public—and changed the course of modern art forever. Now, for the first time, Mondrian emerges alongside his thrilling art.

Jean Renoir's career almost spans the history years of cinema - from the early silent movies, to the naturalism of the talkies, committed cinema, film noir, Hollywood studio productions, the Technicolor-period comedies and fast television techniques. His film The Grand Illusion remains one of the greatest movies about the effects of war.

Charles Schulz, the most widely syndicated and beloved cartoonist of all time, is also one of the most misunderstood figures in American culture. Now, acclaimed biographer David Michaelis gives us the first full-length biography of Schulz: at once a creation story, a portrait of a hidden American genius, and a chronicle contrasting the private man with the central role he played in shaping the national imagination.

During his lifetime, Buckminster Fuller was hailed as one of the greatest geniuses of the twentieth century. As the architectural designer and futurist best known for the geodesic dome, he enthralled a vast popular audience, inspired devotion from both the counterculture and the establishment, and was praised as a modern Leonardo da Vinci. To his admirers, he exemplified what one man could accomplish by approaching urgent design problems using a radically unconventional set of strategies, which he based on a mystical conception of the universe’s geometry.

Isabella Stewart Gardner’s museum, with its plain exterior enfolding an astonishing four-story Italian palazzo, rose from Boston’s Fens at the turn of the twentieth century. Its treasures encompassed not only masterwork paintings but tapestries, rare books, prints, porcelains, and fine furniture.

One of the most influential, admired, and innovative women of our time: fashion designer, philanthropist, wife, mother, and grandmother, Diane von Furstenberg shares stories about becoming the woman she wanted to be. Diane von Furstenberg started out with a suitcase full of jersey dresses and an idea of who she wanted to be - in her words, "the kind of woman who is independent and who doesn’t rely on a man to pay her bills."

Michelangelo, God's Architect is the first book to tell the full story of Michelangelo's final two decades, when the peerless artist refashioned himself into the master architect of St. Peter’s Basilica and other major buildings. When the Pope handed Michelangelo control of the St. Peter’s project in 1546, it was a study in architectural mismanagement, plagued by flawed design and faulty engineering.

Salvador Dalí, Jerome Robbins, Jackie Onassis. Gregory Peck, Mick Jagger, S. J. Perelman, I. M. Pei. Philip Johnson, Josephine Baker, John Lennon: They, and so many more who made New York City the center of the universe in the 1970s, all had one thing in common besides their adopted hometown - they shopped at a legendary palace of books, music, and art: Rizzoli Books at 712 Fifth Avenue. There, Kennedys and Rockefellers mingled with tourists and "regular" customers under the watchful gaze of sophisticated employees.

In 1654, the Thunderclap—an enormous explosion at a gunpowder store—devasted the city of Delft, killing hundreds of people, including the extraordinary painter Carel Fabritius, and injuring thousands more. Framing the story around the life of Fabritius, Cumming illuminates this extraordinary moment in art history while also writing about her own father, a painter. Like Dutch art, the story gradually links country, city, town, street, house, interior—all the way to the bird on its perch, the blue and white tile, the smallest seed in a loaf of bread.

One of the nation’s top art critics shows how six great artists made old age a time of triumph by producing some of the greatest work of their long careers—and, in some cases, changing the course of art history. Though these six artists differed in many respects, they shared one thing: a determination to go on creating, driven not by the bounding energies of youth but by the ticking clock that would inspire them to produce some of their greatest masterpieces.

La mejor biografía que se ha escrito sobre Frida Kahlo, la pintora mexicana por excelencia.

Celia Paul's Letters to Gwen John centers on a series of letters addressed to the Welsh painter Gwen John, who has long been a tutelary spirit for Paul. John's reputation was overshadowed during her lifetime by her brother, Augustus John, and her lover Auguste Rodin. Through the epistolary form, Paul draws fruitful comparisons between John's life and her own: their shared resolve to protect the sources of their creativity, their fierce commitment to painting, and the ways in which their associations with older male artists affected the public's reception of their work.

With unprecedented access to newly discovered sources, Donna M. Lucey illuminates the lives of four extraordinary women painted by the iconic high-society portraitist John Singer Sargent. With uncanny clairvoyance, Sargent's portraits hint at the mysteries, passions, and tragedies that unfolded in his subjects' lives.

Lee Miller, 1927 - New York: A classically beautiful young woman, she is discovered by Condé Nast. Lee Miller, 1929 - Paris: Protégé and lover of Man Ray, she invents with him the solarization technique of photography, develops into a brilliant Surrealist photographer, and plays the statue in Cocteau's film Blood of a Poet. Lee Miller, 1939-45 - Europe: Living at times with her future husband, the painter Roland Penrose, she becomes a US war correspondent and covers the siege of St Malo and the liberation of Paris.

In 2017, Leonardo da Vinci’s small oil painting the Salvator Mundi was sold at auction. In the words of its discoverer, the image of Christ as savior of the world is “the rarest thing on the planet.” Its $450 million sale price also makes it the world’s most expensive painting. For two centuries, art dealers had searched in vain for the Holy Grail of art history: a portrait of Christ as the Salvator Mundi by Leonardo da Vinci. Many similar paintings of greatly varying quality had been executed by Leonardo’s assistants in the early 16th century.

In 1860, at the age of twenty-four, Winslow Homer (1836-1910) sold Harper’s two dozen wood engravings, carved into boxwood and transferred to metal plates to stamp on paper. One was a scene that Homer saw in his hometown of Boston, showing Frederick Douglass speaking about freedom and a crowd of abolitionists being thrown from a church; at their front is Frederick Douglass, declaring “the freedom of all mankind.” He is at the heart of the image, face turned skyward and right arm reaching out like a Roman orator.