Art History Renaissance

Five hundred years ago, Michelangelo began work on a painting that became one of the most famous pieces of art in the world - the Sistine Chapel ceiling. Every year millions of people come to see Michelangelo's Sistine ceiling, which is the largest fresco painting on earth in the holiest of Christianity's chapels; yet there is not one single Christian image in this vast, magnificent artwork.

For centuries, works of art have been stolen in countless ways from all over the world, but no one has been quite as successful at it as the master thief Stéphane Breitwieser. Carrying out more than two hundred heists over nearly eight years—in museums and cathedrals all over Europe—Breitwieser, along with his girlfriend who worked as his lookout, stole more than three hundred objects, until it all fell apart in spectacular fashion.

Are you ready to embark on a journey through the rich history of art? Discover the key movements and artists that have shaped the Western art tradition and gain a deeper understanding of how art reflects the world around us. With this book, you will: Expand your knowledge of art history in an easily digestible format. Engage with key facts and features from significant art movements. Delve into the Classical, Medieval, Renaissance, Baroque, Rococo, Neoclassicism, Romanticism, Realism, Impressionism, Post-Impressionism, Symbolism and other periods as well as lesser known but still highly ...

In this masterful work, listeners will encounter: the poets Petrarch and Boccaccio, the fathers of the Renaissance; the paintings, sculptures, and architecture of Milan, Florence, and Venice; the life and accomplishments of Leonardo DaVinci; the Catholic church and the popes of Avignon and Rome; the politicians and philosophers of Italy, including the Borgia family, Julius II, and Machiavelli; the Italian Wars, the conflicts with France, and the country's decline.

At one time, Corrie ten Boom would have laughed at the idea that she had a story to tell. For the first 50 years of her life, nothing out of the ordinary ever happened to her. She was a spinster watchmaker living contentedly with her sister and their elderly father in the tiny house over their shop in Haarlem. Their uneventful days, as regulated as their own watches, revolved around their abiding love for one another. But with the Nazi invasion and occupation of Holland, everything changed....

When Jonathan Argyll is arrested for breaking into an obscure church in Rome, he claims that it contains a long-lost Raphael hidden under a painting by Mantini. The painting disappears - then reappears in the hands of the top British art dealer, Edward Byrnes. How has Byrnes found out about the hidden masterpiece, and whom is he acting for? There is also the curious matter of the safe deposit box full of sketches closely resembling features of the newly discovered painting.

Virtually everyone would agree that Leonardo da Vinci was the most important artist of the High Renaissance. It was Leonardo who singlehandedly created the defining features of Western art: a realism based on subtle shading; depth using atmospheric effects; and dramatic contrasts between light and dark.

Learn about the Renaissance period with iMindsJNR audio learning series for younger minds. The word "Renaissance" means "rebirth" in French. It was first used by French historian Jules Michelet in 1858 to refer to a "movement" that took place between about the 13th and 16th centuries . This movement describes the transition from medieval to modern Europe.

TURTLE TORTOISE, IMAGE & SYMBOL is published here in two volumes Volume One: THE WEST and Volume Two: THE EAST, and each volume is divided into four books. The WEST series is presented as a chronological sequence and the EAST series as individual studies of specific cultures. Together they constitute an in-depth coverage of the image and symbol of the turtle/tortoise throughout the world from the earliest times. Reference is made to specific artifacts, documents and monuments, works of science, literature and art, which may be viewed or consulted today in museums and public places, ...

A standalone audio exclusive set in the world of the Red Knight. Taking place in Etrusca, Terra Antica, thousands of miles from Alba and Liviapolis, an ancient power is rediscovered.

A struggling artist. An elite commission. A city of shadows and secrets. In Renaissance Rome, Augustine faces his ultimate test. Talented but unknown, Augustine navigates the treacherous Artist's Quarters. A rare opportunity arises to secure a prestigious commission from Italy's elite. But in this world of thievery and gambling, every alley hides danger. As Augustine hones his craft and builds connections, each brushstroke brings him closer to his dreams—and to peril. Facing ruthless rivals and dangerous alliances, he must execute his artistic vision with both skill and cunning. Will his ...

The 15th century saw the evolution of a distinct and powerfully influential European artistic culture. But what does the familiar phrase “Renaissance Art” actually refer to? Through engaging discussion of timeless works by artists such as Jan van Eyck, Leonardo da Vinci, and Michelangelo, Tom Nichols offers a masterpiece of his own as he explores the truly original and diverse character of the art of the Renaissance.

However, a historical transformation of similar magnitude also took place in northern Europe at the same time. This "Other Renaissance" was initially centered on the city of Bruges in Flanders (modern Belgium), but its influence was soon being felt in France, the German states, London, and even in Italy itself.

The dome of the Santa Maria del Fiore, the great cathedral of Florence, is among the most enduring symbols of the Renaissance, an equal to the works of Leonardo and Michelangelo. Its designer was Filippo Brunelleschi, a temperamental architect and inventor who rediscovered the techniques of mathematical perspective. Yet the completion of the dome was not Brunelleschi’s glory alone. He was forced to share the commission with his archrival, the canny and gifted sculptor Lorenzo Ghiberti.

It was the splendor and the scandal of the age. In 1506, the ferociously ambitious Renaissance Pope Julius II tore down the most sacred shrine in Europe, the millennium-old St. Peter's Basilica built by the Emperor Constantine over the apostle's grave, to build a better basilica.

Master Italian sculptor, goldsmith, and writer Benvenuto Cellini is best remembered for his magnificent autobiography. In this work, which was actually begun in 1558 but not published until 1730, Cellini beautifully chronicles his flamboyant times. He tells of his adventures in Italy and France, and his relations with popes, kings, and fellow artists.

If so, you are already somewhat familiar with the Renaissance, which saw a rebirth in the arts and science. Great strides were made in several fields, and many men made a name for themselves by creating masterpieces or developing new theories, even if some people found them controversial. This comprehensive guide digs into some of the most famous figures of the period and includes some who might not be as well known.

Hans Holbein the Younger is chiefly celebrated for his beautiful and precisely realized portraiture, which includes representations of Henry VIII, his advisors Thomas More and Thomas Cromwell, his wives Jane Seymour and Anne of Cleves, and an array of the Tudor lords and ladies encountered during the course of two sojourns in England. But beyond these familiar images, which have come to define our perception of the age, Holbein was a multifaceted genius: a humanist, satirist, and political propagandist, and a deft man whose work was rich in layers of symbolism and allusion.

After the long period of cultural decline known as the Dark Ages, Europe experienced a rebirth of scholarship, art, literature, philosophy, and science, and began to develop a vision of Western society that remains at the heart of Western civilization today.

In literary legend, Faustus is the quintessential occult personality of early modern Europe. The historical Faustus, however, was something quite different: a magus—a learned magician fully embedded in the scholarly currents and public life of the Renaissance. And he was hardly the only one. Anthony Grafton argues that the magus in sixteenth-century Europe was a distinctive intellectual type, both different from and indebted to medieval counterparts as well as contemporaries like the engineer, the artist, the Christian humanist, and the religious reformer.