Philosophical Investigations was published in 1953, two years after the death of its author. In the preface written in Cambridge in 1945 where he was professor of philosophy he states: ‘Four years ago I had occasion to re-read my first book (the Tractatus Logico-Philosophicus) and to explain its ideas to someone. It suddenly seemed to me that I should publish those old thoughts and the new ones together: that the latter could be seen in the right light only by contrast with and against the background of my old way of thinking.’

Thomas Mann's last great novel, first published in 1947 and now newly rendered into English by acclaimed translator John E. Woods, is a modern reworking of the Faust legend, in which Germany sells its soul to the Devil. Mann's protagonist, the composer Adrian Leverkühn, is the flower of German culture, a brilliant, isolated, overreaching figure, his radical new music a breakneck game played by art at the very edge of impossibility. In return for twenty-four years of unparalleled musical accomplishment, he bargains away his soul—and the ability to love his fellow man.

Karl Popper's THE POVERTY OF HISTORICISM is one of the most important books on the social sciences to have appeared since the Second World War. It is also the work of one of the most original thinkers of the twentieth century, and a devastating criticism of the idea that there are laws of development in history and that human beings are able to discover them. Popper dedicated the book to all those who fell victim to the fascist and communist belief in Inexorable Laws of Historical Destiny

Against Nature was one of the most shocking French novels of the 19th century. When it was published in 1884, it thrilled the aesthetes, the poets, and the intellectuals of Europe on both sides of the Channel (notably Oscar Wilde) because for all its lofty tone, it had, as its core, an unbridled decadence, and it was this same character that challenged, even horrified, established bourgeois society.

Devotions Upon Emergent Occasions is a prose work published in 1624. It consists of a series of meditations, prayers, and reflections that Donne wrote while he was recovering from a serious illness. It is divided into 23 sections, each representing a different meditation on various aspects of life, death, and spirituality. Donne explores themes such as the fragility and uncertainty of life, the interconnectedness of humanity, and the presence of God in times of suffering.