
Doctor Faustus
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Narrado por:
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David Rintoul
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De:
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Thomas Mann
Acerca de esta escucha
Thomas Mann's last great novel, first published in 1947 and now newly rendered into English by acclaimed translator John E. Woods, is a modern reworking of the Faust legend, in which Germany sells its soul to the Devil. Mann's protagonist, the composer Adrian Leverkühn, is the flower of German culture, a brilliant, isolated, overreaching figure, his radical new music a breakneck game played by art at the very edge of impossibility. In return for twenty-four years of unparalleled musical accomplishment, he bargains away his soul—and the ability to love his fellow man.
Leverkühn's life story is a brilliant allegory of the rise of the Third Reich, of Germany's renunciation of its own humanity and its embrace of ambition and nihilism. It is also Mann's most profound meditation on the German genius—both national and individual—and the terrible responsibilities of the truly great artist.
"John E. Woods is revising our impression of Thomas Mann, masterpiece by masterpiece."—The New Yorker
"Doctor Faustus is Mann's deepest artistic gesture. . . . Finely translated by John E. Woods."—The New Republic
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Christopher Marlowe's play about a man who sells his soul to the devil is not only one of the first of many works to explore this theme but also one of the most startling. Eschewing the usual division of the drama into acts, it presents the story of Faustus' fall in a series of apparently disconnected scenes. However, the integrity of the drama is maintained by the remorseless unraveling of Faustus' fortunes as he approaches his inevitable damnation.
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General
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Historia
In this first volume subtitled ‘The Stories of Jacob', Mann begins with a meditative prelude named “Descent into Hell”, which contextualises the story against a variety of historical, mythological, and historical contexts, before moving on to the story of Joseph's father Jacob. The following chapters follow Jacob as we learn of him stealing his brother's birthright, before fleeing to his uncle Laban and his later marriages to Rachel and Leah.
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Hans Castorp is, on the face of it, an ordinary man in his early 20s, on course to start a career in ship engineering in his home town of Hamburg, when he decides to travel to the Berghof Santatorium in Davos. The year is 1912 and an oblivious world is on the brink of war. Castorp’s friend Joachim Ziemssen is taking the cure and a three-week visit seems a perfect break before work begins. But when Castorp arrives he is surprised to find an established community of patients, and little by little, he gets drawn into the closeted life and the individual personalities of the residents.
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General
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Historia
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- De: Thomas Mann
- Narrado por: Paul Hecht
- Duración: 12 h y 54 m
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Joachim Neugroschel’s brilliant new translation lets you enjoy the work of Nobel-Laureate Thomas Mann as never before. By using creative, contemporary language, Neugroschel reinterprets Mann for modern English-speaking audiences. The author’s superb literary craftsmanship, his psychological insight, and the deeply erotic content of his work shine forth in this definitive English-language version of some of his most celebrated short works. This collection features the world masterpiece
Death in Venice....
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Beautifully done
- De Adeliese Baumann en 02-05-13
De: Thomas Mann
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Doktor Faustus
- De: Thomas Mann, Leonhard Koppelmann
- Narrado por: Michael Mendl, Ulrich Noethen, Michael Habeck, y otros
- Duración: 12 h y 54 m
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"Dein Leben soll kalt sein – darum darfst du keinen Menschen lieben!" Das ist der Preis, den der geniale Komponist Adrian Leverkühn dem Teufel dafür bezahlen muss, dass ihn die Inspiration nicht mehr verlässt. Die Regie von Leonhard Koppelmann hält gekonnt die Balance zwischen der dämonisch-düsteren Grundstimmung und den humoristischen Zwischenakkorden. Gemeinsam mit dem Komponisten Hermann Kretzschmar lässt der Regisseur einen klanggewaltigen Hörfilm mit musikalischer Tiefenschärfe abrollen, bei dem Dialogszenen, Erzählertexte, Musik und Geräusche harmonisch zusammenklingen.
De: Thomas Mann, y otros
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The Kill
- La Curée
- De: Émile Zola
- Narrado por: Leighton Pugh
- Duración: 12 h y 37 m
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Against a backdrop of modernisation, extravagant luxury, political intrigue and sexual immorality, Saccard treats close relationships as money-making opportunities and loved ones as mere commodities. As one character puts it: ‘You see, everything is fine, as long as you make money from it.’
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one of Zola's best
- De Nom de Guerre en 05-05-25
De: Émile Zola
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Crime and Punishment
- The New Translation by Richard Pevear and Larissa Volokhonsky
- De: Fyodor Dostoevsky, Richard Pevear - translator, Larissa Volokhonsky - translator
- Narrado por: Bill Homewood
- Duración: 28 h y 4 m
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With the same suppleness, energy, and range of voices that won their translation of The Brothers Karamazov the PEN/Book-of-the-Month Club Prize, Richard Pevear and Larissa Volokhonsky offer a brilliant translation of Crime and Punishment, Dostoevsky's astounding pyschological thriller, newly revised for his bicentenniel.
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Narration
- De Zane en 04-29-25
De: Fyodor Dostoevsky, y otros
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Thomas Mann
- New Selected Stories
- De: Thomas Mann, Damion Searls - translator
- Narrado por: James Anderson Foster
- Duración: 9 h y 17 m
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A towering figure in the pantheon of twentieth-century literature, Thomas Mann has often been perceived as a dry and forbidding writer—"the starched collar," as Bertolt Brecht once called him. But in fact, his fiction is lively, humane, sometimes hilarious. In these fresh renderings of his best short work, award-winning translator Damion Searls casts new light on this underappreciated aspect of Mann's genius.
De: Thomas Mann, y otros
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The Man Without Qualities
- De: Robert Musil
- Narrado por: John Telfer
- Duración: 60 h y 30 m
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In 1913, the Viennese aristocracy is gathering to celebrate the 17th jubilee of the accession of Emperor Franz Josef, even as the Austro-Hungarian Empire is collapsing and the rest of Vienna is showing signs of rebellion. At the centre of this social labyrinth is Ulrich: a veteran, a seducer and a scientist, yet also a man 'without qualities' and therefore a brilliant and detached observer of his changing world.
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An unmatched intellectual epic
- De Delano en 06-23-22
De: Robert Musil
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This Is Berlin
- Radio Broadcasts from Nazi Germany
- De: William Shirer
- Narrado por: Grover Gardner
- Duración: 21 h y 41 m
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This collection of William L. Shirer’s radio broadcasts tells the vivid story of WWII and brings the suspense of the times to life for today’s audience. As the first journalist hired by CBS to cover the war in Europe, Shirer compiled two and a half years’ worth of wartime broadcasts including Hitler’s invasion of Austria, the armistice between France and Nazi forces in June of 1940, daily roundups of news from Paris, Vienna, Berlin, London and Rome, documenting the conditions of these countries under invasion.
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Another banger from Willy and Grover
- De Garrett Webster en 04-08-24
De: William Shirer
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Doktor Faustus
- Das Leben des deutschen Tonsetzers Adrian Leverkühn, erzählt von einem Freunde
- De: Thomas Mann
- Narrado por: Gert Westphal
- Duración: 28 h y 8 m
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In der Lebensgeschichte Adrian Leverkühns – der fiktiven Romanbiographie eines Komponisten, der sich dem Teufel verschreibt – fasst Thomas Mann alle Entwicklungsstufen der alten Faust-Sage zusammen und verknüpft sie mit den politischen Ereignissen seiner Zeit. Der zeitliche Rahmen umgrenzt die Jahre von 1884 bis 1945, seine eigene Epoche. Er selbst nannte den "Doktor Faustus" "ein Lebensbuch von fast sträflicher Schonungslosigkeit, eine sonderbare Art von übertragener Autobiographie, ein Werk, das mich mehr gekostet und tiefer an mir gezehrt hat, als jedes frühere".
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Hervorragend / Superb
- De Rick en 12-20-24
De: Thomas Mann
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The Good Soldier Svejk
- De: Jaroslav Hasek
- Narrado por: David Horovitch
- Duración: 28 h y 44 m
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The Good Soldier Švejk, written shortly after the First World War, is one of the great antiwar satires - and one of the funniest books of the 20th (or any) century. In creating his eponymous hero, Jaroslav Hašek produced an unforgettable character who charms and infuriates and bamboozles his way through the conflagration that tore through the heart of Europe, upending empires and changing social history. It is the closing period of the Austro-Hungarian Empire. The assassination at Sarajevo has just occurred and armies are on the march.
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This is real!
- De Lorenzo Coopman en 10-08-20
De: Jaroslav Hasek
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Wilhelm Meister's Apprenticeship
- De: Johann Wolfgang von Goethe
- Narrado por: Leighton Pugh
- Duración: 22 h y 57 m
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Wilhelm Meister’s Apprenticeship was Goethe’s second novel, published 1795-6, almost two decades after The Sorrows of Young Werther. It again focuses on a young man but this time on his growing understanding and maturity as he makes his way in the world. As such, it is regarded as the founding work in the ‘coming of age’ genre: the ‘bildungsroman’ ( a term actually coined some 30 years later), which characterised a philosophical novel tracing the cultural, emotional and educational development of an individual from youth to adulthood.
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The ending
- De Angel Ddia en 03-23-24
Wonderful Narration of a Great Translation
Se ha producido un error. Vuelve a intentarlo dentro de unos minutos.
A performance well mach for such a master piece.
Se ha producido un error. Vuelve a intentarlo dentro de unos minutos.
At long last! Absolutely essential
Se ha producido un error. Vuelve a intentarlo dentro de unos minutos.
Worth it
Se ha producido un error. Vuelve a intentarlo dentro de unos minutos.
Extraordinarily written and voiced.
Se ha producido un error. Vuelve a intentarlo dentro de unos minutos.
Beautiful book
Se ha producido un error. Vuelve a intentarlo dentro de unos minutos.
The Good: The narrator’s performance. He’s gifted with an incredible voice and gives an outstanding oration.
The Bad:
1. The faux-classic writing style. Doctor Faustus reads like a book written hundreds of years before its time. Hell, Von Goethe’s Faust is less antiquated at times!
2. NOTHING HAPPENS FOR FAR TOO LONG. The promise of the book is a lie - the single chapter that I enjoyed, in retrospect, seems like it was inserted into the novel at the 55% mark when the editor reminded Mann that his intention was to write a Faustian tale.
3. The digressions into obscure musical theory are tedious, self indulgent and… perhaps insecure? It almost seems like he writes those sections with an agenda. They don’t serve the story! It’s as though the author feels he has something to prove regarding his musical knowledge and is writing for an audience of one. They’re so woefully unnecessary, I label their inclusion as obscene. Where was the editor?!?
4. Horrendous dialogue. Awful chunks of long winded, irritating dialogue. There’s one monologue (not a lecture) that must’ve gone on for ten or more pages. Furthermore - every character sounds the same - as if they’re the same personality exchanging words back and forth.
5. I despise every character. I didn’t find redeeming qualities in any of the personalities on display. The main character lacks any motivation. And lastly, nobody does anything! Things kind of happen to them occasionally but your own life is more exciting and less mundane than most of the occurrences in this novel (with a few rare exceptions).
I’ve wasted too much damn time with this book. I hate it. I’m going to finish it, but I hate it.
Literary self flagellation
Se ha producido un error. Vuelve a intentarlo dentro de unos minutos.