Thomas Mann's last great novel, first published in 1947 and now newly rendered into English by acclaimed translator John E. Woods, is a modern reworking of the Faust legend, in which Germany sells its soul to the Devil. Mann's protagonist, the composer Adrian Leverkühn, is the flower of German culture, a brilliant, isolated, overreaching figure, his radical new music a breakneck game played by art at the very edge of impossibility. In return for twenty-four years of unparalleled musical accomplishment, he bargains away his soul—and the ability to love his fellow man.

Waiter by day, man about Paris by night; the young and good looking Felix Krull has created for himself a personality to charm and deceive the world of wealth. When the Marquis de Venosta makes him a proposal that he can't refuse, the young Felix finds himself on the pathway that will elevate him into the world of riches.

The story told in Vasily Grossman's Stalingrad unfolds across the length and breadth of Russia and Europe. At the heart of the novel is the Shaposhnikov family. Even as the Germans advance, the matriarch, Alexandra Vladimirovna, refuses to leave Stalingrad. Far from the front, her eldest daughter, Ludmila, is unhappily married to the Jewish physicist Viktor Shtrum. Viktor's research may be of crucial military importance, but he is distracted by thoughts of his mother in the Ukraine, lost behind German lines.

Though David Hume (1711-1776) is now best known for his role as a prominent philosopher of the Enlightenment rather than an historian, it was his momentous six-volume The History of England that really brought him national attention during his lifetime. Not surprisingly, this volume covers the greatest number of years; the increasing availability of historical record allows for far greater detail. But Hume is still fascinating as he discusses the passage of time from Julius Caesar, through the advent of William the Conqueror and the Normans, to the death of King John in 1216.

Goethe was the inventor of the psychological novel, a pioneer scientist, great man of the theatre and a leading politician. As A. N. Wilson argues in this groundbreaking biography, it was his genius and insatiable curiosity that helped catapult the Western world into the modern era. A N. Wilson tackles the life of Goethe with characteristic wit and verve. From his youth as a wild literary prodigy to his later years as Germany’s most respected elder statesman, Wilson hones in on Goethe’s undying obsession with the work he would spend his entire life writing – Faust.

Henri Bergson (1859-1941) was the leading French philosopher of the first half of the 20th century. Near the end of his life when he was forced to register with the police in Nazi occupied France he wrote: ‘Academic. Philosopher. Nobel prize winner. Jew.’ Time and Free Will, his doctoral thesis, was published as a book in 1889 and attacks and rejects the mechanistic view of causality described in Kant’s version of space and time and proceeds to attempt to define free-will and consciousness by separating space and time.

Wilhelm Meister’s Apprenticeship was Goethe’s second novel, published 1795-6, almost two decades after The Sorrows of Young Werther. It again focuses on a young man but this time on his growing understanding and maturity as he makes his way in the world. As such, it is regarded as the founding work in the ‘coming of age’ genre: the ‘bildungsroman’ ( a term actually coined some 30 years later), which characterised a philosophical novel tracing the cultural, emotional and educational development of an individual from youth to adulthood.

First published in 1900, when Thomas Mann was 25, Buddenbrooks is a minutely imagined chronicle of four generations of a North German mercantile family - a work so true to life that it scandalized the author’s former neighbours in his native Lübeck.

In 1913, the Viennese aristocracy is gathering to celebrate the 17th jubilee of the accession of Emperor Franz Josef, even as the Austro-Hungarian Empire is collapsing and the rest of Vienna is showing signs of rebellion. At the centre of this social labyrinth is Ulrich: a veteran, a seducer and a scientist, yet also a man 'without qualities' and therefore a brilliant and detached observer of his changing world.

Stan Parker, with only a horse and a dog for companions, journeys to a remote scrubby patch of land that he has inherited in the Australian hills. When the land is cleared enough for a rudimentary house to be built, Stan brings his new wife, Amy, to the wilderness. Together they struggle to establish a home for themselves and their growing family.

In the summer of 1983, twenty-year-old Nick Guest moves into an attic room in the Notting Hill home of the Feddens: conservative Member of Parliament Gerald, his wealthy wife Rachel, and their two children, Toby—whom Nick had idolized at Oxford—and Catherine, who is highly critical of her family's assumptions and ambitions. As the boom years of the eighties unfold, Nick, an innocent in the world of politics and money, finds his life altered by the rising fortunes of this glamorous family.

Carlos Eire, popular professor and gifted writer, chronicles the 200-year era of the Renaissance and Reformation with particular attention to issues that persist as concerns in the present day. Eire connects the Protestant and Catholic Reformations in new and profound ways, and he demonstrates convincingly that this crucial turning point in history not only affected people long gone but continues to shape our world and define who we are today.

Sartor Resartus is one of the most unusual, even quirky, British novels to emerge from the first half of the 19th century. Published in 1836, its varied heritage reflects the earlier eccentricities of Sterne and Swift, mixed with influences from Goethe. Its subject matter is strange: it concerns a book called Clothes: Their Origin and Influence by one Diogenes Teufelsdröckh, a German philosopher. Though Thomas Carlyle became a household name in his lifetime, his comic novel Sartor Resartus would prove to have a lasting effect on contemporary writers.

Kant's Prolegomena, although a small book, is without doubt the most important of his writings, writes the translator, Paul Carus. Prolegomena means, literally, prefatory or introductory remarks, and it furnishes us with a key to his main work, The Critique of Pure Reason; in fact, it is an extract containing all the salient ideas of Kant's system. It approaches the subject in the simplest and most direct way and is therefore best adapted as an introduction into his philosophy.

Robert Musil (1880-1942) is best known for his enduring masterpiece The Man Without Qualities, one of the great European works of the 20th century. It was with The Confusions of Young Master Törless first published in 1906, a challenging but very different work, that he signalled his extraordinary talent. As the nineteenth century draws to an end, young Torless is sent to a military boarding school for the sons of the nobility on the eastern outreaches of the Austro-Hungarian Empire.

Thomas Mann's last great novel, first published in 1947 and now newly rendered into English by acclaimed translator John E. Woods, is a modern reworking of the Faust legend, in which Germany sells its soul to the Devil. Mann's protagonist, the composer Adrian Leverkühn, is the flower of German culture, a brilliant, isolated, overreaching figure, his radical new music a breakneck game played by art at the very edge of impossibility. In return for twenty-four years of unparalleled musical accomplishment, he bargains away his soul—and the ability to love his fellow man.

The Thomas Mann Collection includes unabridged recordings of Thomas Mann's 3 greatest works of fiction in one audiobook.

First published in 1900, when Thomas Mann was 25, Buddenbrooks is a minutely imagined chronicle of four generations of a North German mercantile family - a work so true to life that it scandalized the author’s former neighbours in his native Lübeck.

In this beautifully evocative essay, Virginia Woolf transforms a simple errand—a trip to buy a pencil—into a mesmerizing exploration of city life, memory, identity, and the quiet drama of everyday existence. As she drifts through the winter streets of London, Woolf captures fleeting moments, passing faces, and the rhythm of urban solitude with her signature lyricism and insight.

Joachim Neugroschel’s brilliant new translation lets you enjoy the work of Nobel-Laureate Thomas Mann as never before. By using creative, contemporary language, Neugroschel reinterprets Mann for modern English-speaking audiences. The author’s superb literary craftsmanship, his psychological insight, and the deeply erotic content of his work shine forth in this definitive English-language version of some of his most celebrated short works. This collection features the world masterpiece

Death in Venice....

Hans Castorp is, on the face of it, an ordinary man in his early 20s, on course to start a career in ship engineering in his home town of Hamburg, when he decides to travel to the Berghof Santatorium in Davos. The year is 1912 and an oblivious world is on the brink of war. Castorp’s friend Joachim Ziemssen is taking the cure and a three-week visit seems a perfect break before work begins. But when Castorp arrives he is surprised to find an established community of patients, and little by little, he gets drawn into the closeted life and the individual personalities of the residents.

When the Great War broke out in August 1914, Thomas Mann, like so many people on both sides of the conflict, was exhilarated. Finally, the era of decadence that he had anatomized in Death in Venice had come to an end; finally, there was a cause worth fighting and even dying for, or, at least when it came to Mann himself, writing about. Mann immediately picked up his pen to compose a paean to the German cause. Soon after, his elder brother and lifelong rival, the novelist Heinrich Mann, responded with a no less determined denunciation.

Waiter by day, man about Paris by night; the young and good looking Felix Krull has created for himself a personality to charm and deceive the world of wealth. When the Marquis de Venosta makes him a proposal that he can't refuse, the young Felix finds himself on the pathway that will elevate him into the world of riches.

Published on the eve of World War I, a decade after Buddenbrooks had established Thomas Mann as a literary celebrity, Death in Venice tells the story of Gustave von Aschenbach, a successful but aging writer who follows his wanderlust to Venice in search of spiritual fulfillment that instead leads to his erotic doom.

Upon arriving home in Normandy, Frederick catches his first glimpse of Marie Arnoux, a mysterious and beautiful woman who leaves a lasting impression on him. Eventually they make each other's acquaintance and Marie becomes a symbol of unattainable perfection for Frederick, whose unrequited infatuation leaves him bouncing from one passion to another, falling in and out of love, money and society.

In 1913, the Viennese aristocracy is gathering to celebrate the 17th jubilee of the accession of Emperor Franz Josef, even as the Austro-Hungarian Empire is collapsing and the rest of Vienna is showing signs of rebellion. At the centre of this social labyrinth is Ulrich: a veteran, a seducer and a scientist, yet also a man 'without qualities' and therefore a brilliant and detached observer of his changing world.

Goethe was the inventor of the psychological novel, a pioneer scientist, great man of the theatre and a leading politician. As A. N. Wilson argues in this groundbreaking biography, it was his genius and insatiable curiosity that helped catapult the Western world into the modern era. A N. Wilson tackles the life of Goethe with characteristic wit and verve. From his youth as a wild literary prodigy to his later years as Germany’s most respected elder statesman, Wilson hones in on Goethe’s undying obsession with the work he would spend his entire life writing – Faust.

Against a backdrop of modernisation, extravagant luxury, political intrigue and sexual immorality, Saccard treats close relationships as money-making opportunities and loved ones as mere commodities. As one character puts it: ‘You see, everything is fine, as long as you make money from it.’

A book that pulses with life in the midst of death, The Magic Mountain is a mammoth masterpiece of erudition and irony, sexual tension, and intellectual ferment. Mann utilises a sanatorium in the Swiss Alps, a community dedicated solely to illness, as a microcosm for Europe, which in the years prior to 1914 was already displaying the initial signs of its own terminal madness, in this dizzyingly dense novel of ideas.

Dick Davis—“our pre-eminent translator from the Persian” (The Washington Post)—has revised and expanded his acclaimed translation of Ferdowsi’s masterpiece, adding more than 100 pages of newly translated text. Davis’s elegant combination of prose and verse allows the poetry of the Shahnameh to sing its own tales directly, interspersed sparingly with clearly marked explanations to ease along modern audiences.