Art History Renaissance

However, a historical transformation of similar magnitude also took place in northern Europe at the same time. This "Other Renaissance" was initially centered on the city of Bruges in Flanders (modern Belgium), but its influence was soon being felt in France, the German states, London, and even in Italy itself.

A Landmark Translation of the Original Renaissance Quadrivium Athanasius Kircher (1602–1680) was the last great Renaissance polymath—and one of the first global scholars. In the mid-1600s, he published his monumental three-volume work, Oedipus Aegyptiacus, which aimed to decode the ancient world’s symbolic language. This volume contains Kircher’s exploration of the Quadrivium: Arithmetic, Geometry, Music, and Astronomy—the four liberal arts of classical education. Drawing on ancient sources from Pythagoras to Plato, Kircher weaves a cosmological vision in which number, form, sound...

Beginning in the heady days just after the First Crusade, this volume - the third in the series that began with The History of the Ancient World and The History of the Medieval World - chronicles the contradictions of a world in transition. Impressively researched and brilliantly told, The History of the Renaissance World offers not just the names, dates, and facts but the memorable characters who illuminate the years between 1100 and 1453 - years that marked a sea change in mankind's perception of the world.

Five hundred years ago, Michelangelo began work on a painting that became one of the most famous pieces of art in the world - the Sistine Chapel ceiling. Every year millions of people come to see Michelangelo's Sistine ceiling, which is the largest fresco painting on earth in the holiest of Christianity's chapels; yet there is not one single Christian image in this vast, magnificent artwork.

The Renaissance was an era of cultural development during the 14th to the 17th centuries. Beginning in Italy, the learning of the Renaissance soon spread all over Europe, with an emphasis on intellectual inquiry and Classical revival that marked a departure from the Middle Ages. While some Europeans pursued these ideals through art and learning, others explored the world across the oceans.

When Jonathan Argyll is arrested for breaking into an obscure church in Rome, he claims that it contains a long-lost Raphael hidden under a painting by Mantini. The painting disappears - then reappears in the hands of the top British art dealer, Edward Byrnes. How has Byrnes found out about the hidden masterpiece, and whom is he acting for? There is also the curious matter of the safe deposit box full of sketches closely resembling features of the newly discovered painting.

Virtually everyone would agree that Leonardo da Vinci was the most important artist of the High Renaissance. It was Leonardo who singlehandedly created the defining features of Western art: a realism based on subtle shading; depth using atmospheric effects; and dramatic contrasts between light and dark.

The dome of the Santa Maria del Fiore, the great cathedral of Florence, is among the most enduring symbols of the Renaissance, an equal to the works of Leonardo and Michelangelo. Its designer was Filippo Brunelleschi, a temperamental architect and inventor who rediscovered the techniques of mathematical perspective. Yet the completion of the dome was not Brunelleschi’s glory alone. He was forced to share the commission with his archrival, the canny and gifted sculptor Lorenzo Ghiberti.

Perhaps no country has had such a lasting impact on Western culture as Italy. Whether it’s the frescoes of the Renaissance, the politics of ancient Rome, or the formation of the Catholic Church, Italy holds a central place on the world’s stage. This audiobook gives a quick but detailed overview of Italy’s grand, sweeping history, from ancient city-state to modern cultural mecca. Whether you’re a student of Italian history looking for a refresher or a brand-new learner looking for an introduction, this audiobook is a concise, easy-to-follow overview.

Sir Philip Sidney was an Elizabethan courtier, statesman, soldier, poet, and patron of scholars and poets. He was famous as the ideal gentleman of his day and a model for subsequent generations until the twentieth century replaced classical education with industrial age expedience. He represents something of what we have lost in modern self-interest. For three centuries, he was considered the most extraordinary man of the English Renaissance. But unfortunately, his legacy has faded from modern prominence. Nevertheless, it is fascinating to peer into the past and discover a singular person ...

Master Italian sculptor, goldsmith, and writer Benvenuto Cellini is best remembered for his magnificent autobiography. In this work, which was actually begun in 1558 but not published until 1730, Cellini beautifully chronicles his flamboyant times. He tells of his adventures in Italy and France, and his relations with popes, kings, and fellow artists.

A standalone audio exclusive set in the world of the Red Knight. Taking place in Etrusca, Terra Antica, thousands of miles from Alba and Liviapolis, an ancient power is rediscovered.

TURTLE TORTOISE, IMAGE & SYMBOL is published here in two volumes Volume One: THE WEST and Volume Two: THE EAST, and each volume is divided into four books. The WEST series is presented as a chronological sequence and the EAST series as individual studies of specific cultures. Together they constitute an in-depth coverage of the image and symbol of the turtle/tortoise throughout the world from the earliest times. Reference is made to specific artifacts, documents and monuments, works of science, literature and art, which may be viewed or consulted today in museums and public places, ...

Published in 1873, Studies in the History of the Renaissance is considered one of the most influential works in the field of aestheticism. The book is a collection of essays that explore various artists of the Renaissance period, focusing primarily on the art, culture, and philosophy of the time.

What Shall We Do Today? The World Art Day Adventure Join Imani, Tommy, and Maya on a magical journey through art and history perfect for curious minds ages 6-9! In this delightful installment of the beloved "What Shall We Do Today?" series, three friends discover the wonders of World Art Day through an enchanting adventure with Leonardo da Vinci himself! When Maya arrives with news about a special art festival, the children are whisked away on a time-traveling journey to Renaissance Italy where they meet the master artist and inventor in his workshop. 🎨 Educational Value for Young ...

The 15th century saw the evolution of a distinct and powerfully influential European artistic culture. But what does the familiar phrase “Renaissance Art” actually refer to? Through engaging discussion of timeless works by artists such as Jan van Eyck, Leonardo da Vinci, and Michelangelo, Tom Nichols offers a masterpiece of his own as he explores the truly original and diverse character of the art of the Renaissance.

It was the splendor and the scandal of the age. In 1506, the ferociously ambitious Renaissance Pope Julius II tore down the most sacred shrine in Europe, the millennium-old St. Peter's Basilica built by the Emperor Constantine over the apostle's grave, to build a better basilica.

After the long period of cultural decline known as the Dark Ages, Europe experienced a rebirth of scholarship, art, literature, philosophy, and science, and began to develop a vision of Western society that remains at the heart of Western civilization today.

Hans Holbein the Younger is chiefly celebrated for his beautiful and precisely realized portraiture, which includes representations of Henry VIII, his advisors Thomas More and Thomas Cromwell, his wives Jane Seymour and Anne of Cleves, and an array of the Tudor lords and ladies encountered during the course of two sojourns in England. But beyond these familiar images, which have come to define our perception of the age, Holbein was a multifaceted genius: a humanist, satirist, and political propagandist, and a deft man whose work was rich in layers of symbolism and allusion.

The Renaissance, or rebirth, was a period of time when Europeans began to question what they had been told was sacrosanct. Through art, inventions, science, literature, and theology, the separate nations of the European continent sought answers that the Roman Catholic Church was unwilling, or perhaps unable, to offer. It was a triumph of the human spirit and a confirmation of human ability, even as it affirmed the willingness of men and women to die for the right to think freely.