
The Little Friend
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Narrado por:
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Karen White
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De:
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Donna Tartt
The setting is Alexandria, Mississippi, where one Mother’s Day a little boy named Robin Cleve Dufresnes was found hanging from a tree in his parents’ yard. Twelve years later Robin’s murder is still unsolved and his family remains devastated. So it is that Robin’s sister Harriet—unnervingly bright, insufferably determined, and unduly influenced by the fiction of Kipling and Robert Louis Stevenson--sets out to unmask his killer. Aided only by her worshipful friend Hely, Harriet crosses her town’s rigid lines of race and caste and burrows deep into her family’s history of loss. Filled with hairpin turns of plot and “a bustling, ridiculous humanity worthy of Dickens” (The New York Times Book Review), The Little Friend is a work of myriad enchantments by a writer of prodigious talent.©2002 Donna Tartt (P)2002 Books On Tape, Inc.
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Reseñas de la Crítica
2003, Orange Prize for Fiction, Nominated
"This extraordinary book [has] a main character, a twelve-year-old girl named Harriet Cleve Dufresnes, who ranks up there with Huck Finn, Miss Havisham, Quentin Compson, and Philip Marlowe, fictional characters who don't seem in the least fictional.... To Kill a Mockingbird If is the childhood that everyone wanted and no one really had, The Little Friend is childhood as it is, by turns enchanting and terrifying." (Malcolm Jones, Newsweek)
"Breathtaking... A sublime tale rich in religious overtones, moral ambiguities, and violent, poetic acts... From its darkly enticing opening, we are held spellbound." (Lisa Shea, Elle)
"Languidly atmospheric...psychologically acute...A rich novel that takes you somewhere worth going." (The New Yorker)
"It is an exceptionally suspenseful, flawlessly written story." (Booklist)
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What made the experience of listening to The Little Friend the most enjoyable?
The richly drawn cast of characters is I think the main strength of this book. If you've ever spent time in the South, especially during the time frame she's set this story in, you will agree I think that she really nails it about how people interact, what small towns were like there, etc. The book revolves around an event that takes place (in memory) within the first chapter or so. The rest of the book is loosely organized around the mysterious circumstances that surround that event, a death. Eleven (?) year old Harriet, the central character, is worth the read all by herself. Donna Tarrt could not have done a better job in bringing her to life and making you care deeply about her. I laughed a lot as her thought processes unfolded, as she engaged in her amateur sleuth work, and as she enlisted the help of her adoring young friend with her plans. One reviewer mentioned Nancy Drew. Hardly. This is an adult book, with adult themes. I would challenge those who said it was too long to detail what parts of the plot/story they would have edited out. My book group could not come up with anything they'd have taken out, even though the length of the book is a bit daunting. It is a gripping story and you care deeply about many of the characters. The ending for many, including several in my book group, felt very unsatisfying, I will grant you that. But as we talked about it, we decided that this book was less mystery than it is a study of a time and a place and the ways in which people come to wrong conclusions based on their prejudices, misconceptions, and miscommunications. Those wrong conclusions change whole lives and can be tragic. Many things DO NOT getCouldn't put it down
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Any additional comments?
If I had been reading this novel, I might have put it down, since the story wanders and drifts. But listening to Karen White reading made it a much smoother ride. Tartt paints a lovely world, and she captures the spirit of childhood. No, check that. She nails it 100%. The characters bleed off the page, as does the setting. But don't expect a page turner, based on the opening paragraph.Beautiful writing, but story loses its way
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Great Story, DIFFICULT Narrator
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Girl in 1940$ south
Interesting
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But I feel like the majority of people wouldn’t be able to see anything but the racism, that the white characters are all terrible people and that the author is terrible for showing them in any sort of sympathetic light.
But that’s part of the point — the racism is horrible, the narrative understands that it’s horrible, so why do these otherwise decent people do it? Why can’t they see that it’s wrong? And why do they beat their kids, etc.?
The main character, 12, thinks at one point in the novel that every adult she knows seems like they had the life and energy sucked out of them at some point. That they all just accept that life is terrible and everyone’s out to get you, so you just have to toughen up and accept it. Some put a religious spin on it, “it’s in god’s plan” etc.
This is the point — people do those terrible things, those things that we can see are wrong, because those things are normal to them. Kids, like the protagonist, will point out the obvious injustice and inconsistency, the same way she points out and asks how scientists know what dinosaurs looked like. And adults will beat the kids and silence them and tell them it’s not their place to ask such things. And the kids will eventually break and stop asking and accept, and that’s what it means to be an adult in a society.
I want people to read this book, but I don’t want them to look at those people and feel superior for not sharing all of their faults. I want you to look at the things that you do that are normal in your life, in your micro-society, your town, your office, your neighborhood, your friend group, and ask “but why?”. That’s what people should take away from this.
The bleakest book I have ever read.
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just the best
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Been There, Experienced That
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Long and unsatisfying
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Not one of my favorites
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Try speeding up narration to 1.25
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