
Mala
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Narrado por:
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Melinda Lopez
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De:
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Melinda Lopez
An utterly unsentimental journey toward the end of life, Mala is an irreverent exploration of how we live, cope, and survive in the moment. Grounded in distinctive emotional language and sharp humor, this powerful one-woman show written and performed by Melinda Lopez (Sonia Flew) dances between a mother’s growing frailty and a daughter’s quest for grace—all set during an epic Boston winter. Rather than depict a right way, the play opens the door for conversation regarding our universal struggle to support those we love in dying, especially when all we’ve ever focused on is surviving.
Funny, brutally honest, and ultimately cathartic, Mala—which won the Elliot Norton Award for Best New Play in 2017—puts a sharp focus on what it means to put our loved ones first, right to the very end, and what happens when we strive to be good but don’t always succeed.
Mala was written with the support of the Mellon Foundation’s National Playwright Residency Program, administered in partnership with Howlround. Mala was originally produced by Arts Emerson. Special thanks to P Carl, David Dower, Peter DuBois and the Huntington Theatre Company.
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About the Author and Performer
Melinda Lopez is the playwright-in-residence at the Huntington Theatre Company, and a National Playwriting Fellow with the Mellon Foundation. Her plays have been seen all over the United States, and most recently in Cuba. Her work strives to bridge the 90 miles between the United States and Cuba. Mala, Sonia Flew, and Becoming Cuba are her best known plays. Ms. Lopez was the first recipient of the Charlotte Woolard Award, given by the Kennedy Center to a “promising new voice in American Theatre.” She has served as a panel member for the National Endowment for the Arts, the Cambridge Arts Panel, and has enjoyed residencies with the Huntington Playwriting Fellows, the Sundance Institute Theatre Lab, the Lark, the New York Theatre Workshop, and Harvard University. Ms. Lopez is also an actress and has appeared in regional theatres across the country, and works in film and radio. She teaches playwriting at Boston University and Wellesley College. She is active in the Cuban American community, raising funds for humanitarian aid for the people of Cuba, and was mentioned by President Obama in his speech to the Cuban and American people in 2016. Mayor Marty Walsh declared October 29, 2016 “Melinda Lopez Day” in the city of Boston, where she lives with her husband, daughter, giant yellow dog, and other critters. She has run two marathons, plays a little ukulele, and occasionally sleeps on the ground in the American Southwest.
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She fills the performance with emotion - excitement, anger, disappointment, fear, amusement, sadness, loss. It's all there, in the best way. You can hear her voice shake with fear and sadness as she discusses the events of the story. As a listener you are carried on the journey with Lopez because of her narration.
There is swearing in this - in both English and Spanish - so if you have a problem with that, this is probably not for you. There is small bits of ethereal music between sections, and the occasional sound effect, but it is all used very sparingly and doesn't overwhelm the storytelling.
'Mala' is the story of a Cuban-American family. The story of a daughter, the younger daughter, the 'bad' daughter, dealing with her elderly mother as the mother becomes feeble, and sick, as old age takes over. It is about the pain, confusing, self blame, fear and love of watching a strong woman waste away. It goes through the ups and downs and the mother deteriorates and improves, as she has good days and bad days.
It is not told in a linear fashion, with that narrator jumping around in time, giving events out as they come to mind. Sometimes this is telling of events as they happen, sometimes giving background to events. It's vignettes of the relationship of mother and daughter, especially towards the end of life. It's the daughter working through the changes and the grief, while also being confronted by her own mortality.
The story is really good, and the narration is amazing. I enjoyed this story way, way more than I ever expected I would.
[If you enjoy this review please check out my other reviews. I review a lot of small press and indie books - support the small guys and you may find something new you will love]
Amazing performance
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Hardest thing to do
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Absolutely beautiful
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Real
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Short But (Bitter)sweet
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Really enjoyed this!
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My mom was from Mexican descent but her personality was also tough and very independent. It was very hard for her to give up her independence making the transition from home care to nursing home and finally hospice back at her youngest daughters house-was not only hard on her but on each one of us (9 children) to see her slipping away and her fighting all the way to the end - bad words and all- blaming us,her caretakers, for not “doing it right”.
Melinda had me in tears as she described her own struggles and trying to find forgiveness for choices she made in caring for both parents.
Thank you Melinda, for helping me know that it is ok to love and let go and wonder how will we be when our time comes and hope our children have a better understanding of it.
So true
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I can relate!
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You'll laugh through your tears
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A True Depiction of Life
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