Part noir, part psychedelic romp, all Thomas Pynchon - Private eye Doc Sportello surfaces, occasionally, out of a marijuana haze to watch the end of an era. In this lively yarn, Thomas Pynchon, working in an unaccustomed genre that is at once exciting and accessible, provides a classic illustration of the principle that if you can remember the '60s, you weren't there. It's been a while since Doc Sportello has seen his ex- girlfriend. Suddenly she shows up with a story about a plot to kidnap a billionaire land developer whom she just happens to be in love with.

At the end of Huckleberry Finn, on the eve of the Civil War, Huck and his pal Tom Sawyer "light out for the Territory" to avoid "sivilization". In Robert Coover's vision of their Western adventures, Huck and Tom start by joining the famous but short-lived Pony Express.

Laurence Sterne’s most famous novel is a biting satire of literary conventions and contemporary 18th-century values. Renowned for its parody of established narrative techniques, Tristram Shandyis commonly regarded as the forerunner of avant-garde fiction. Tristram’s characteristic digressions on a whole range of unlikely subjects (including battle strategy and noses!) are endlessly surprising and make this one of Britain’s greatest comic achievements.

The hero of John Kennedy Toole's incomparable, Pultizer Prize–winning comic classic is one Ignatius J. Reilly, an obese, self-absorbed, hapless Don Quixote of the French Quarter, whose half-hearted attempts at employment lead to a series of wacky adventures among the lower denizens of New Orleans.

In the first book of this brilliant series, Stephen King introduces listeners to one of his most powerful creations: Roland of Gilead, The Last Gunslinger. He is a haunting figure, a loner on a spellbinding journey into good and evil. In his desolate world, which frighteningly mirrors our own, Roland tracks The Man in Black, encounters an enticing woman named Alice, and begins a friendship with the boy from New York named Jake.

The “best short story writer in English” (Time) is back with a masterful collection that explores ideas of power, ethics, and justice, and cuts to the very heart of what it means to live in community with our fellow humans. With his trademark prose—wickedly funny, unsentimental, and perfectly tuned—Saunders continues to challenge and surprise: here is a collection of prismatic, deeply resonant stories that encompass joy and despair, oppression and revolution, bizarre fantasy and brutal reality.

Welcome to Derry, Maine. It’s a small city, a place as hauntingly familiar as your own hometown. Only in Derry the haunting is real. They were seven teenagers when they first stumbled upon the horror. Now they are grown-up men and women who have gone out into the big world to gain success and happiness. But the promise they made 28 years ago calls them reunite in the same place where, as teenagers, they battled an evil creature that preyed on the city’s children.

The Shape of Water is set in Cold War-era Baltimore at the Occam Aerospace Research Center, which has recently received its most sensitive asset ever: an amphibious man captured in the Amazon. What unfolds is a stirring romance between the asset and one of the janitors on staff, a mute woman who uses sign language to communicate with the creature.

Weaving tales of the everyday world transformed into an unrecognizable place, where reason no longer exists and logic ceases to explain the workings of the universe, Clive Barker provides the stuff of nightmares in packages too tantalizing to resist. This first volume contains the short stories : "The Book of Blood," "The Midnight Meat Train," "The Yattering and Jack," "Sex, Death, and Starshine," and "In the Hills, the Cities,"

The best stories pull readers in and keep them turning the pages, eager to discover more—to find the answer to the question: "And then what happened?" The true hallmark of great literature is great imagination, and as Neil Gaiman and Al Sarrantonio prove with this outstanding collection, when it comes to great fiction, all genres are equal.

There came an elastic aftershock of creaks and groans and then, softly softly, a chinking shower of rubbled cement. Leaves calmed and trunks stood serene. Where, not a minute before, there had been a suburb, there was now only woodland standing amid ruins. There is no warning. No chance to prepare. They arrive in the night: thundering up through the ground, transforming streets and towns into shadowy forest. Buildings are destroyed.

With a head plagued by hallucinations, a medicine cabinet full of pills, and a closet stuffed with frilly, violet dresses, Hanna's tired of being the outcast, the weird girl, the freak. So she runs away to Portero, Texas, in search of a new home. But Portero is a stranger town than Hanna expects. She discovers secrets that would terrify any normal soul. Good thing for Hanna, she's far from normal. As this crazy girl meets an even crazier town, only two things are certain: Anything can happen, and no one is safe.

Italian director Nicolo Funelli's lost film comes alive when the maven of the macabre is released after 20 years of VHS imprisonment. New hire Annie Watkins' pre-emptive obituaries at Live @ Five New Orleans News seem to be killing off famous people. A used delivery van causes Katie and Gavin's life to take an unimaginable wrong turn into very dark territory. A teen orphan with a unique ability is held captive in a secret government lab, forced to submit to their whims. Vacationers become a grotesque part of the Easter festivities in a small English town.

With tales from Laird Barron, Stephen King, John Langan, Peter Straub, and many others, and featuring Datlow’s comprehensive overview of the year in horror, now, more than ever, The Best Horror of the Year provides the petrifying horror fiction readers have come to expect - and enjoy.

The year 1904. On the banks of the Zambezi River, a few miles from the majestic Victoria Falls, there is a colonial settlement called The Old Drift. In a smoky room at the hotel across the river, an Old Drifter named Percy M. Clark, foggy with fever, makes a mistake that entangles the fates of an Italian hotelier and an African busboy. This sets off a cycle of unwitting retribution between three Zambian families (black, white, brown) as they collide and converge over the course of the century, into the present and beyond.