One night, Louisa and her father take a walk on the beach. He’s carrying a flashlight. He cannot swim. Later Louisa is found washed up by the tide, barely alive. Her father is gone. She is ten years old. In chapters that shift from one member to the next, turning back again and again to that night by the sea, Susan Choi's Flashlight chases the shockwaves of one family’s catastrophe. Louisa is an only child of parents who have severed themselves from the past.

It's 1986, and "beautiful, radical ideas" are in the air. The narrator of Theory & Practice, a young woman originally from Sri Lanka, arrives in Melbourne for graduate school to research the novels of Virginia Woolf. In the bohemian neighborhood of St. Kilda she meets artists, activists, students—and Kit. He claims to be in a "deconstructed relationship." They become lovers, and the narrator's feminism comes up against her jealousy. Meanwhile, an entry in Woolf's diary upends what the narrator knows about her literary idol, and throws her own work into disarray.

Isabella Pasternack is a food person. She revels in the beauty of a perfectly cooked egg, she daydreams about her first meal at Chez Panisse, and every inch of her tiny apartment teems with cookbooks, from Prune to Cooking by Hand to Roast Chicken and Other Stories. What Isabella is not, unfortunately, is a gainfully employed person. In the wake of a disastrous live-streamed soufflé demonstration, Isabella is summarily fired from her job at a digital food magazine and must quickly find a way to keep herself in buckwheat and anchovy paste.

1982. Dawn is a young mother, still adjusting to life with her husband, when Hazel lights up her world like a torch in the dark. Theirs is the kind of connection that’s impossible to resist, and suddenly life is more complicated, and more joyful, than Dawn ever expected. But she has responsibilities and commitments. She has a daughter. 2022. Heron has just received news from his doctor that turns everything upside down. He’s an older man, stuck in the habits of a quiet existence. Telling Maggie, his only child—the person around whom his life has revolved—seems impossible.

Sybil Van Antwerp has throughout her life used letters to make sense of the world and her place in it. Most mornings, around half past ten, Sybil sits down to write letters—to her brother, to her best friend, to the president of the university who will not allow her to audit a class she desperately wants to take, to Joan Didion and Larry McMurtry to tell them what she thinks of their latest books, and to one person to whom she writes often yet never sends the letter.

Annie is nine months pregnant and shopping for a crib at IKEA when a massive earthquake hits Portland, Oregon. With no way to reach her husband, no phone or money, and a city left in chaos, there’s nothing to do but walk.

The four Endicott siblings—Gemma, Connor, Roddy, and Jude—were once inseparable, a bond created by the absence of their dazzling, mercurial mother, who would return for a few weeks each summer to whisk them off on sprawling road trips around the country. Decades later, the unthinkable has happened: the Endicotts haven’t spoken in years . . . until an out-of-the-blue text arrives from Jude, now a famous actress, summoning them to a small town in North Dakota.

Immigrating alone from Paris to New York after the crucible of World War II, young Gazala becomes friends with two spirited sisters, Anne and Alma. When Gazala’s lost, beloved brother, Samir, joins her in Manhattan, this contentious, inseparable foursome makes their way into the twenty-first century, becoming the beating heart of a multigenerational found family.

From the USA Today bestselling author of Nora Goes Off Script, a novel about a former adolescent TV punch line who has left her awkwardness in the rearview mirror thanks to a fake-it-till-you-make-it mantra that has her on the cusp of success, until she tells a lie that sets her on a crash course with her past, spending a week on Long Island with the last man she thinks might make her believe in love.

It’s 2011 and Deecie Jeffries’s missing person’s case in Austin, Texas, is still cold. New mom Bee, struggling with postpartum depression, is living in Portland, Maine, having left Austin–and those memories–far behind. Until Leo, her childhood crush and her estranged twin Gus’s best friend, suddenly resurfaces, drawing Bee back into their shared past. Bee’s predictable life is upended, pushing her to return to her childhood home and piece together a neighborhood’s shattered history.

Dani Dorfman has somehow made it to her thirties without knowing what she wants to do with her life. So when an office romance ends poorly and gets her fired, she applies for a job in Amsterdam, idly dreaming of escaping the mess she’s created, but never imagining she'll actually get it. Except she does. By the end of her first week in Amsterdam, she’s never felt more adrift or alone. Then she crashes her bike into her high school ex-boyfriend—and suddenly life is blooming with new opportunities.

One late summer evening in the post-industrial town of East Gladness, Connecticut, nineteen-year-old Hai stands on the edge of a bridge in pelting rain, ready to jump, when he hears someone shout across the river. The voice belongs to Grazina, an elderly widow succumbing to dementia, who convinces him to take another path. Bereft and out of options, he quickly becomes her caretaker. Over the course of the year, the unlikely pair develops a life-altering bond, one built on empathy, spiritual reckoning, and heartbreak.

Ever since her dad left them twenty years ago, it’s just been Madeline Hill and her mom on their farm in Coalfield, Tennessee. While she sometimes admits it’s a bit lonely and a less exciting life than she imagined for herself, it’s mostly OK. Mostly. Then one day Reuben Hill pulls up in a PT Cruiser and informs Madeline that he believes she’s his half sister.

A few weeks after the 2016 election, at Thanksgiving with his daughter’s family, Rhys Kinnick snapped. After an escalating fight about politics, he hauled off and punched his conspiracy theorist son-in-law. Horrified by what he'd done, by the state of the country and by his own spiraling mental health, Rhys chucked his smartphone out a car window and fled for a cabin in the woods, off the grid and with no one around—except a pack of hungry raccoons. Now, seven years later, Kinnick’s old life is about to land right back on his crumbling doorstep.

Fast-paced, thrilling, and emotional, Atmosphere is Taylor Jenkins Reid at her best: transporting listeners to iconic times and places, creating complex protagonists, and telling a passionate and soaring story about the transformative power of love—this time among the stars.

Legal secretary by day, aspiring novelist by night, Ziya Khan pours herself into writing stories featuring the kinds of diverse characters she loves. In exchange, she’s got a growing pile of rejection letters. When yet another “thanks but no thanks” arrives on the eve of her thirtieth birthday, Ziya decides to throw her novel and her dreams in the trash. End of story. Except that when Ziya wakes up, there’s a flesh-and-blood version of her muse standing in her kitchen. His name is Aashiq, and it’s his job to inspire Ziya to write again.

One night, Louisa and her father take a walk on the beach. He’s carrying a flashlight. He cannot swim. Later Louisa is found washed up by the tide, barely alive. Her father is gone. She is ten years old. In chapters that shift from one member to the next, turning back again and again to that night by the sea, Susan Choi's Flashlight chases the shockwaves of one family’s catastrophe. Louisa is an only child of parents who have severed themselves from the past.

Isabella Pasternack is a food person. She revels in the beauty of a perfectly cooked egg, she daydreams about her first meal at Chez Panisse, and every inch of her tiny apartment teems with cookbooks, from Prune to Cooking by Hand to Roast Chicken and Other Stories. What Isabella is not, unfortunately, is a gainfully employed person. In the wake of a disastrous live-streamed soufflé demonstration, Isabella is summarily fired from her job at a digital food magazine and must quickly find a way to keep herself in buckwheat and anchovy paste.

The Taylor family shatters in a single night when two teenage siblings are found dead in their own home. The only surviving sibling, Vincent, never shakes the whispers and accusations that he was the one who killed them. Decades later, the legend only grows as his career as a horror writer skyrockets. Ghostwriter Olivia Dumont has spent her entire professional life hiding the fact that she is the only child of Vincent Taylor. Now on the brink of financial ruin, she's offered a job to ghostwrite her father's last book. What she doesn't know is that this project is another one of his lies.

Fehmi and Şener have been together forty years—no small feat for any pair, but especially admirable for a gay couple in Turkey. Behind closed doors, their life on Büyükada, an idyllic island near Istanbul, is like a powder keg that needs only one spark to blow. That spark soon comes in the form of Deniz, the wildly handsome and troubled teenager next door, who immediately catches Fehmi’s eye.

1982. Dawn is a young mother, still adjusting to life with her husband, when Hazel lights up her world like a torch in the dark. Theirs is the kind of connection that’s impossible to resist, and suddenly life is more complicated, and more joyful, than Dawn ever expected. But she has responsibilities and commitments. She has a daughter. 2022. Heron has just received news from his doctor that turns everything upside down. He’s an older man, stuck in the habits of a quiet existence. Telling Maggie, his only child—the person around whom his life has revolved—seems impossible.

Thirty years old with a lifetime of dysphoria and irritating exes rattling around in her head, Max is plagued by a deep dissatisfaction. Shouldn't these be the best years of her life? Why doesn't it feel that way? After taking a spill down the stairs at a New Year’s Eve party, she decides to make some changes. First: a stab at good old-fashioned heteronormativity.

The Brooke family are gathering in their eighteenth-century ancestral home—twenty bedrooms of carved Sussex sandstone—to bury Philip: husband, father, and the blinding sun around which they have orbited their entire lives.

From national bestselling author Meg Mitchell Moore comes a sparkling new novel following a young woman entwined in the opulent lives of her neighbors on Block Island, set against a backdrop of scandal, secrets, and a not-so-subtle love triangle, perfect for readers of The Wedding People and Pineapple Street.

When a prominent Manhattan lawyer is murdered, two estranged sisters - one the dead man’s widow, the other his ex - must set aside mistrust and old resentments...but can they escape their past?

England, 1979. Vincent, Lawrence and William are the last remaining residents of a secluded New Forest home, part of the government's Sycamore Scheme. Every day, the triplets do their chores, play their games and take their medicine, under the watchful eyes of three mothers: Mother Morning, Mother Afternoon and Mother Night.

Jane’s father is far from perfect. But his sudden death brings crushing grief. As Jane grapples with her pain, life delivers another blow: a stack of letters pointing to a secret life. A life her father shared with another woman…who may have had his child. Across the country, sixteen-year-old Adam is self-destructing. His adoptive parents never intended to show him the unsigned letters from his birth mother, but he is desperate for answers, even if they hurt. Jane and Adam are on a collision course, but not for the reasons we might suspect.

Four romance writers. Four failed marriages. Can they create the perfect man? Romance writers should be experts on love, but that’s not the case with Libby Day and her friends. Although they can come up with great stories on the page, their relationships in real life are all miserable failures. While on a writing retreat in the mountains, they decide to try to pen the perfect man—the kind that only exists in a novel.

Zuzu met her best friend Cash on the first day of college, and nothing was ever the same. Tall, witty, and popular, his friendship represented a kind of belonging for Zuzu, who had always felt like an outsider growing up mixed race in her rural hometown. Though their friendship was charged with longing, it never progressed to romance. Now approaching her forties, Zuzu has built a stable life with her wife Agnes, a steadfast and career-driven lawyer. Yet Zuzu is haunted by the choices that have shaped her.

A novel that leaps across centuries past and future, as if different eras were separated by only a door. Lina and her father arrive at an enclave called The Sea, a staging post between migrations, with only a few possessions. In this mysterious and shape-shifting place, a building made of time, pasts and futures collide. Lina befriends her neighbors: Bento, a Jewish scholar in seventeenth-century Amsterdam; Blucher, a philosopher in 1930s Germany fleeing Nazi persecution; and Jupiter, a poet of Tang Dynasty China.