For children’s book author Imogen, an idyllic life in the English countryside seems like the perfect fit for her and her husband. But when tragedy strikes, Imogen is left widowed, and finds herself moving into Storybook Cottage alone with only her monstrously narcissistic cat for company. After discovering she is pregnant, Imogen grows determined to embrace a new start in Middlemass, with its duckpond, cricket matches and village fêtes. The only thing Imogen can’t seem to shake is her neighbor—a brooding, artisan blacksmith named Gabriel—who she can’t quite decide is friend or foe.

The four Endicott siblings—Gemma, Connor, Roddy, and Jude—were once inseparable, a bond created by the absence of their dazzling, mercurial mother, who would return for a few weeks each summer to whisk them off on sprawling road trips around the country. Decades later, the unthinkable has happened: the Endicotts haven’t spoken in years . . . until an out-of-the-blue text arrives from Jude, now a famous actress, summoning them to a small town in North Dakota.

Núria, a single-by-choice barista with a little resentment for the “crazy cat lady” label, is a member of The Meow-Yorkers, a group in Brooklyn who takes care of the neighborhood’s stray cats. On her volunteering days, she starts finding Post-it notes left by a secret admirer in an area where she feeds her favorite stray—a black cat named Cat. Like most felines, he is both curious and observant, so of course he knows who the notes are from. Núria, however, is clueless.

At sixty-three years old, million-dollar lottery winner PJ Halliday would be the luckiest man in Pondville, Massachusetts, if it weren’t for the tragedies of his life: the sudden death of his eldest daughter and the way his marriage fell apart after that. Since then, PJ spends both his money and his time at the bar, and he probably doesn’t have much time left—he’s had three heart attacks already. But when PJ reads the obituary of his old romantic rival, he realizes his high school sweetheart, Michelle Cobb, is finally single again.

Bud Stanley is an obituary writer who is afraid to live. Yes, his wife recently left him for a “far more interesting” man. Yes, he goes on a particularly awful blind date with a woman who brings her ex. And yes, he has too many glasses of Scotch one night and proceeds to pen and publish his own obituary. The newspaper wants to fire him. But now the company’s system has him listed as dead. And the company can’t fire a dead person. The ensuing fallout forces him to realize that life may be actually worth living.