Jamilah

It's every novelist's greatest fear: pouring their blood, sweat, and tears into writing hundreds of pages only to realize that their story has no sense of urgency, no internal logic, and so is a page-one rewrite. The prevailing wisdom in the writing community is that there are just two ways around this problem: pantsing (winging it) and plotting (focusing on the external plot).

DO YOU want readers to find your stories un-put-downable?DO YOU want to create stories readers love? WRITE GREAT SCENES gives you a key set of tools to becoming a writer whose works readers can't stop reading. The most fundamental building block of any novel isn't the character or the plot or anything except the scenes. If you learn how to write great scenes you'll be well on your way to creating novels readers can't put down. This book breaks down what makes a great scene, the four critical elements every great scene needs, and provides you with an entire toolkit of Page-Turner Techniques ...

When Aisling Conroy's boyfriend Jack is found in the freezing black waters of the river Corrib, the police tell her it was suicide. A surgical resident, she throws herself into study and work, trying to forget - until Jack's sister Maude shows up. Maude suspects foul play, and she is determined to prove it. Cormac Reilly is the detective assigned with the re-investigation of a seemingly accidental overdose 20 years ago - the overdose of Jack and Maude's drug-and-alcohol-addled mother. Reilly is under increasing pressure to charge Maude for murder when his colleague Danny uncovers new evidence....

Have you written a book that just isn't selling? Would you like to write a book that readers eagerly devour? Many authors write then market. Successful authors write to market. They start by figuring out how to give readers what they want, and that process begins before writing word one of your novel. This book will teach you to analyze your favorite genre to discover what readers are buying, to mine reviews for reader expectations, and to nail the tropes your readers subconsciously crave.

William Bernhardt explains the essential elements of breakout books, stories that reel in readers and attract serious attention. He discusses all the essential elements: originality, high stakes, believability, inescapable conflict, emotional appeal, and others. Plus, in the final chapter, Bernhardt explains how to turn your powerful premise into a winning pitch to attract agents and editors.

A middle-aged man returns to his childhood home to attend a funeral. He is drawn to the farm at the end of the road, where, when he was seven, he encountered a most remarkable girl, Lettie Hempstock. Forty years earlier, a man committed suicide in a stolen car at this farm at the end of the road. Like a fuse on a firework, his death lit a touchpaper and resonated in unimaginable ways. The darkness was unleashed, something scary and thoroughly incomprehensible to a little boy. And Lettie - magical, comforting, wise beyond her years - promised to protect him, no matter what.

Returning to the territory he so brilliantly explored in his masterful New York Times best seller American Gods, the incomparable Neil Gaiman offers up a work of dazzling ingenuity, a kaleidoscopic journey deep into myth that is at once startling, terrifying, exhilarating, and fiercely funny, a true wonder of a novel that confirms Stephen King's glowing assessment of the author as "a treasure house of story, and we are lucky to have him."

There are a lot of books on story structure, but only The Plot Machine presents a step-by-step guide to designing a story. In clear, precise language, this guide discusses the various types of stories we tell, their specific parts, and how they are assembled. Say good-bye to staring at the blank page waiting for lightning to strike. Just put a few coins in the plot machine, and write better stories faster.