OYENTE

Eva

  • 10
  • opiniones
  • 3
  • votos útiles
  • 35
  • calificaciones

DNF’d

Total
3 out of 5 stars
Ejecución
1 out of 5 stars
Historia
4 out of 5 stars

Revisado: 03-18-25

Absolutely couldn’t take Wren’s character. The way the narrator chooses to perform Wren’s frightened scenes is incredibly distracting and not proportional to what’s going on in the scene. I couldn’t do it anymore. Got about half way through.

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Valuable stuff here, folks!

Total
5 out of 5 stars
Ejecución
5 out of 5 stars
Historia
5 out of 5 stars

Revisado: 01-27-25

Love everything about it, honestly. Tanya is a powerhouse and the articles within this book are gold for budding, or even seasoned narrators. So glad to have it in my arsenal!

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Mismatched music threw off my groove

Total
4 out of 5 stars
Ejecución
5 out of 5 stars
Historia
4 out of 5 stars

Revisado: 03-09-21

The music at the end really threw me off. Honestly, completely took me out of the moment, and left me with a weird feeling. I really enjoyed the rest of the book.

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Enjoyed it

Total
5 out of 5 stars
Ejecución
4 out of 5 stars
Historia
5 out of 5 stars

Revisado: 05-30-19

I really enjoyed the story. Very interesting! The narrator has kind of a weird accent going on, but it’s not so horrible that I couldn’t finish it.

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Awesome story!

Total
5 out of 5 stars
Ejecución
5 out of 5 stars
Historia
5 out of 5 stars

Revisado: 05-30-19

I really enjoyed this book. Not a huge fan of the narrator, but it’s not enough to keep me from listening to more from both the author and narrator.

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Cool world building!

Total
5 out of 5 stars
Ejecución
4 out of 5 stars
Historia
5 out of 5 stars

Revisado: 05-10-19

I listened to the Loup-Garou series first (which are great!). This volume tells us more about the supporting characters from that series. The world building is soo extensive. Really cool to get these characters’ back stories!

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Great!

Total
5 out of 5 stars
Ejecución
5 out of 5 stars
Historia
5 out of 5 stars

Revisado: 05-10-19

I really enjoyed the story here. Plenty of ups and downs, LOVED the dynamic between Mr.H and the two main characters. Narration was very well done! Great performance!

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Yikes

Total
1 out of 5 stars
Ejecución
1 out of 5 stars
Historia
1 out of 5 stars

Revisado: 03-13-19

It’s just so bad. The narration was clipped at the ends so harshly that it almost sounds like AI reading instead of a person.

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esto le resultó útil a 2 personas

The best book!

Total
5 out of 5 stars
Ejecución
5 out of 5 stars
Historia
5 out of 5 stars

Revisado: 01-19-18

This is my most favorite book in the whole world! I just adore the world Martine has created and I can’t get enough! I’ve loved this book for years and am so glad I found it on audio! Now I can absorb this sweet tale anywhere!

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Not as bad as some say

Total
5 out of 5 stars
Ejecución
5 out of 5 stars
Historia
5 out of 5 stars

Revisado: 09-25-17

I’ve read some really poor reviews for this audiobook. What sucks is the narrator is getting the short end of the stick.
I’m a narrator, so I do have a bit of insider information concerning this, if you will.
While Miranda’s voice IS annoying, the audiobook would not be available for sale unless the author approved it. All of it. Of course, minor details like the narrator voicing someone who only appears once or twice with a weird or annoying voice isn’t really relevant. And it wouldn’t be prudent to reject the entire audio because of it. But Miranda is a relatively major character. If the author didn’t like the way the narrator voiced her, you wouldn’t be hearing it this way. I get that Miranda’s voice is annoying. I totally get it and agree. If you look at who Miranda is, it makes sense why Ashley voiced her this way. She’s in high school, and her mommy and daddy are loaded. Her dad gives her anything and everything she wants. So it isn’t far fetched to think that she’s a bit bratty and spoiled. And if I were narrating this book, I’d do something similar with her voice. Not this loud and high pitched, but something similar nevertheless. It may be annoying, but it isn’t all the narrator’s fault.

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