Shelley Croft

Marsha spent the first 15 years of her life as a nerdy nobody before discovering her true identity as the long lost princess of a secret civilization. Now M is dodging extraterrestrial paparazzi while trying to keep the truth from her adoptive aunt and uncle and everyone at school. At least she can be herself with her boyfriend and literal soulmate, Rigel.

Nerdy astronomy geek Marsha, "M" to her few friends, has never been anybody special. Orphaned as an infant and reluctantly raised by an overly-strict "aunt", she's not even sure who she is. M's dream of someday escaping tiny Jewel, Indiana, and making her mark in the world seems impossibly distant until hot new quarterback Rigel inexplicably befriends her. As Rigel turns his back on fawning cheerleaders to spend time with M, strange things start to happen....

Fitzwilliam Darcy's uncle has insisted he finally remain in town for the full season. Ill at ease in London society, he makes a cutting remark about Elizabeth Bennet, a woman he's barely met. But she is not unprotected, and when an earl demands he make amends, he reluctantly complies. Darcy is prepared to deal with yet another fortune hunter, but Elizabeth's kindness towards society's wallflowers and her quiet bravery in the face of adversity slowly wear away his prejudices. As his admiration grows, so does his dilemma.

MR FITZWILLIAM DARCY'S FAMILY has decided it is time for him to select a wife and marry. To that end, Pemberley is suddenly inundated with eligible young ladies vying for his time and attention. Disinterested in the notion, Mr Darcy’s attention is on his myriad other troubles. He has a London journalist whose attention has suddenly has turned towards him with unsavoury and false rumours, and lives with a wounded Colonel Fitzwilliam whose sanity has been called into question.

In Jane Austen's classic Pride & Prejudice, Elizabeth Bennet never expects to see Mr. Darcy again after his disastrous proposal in Hunsford. But what if family business required him to stay at Rosings after giving her his letter? Coming face to face with Mr. Darcy only days later could give Elizabeth a new chance to understand him... or chance for even more misunderstandings.

Fitzwilliam Darcy is a powerful mage and master of illusions. His abilities make him the perfect man for a dangerous mission to end the devastating war with Napoleon—a mission that would leave him little chance of returning alive. When he meets the enchanting Elizabeth Bennet, whose magical talents are as deep as they are inexplicable, he knows he needs her help. There's only one way to get that—marriage. Immediately.

Everything Poppy has ever believed in is a lie, including the man she was falling in love with. Thrust among those who see her as a symbol of a monstrous kingdom, she barely knows who she is without the veil of the Maiden. But what she does know is that nothing is as dangerous to her as him. The Dark One. The Prince of Atlantia. He wants her to fight him, and that’s one order she’s more than happy to obey. He may have taken her, but he will never have her.

What if Mrs. Bennet is a well-educated tradesman’s daughter, Mr. Collins takes his parish duties seriously and Mr. Bennet overcomes his laziness? A clean reimagining of P&P, focusing on the gentlemen of our story.

She thought him dead. Now only he can save their daughter. When Lady Catherine de Bourgh told Elizabeth Bennet: “And this is your real opinion! This is your final resolve! Very well. I shall now know how to act. Do not imagine, Miss Bennet, that your ambition will ever be gratified. I came to try you. I hoped to find you reasonable; but, depend upon it, I will carry my point,” no one knew how vindictive and manipulative her ladyship might prove, but Darcy and Elizabeth were about to discover the bitter truth for themselves. This is a story of true love conquering even the most dire ...

Elizabeth Bennet is living a lie. She’s known since she was fifteen that she isn't truly a Bennet, but who is she? Are the people and places that appear in her dreams just a sign of her active imagination, or are they memories of her true family? Could the stories she'd told Jane when they were children not be stories at all?