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A long poem in Kerouac’s freewheeling and spontaneous improvisational style, Mexico City Blues is a unique epic of sound, rhythm, and religion. Called superb sensory meditations, the poetry takes in life, death, and spirituality but roams widely across continents and cultures. Memories, fantasies, dreams, and surrealistic free association are all lyrically combined in the loose format inspired by jazz and the blues.

The poetry of Michael Ondaatje begins in memory: distant landscapes, myths from childhood, fleeting interactions with loved ones, and characters from history itself. In poems that are spare as often as they are fable-like—as tender as they are heart-wrenching—the poet navigates the past, looks toward the future, and unearths inevitable truths about the world.

Smoke Encrypted Whispers showcases Samuel Wagan Watson's imaginative brilliance and exceptional poetic skills. In this audiobook, which also includes work from three previous collections, his poems pulse with the language and images of a mangrove-lined river city, the beckoning highway, the just-glimpsed muse, the tug of childhood and restless ancestors. Wagan Watson's poetry is the work of an artist who speaks to a sense of our common humanity, and to a communal attachment to place.

Smoke Encrypted Whispers showcases Samuel Wagan Watson's imaginative brilliance and exceptional poetic skills. In this audiobook, which also includes work from three previous collections, his poems pulse with the language and images of a mangrove-lined river city, the beckoning highway, the just-glimpsed muse, the tug of childhood and restless ancestors. Wagan Watson's poetry is the work of an artist who speaks to a sense of our common humanity, and to a communal attachment to place.

Southern Bred is a haunting, powerful collection of gothic poems that captivate and transport the listener into the heart and soul of the Deep South. Each poem offers a glimpse into its mystery and enchantment, drawing you in with a blend of beauty and darkness. In the style of a memoir in verse, it showcases Ghigna's southern soul and his tender, yet piercing language, and affirms his place as one of the finest poets of our time.

In the poet's home county of West Yorkshire a few years ago, the Local Authority began converting a series of cow fields at the top of the road into a new cemetery. These poems, in regular, cascading tercets, sparked into being as Simon daily walked the site, with moorlands rising beyond it and the wind turbines of Brontë country to the north, watching the land tamed: eventually the muddy construction scene gives way to fresh headstones and mown lawns, and, during the Covid-19 lockdown, the spectacle of grave-diggers in Hazmat suits and socially distanced funeral services.

Shade is a place meanders east-west along Charlottesville’s Downtown Mall, seeking “a Black sense of place” at the pace of stressed shade and street trees, the mall’s architectural history, and the speaker’s inner life and ongoing questions. The collection of poems is a moving invitation to open one’s attention by looking up, down, and always within. Through lyric walking poems (“tree walks” and “shade walks”) and Bashō-style travelogue, Shade is a place unfolds as much through arboreal life as through one’s inner life—sometimes alone, sometimes with others, and always among turning trees.

A long poem in Kerouac’s freewheeling and spontaneous improvisational style, Mexico City Blues is a unique epic of sound, rhythm, and religion. Called superb sensory meditations, the poetry takes in life, death, and spirituality but roams widely across continents and cultures. Memories, fantasies, dreams, and surrealistic free association are all lyrically combined in the loose format inspired by jazz and the blues.