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France's master comic playwright has a field day with the subjects of hypochondria and our blind obedience to doctors. Molière’s witty attack on the medical profession has more than a little resonance today. Translated by John Wood, adapted by Beth Milles.

Four thought-provoking masterworks for the theater by the Nobel Prize-winning author of The Stranger and The Plague, in a restorative new American translation by Ryan Bloom that brings together, for the first time in English, Camus's final versions of the plays, along with deleted scenes and alternate lines of dialogue.

What if punk heroes The Adverts had played a gig in Camberley in 1977, to an audience of 27 people? And what if, three decades later, someone tried to bring that audience back together for a reunion? That’s the premise of these five linked plays by award-winning screenwriter Frank Cottrell-Boyce, telling the stories of some of those audience members as they look back on that life-changing night. Among the star casts are Doon Mackichan, Pauline Quirke, Siân Reeves, Rosie Cavaliero, Richard Ridings, Danny Webb and Manjinder Virk.

When Opus Posthumous first appeared in 1957, it was an appropriate capstone to the career of one of the most important writers of the 20th century. It included many poems missing from Stevens' Collected Poems, along with Stevens' characteristically inventive prose and pieces for the theater. Now Milton J. Bates, the author of the acclaimed Wallace Stevens: A Mythology of Self, has edited and revised Opus Posthumous to correct the previous edition's errors and to incorporate material that has come to light since original publication.

Orphaned heiress Miss Curtis, daughter of a successful mine owner, is the belle of Melbourne. Despite being inundated with suitors, she marries the penniless Randolph Villiers, against the advice of her friends. Mr Villiers proceeds to fritter away his wife's fortune on gambling and riotous living, while Mrs Villiers, too proud to admit her mistake in marrying him, suffers in silence.

Die Bühnenstücke des Heinrich von Kleist gehören nach wie vor zum festen Repertoire aller großen Theaterhäuser weltweit. Im direkten Schriftverkehr mit Angehörigen, Freunden, ehemaligen Weggefährten und und und offenbart sich nicht nur der Mensch Kleist mit seinen Bedürfnissen, Wünschen, Ansichten und Hoffnungen, sondern auch ein sehr außergewöhnlicher Intellekt und unglaublich reger Geist.