Coming Soon

A wedding reception is coming to a close in the Hollywood Hills when the blissful day is shattered by the death of one of the newlyweds. Though the incident appears to be an accident, Homeland Security Investigations agent Carmen Sanchez and her partner, security expert Jake Heron, discover that the tragedy is the third in a series of similar deaths and conclude something far more sinister is at play. The two uncover chilling evidence pointing to a serial killer who has taken evil to the next level.

In San Francisco in 1866, an Irish nun, abandoned following a torrid relationship with a Chilean aristocrat, gives birth to a daughter named Emilia del Valle. Raised by a loving stepfather, Emilia grows into an independent thinker and a self-sufficient young woman. To pursue her passion for writing, she is willing to defy societal norms. At the age of seventeen, she begins to publish pulp fiction using a man’s pen name. When these fictional worlds can no longer satisfy her sense of adventure, she turns to journalism, convincing an editor at The Daily Examiner to hire her.

Lydia España—once a wealthy, spoiled daughter of Cuba—works at a sewing factory in New York. Adjusting to her sharp change of circumstances, missing the days when her prosperous father provided her with every luxury, she ruminates on the incident that drove her away from her homeland in the late 1940s—until she falls in love with Raul, a kindhearted, working-class waiter who sees Lydia as the “Queen of the Congo Line” she used to be: the empress of "the most beautiful and splendid season, which is love.”

A mysterious book with a legacy spanning from the beginning of the twentieth century to the present day unites three women—and their secrets—in this unforgettable novel from New York Times bestselling author Chanel Cleeton.

On her wedding day in San Juan, Puerto Rico in 1968, Rafaela Acuña y Daubón has mild misgivings, but she marries Peter Brennan Jr. anyway, in a blaze of romantic optimism. She has no way of knowing how dramatically her life will change when she uproots her young family to start over in the American Midwest, unleashing a fleet of disappointments. Against the backdrop of her mother’s isolation in St. Louis, Missouri in the 1980s, Rafaela’s daughter, Ruth, longs only to belong. Eager to fit in, Ruth lets go of her language, habits, and childhood memories of Puerto Rico.

San Diego-based model and influencer Jaime Montez isn’t the heir—or even the spare—to his family’s Taco King fast-food empire. So after he’s asked to be the face of yet another non-Hispanic, celebrity-owned tequila company, Jaime decides to reinvent his role in the family dynasty: he’s going to start his own liquor brand. The problem? He’s an agave amateur. He needs help if he expects to ever master mezcal. And he has the perfect teacher in mind. . . .

From the author of There Is a Rio Grande in Heaven, a piercing debut novel following two families in alternative timelines of the Salvadoran civil war—a stunning exploration of the mechanisms of fate, the gravity of the past, and the endurance of love.

When Greta Molina’s old friend Tiller offered her the job, a ten-day cattle drive across the Wyoming prairie from the ranching town of Ten Sleep, it sounded like a well-paid break. Three hundred and twenty cows and calves, two guys her age she’s known since college, and a few long days on an ATV will give her time to sort out the mess in her head. The canyon along the trail has a history, sure, but nature has a tendency toward violence. Greta can accept that, even if it makes her insides squirm.

Jo De La Cruz should be on top of the world. As one of spin’s hottest instructors, her workouts stream into thousands of living rooms, her waiting list is harder to access than Area 51, and even her hair has its own social media page. But Jo’s struggling from a decade in the spotlight—which is when she meets the annoyingly handsome journalist who claims her job is merely yelling at people from a bike. Converting a hater is a challenge Jo can’t resist. Only nothing about Silas Anders matches her expectations

Laura is a manager at the Grand Paloma Resort, a Dominican woman who has risen this far through sheer hard work. Her idea to pair “platinum” guests with a resort employee to attend to their every need has been wildly successful. She’s mere weeks away from a promotion that will blaze a path off the resort, to a life of opportunity. If only her younger sister, Elena—who she’s looked after since the death of their mother – could get with the program.

Within the shores of Isla Bestia, guests from around the world discover a utopia of ever-changing performances, sumptuous feasts and beautiful monsters. Many enter, but few ever leave—the wine is simply too sweet, the music too fine and the revelry endless. Sofía, a freedwoman from a nearby colonized island, cares little for this revelry. Born an enslaved mestiza on a tobacco plantation, she has neither wealth nor title, only a scholarly pragmatism and a hunger for answers. She travels to el Carnaval de Bestias in search of her twin brother, who disappeared five years ago.

As the youngest and most rebellious daughter of the overly protective Luna family, Gabriela Luna Valdés claws after her freedom in any way she can. This time, her hunger for adventure has led her aboard a windswept ship bearing for her homeland, away from a mob of fumbling British suitors. But Gabby can’t escape her father’s expectation that she settle down to find a proper husband—a compromise she’s unwilling to make.

The poems in Jailbreak of Sparrows reveal the ways in which the ordinary becomes monumental: family portraits, politically charged reports, and tributes to the unsung. Espada’s focus ranges from the bombardment of his family’s hometown in Puerto Rico amid an anti-colonial uprising to the murder of a Mexican man by police in California, from the poet’s adolescent brawl on a basketball court over martyred baseball hero Roberto Clemente to his unorthodox methods of representing undocumented migrants as a tenant lawyer.

Chronicled in four parts, shifting restlessly between the author's childhood memories, the sudden disappearance of his brother, and the inevitable loss of his ailing mother, Late to the Search Party explores what it means to be a family of one—to be orphaned, whether by fate or by circumstance. In language that is both grounded and ethereal, Dawson tallies the losses and looks at what remains: the frustration and anger, the bewilderment and sadness—and the affection and humor that makes itself felt in spite of everything.

When I’m offered a spot in the best business incubator in the world, I jump at the chance. There’s one catch. I have to send letters to the mysterious billionaire who funds the program. It’s a world I don’t belong to. Luckily, I meet Javier Pendleton. He’s alluring, confident, and fits in with this crowd. We get close, dancing and watching fireworks together… Until it’s clear we both want more. He looks at my curves like he craves them, and his serious blue eyes and reluctant smile drive me wild. Soon I can’t hold back— But kissing him is a mistake.

A boy wakes up with a knife in his hand. It’s the early ’90s in Stockton, CA, when Christian is caught sleepwalking in the kitchen by his family—the beginning of a curse unleashed by an aunt. To save Christian and the family from the curse, the family seeks out a curandero who promises salvation, but at a price Christian wishes he didn’t have to pay.

They call her many things. Witch, Nagual Warrior, lady, Pantera. And after defeating the Obsidian Butterfly, Leonora carries a new title: Godslayer. Peace in Mexico City is fragile. Rebellion brews in the North, and when the people’s safety is at risk, Pantera must once again become the demure viceregent Leonora to stop a war before it begins. But her friends are scattered, Tezca is gone, and one wrong move could seal her fate. Caution is her ally, for the real Prince of Asturias—her former betrothed—has arrived at court, reigniting rumors: Leonora and Pantera are one.

Cambridge, 2018. La relación de Ana y Luis está en crisis, a pesar de sus muchas similitudes, entre ellas, sus madres que huyeron de El Salvador durante la guerra. En su búsqueda de respuestas, y en contra de su mejor juicio, Ana utiliza El Defractor, un dispositivo experimental que permite a los usuarios echar un vistazo a versiones alternativas de sus vidas. Lo que ve, los lleva a ella y a Luis por La Habana y San Salvador en búsqueda de las historias familiares que están desesperados por conocer y ansiosos por saber si lo que podría haber sido arreglaría lo que es.

It is 1978, and Nieve finds herself caught between the tides of her parents' turbulent relationship and a country in turmoil. To try to control her situation, she begins to record the intimate and harsh details of her life in her diary. Becoming her sole means of expression, the diary is her only constant and her only friend.