Coming Soon

Woo Woo follows Sabine, a conceptual artist on the verge of a photo exhibition she hopes will be pivotal, as she plunges deeper into her neuroses and seeks validation in relationships—with her frustratingly rational chef husband, her horde of devoted Gen Z TikTok followers, and even a mysterious, potentially violent stalker. Accompanying her throughout are Sabine’s strange alter egos, from hyperrealistic puppets of her as a baby to the ghost of conceptual artist Carolee Schneemann, who shows up with inscrutable yet sage life advice.

The world is ending. It has been ending for some time. When did the ending begin? Perhaps when Evie’s mother died, or when her father died soon after. Perhaps when her sister, Elena, was forcibly institutionalized in a psychiatric hippie commune in Colorado. Certainly at some point over the last year, as New York City spun down the tubes, as bedbugs and vultures descended, as apartments crumbled to the ground and no one had the time or money to fight it, or even, really, to notice.

When Tony Hardstaff breaks the bank playing ‘Snap!’ at the St Petersburg Casino, he is swept up in a maelstrom of romance and adventure. Seduced by the sultry Natassia Fillipovna Karamazov – a woman with curves so perfect they could make a geometry professor spontaneously combust – Tony is caught in flagrante by the Russian mafia, and flees for his life.

The Hospital Ship is no more, and Yang Wei awakens to find himself at the mercy of monstrous doctors and the tumult of his own mind. Not helping matters, of course, is the Mars Hospital’s Pool of Dead Souls. A ghastly body of water, it traps people in an endless cycle of treatment, death, and resurrection. When an unruly band of patients revolts against this suffering, the Hospital descends into chaos, the likes of which have never been seen before.