Newspaper Writing

In Lincoln and the Power of the Press, Harold Holzer shows us an activist Lincoln through journalists who covered him from his start to the night of his assassination. In a wholly original way, Holzer shows us politicized newspaper editors battling for power and a masterly president who used the press to speak directly to the people and shape the nation.

Step into the exciting world of journalism with “Mastering Journalism,” a comprehensive guidebook that will ignite your pursuit of truth. An in-depth exploration into the world of reporting, it'll help you understand the core principles that form the backbone of quality journalism. Featuring a broad range of topics, this guide serves as a reliable reference for both the beginner reporter and the seasoned journalist. We begin by introducing you to the foundations of journalism and news writing, which sets the tone for the journey that lies ahead. As the chapters evolve, you find yourself...

For over a century, The New York Times has been an iconic institution in American journalism, one whose history is intertwined with the events that it chronicles—a newspaper read by millions of people every day to stay informed about events that have taken place across the globe. In The Times, Adam Nagourney, who’s worked at The New York Times since 1996, examines four decades of the newspaper’s history, from the final years of Arthur “Punch” Sulzberger’s reign as publisher to the election of Donald Trump in November 2016.

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Over Time: My Life as a Sportswriter is as unconventional and wide-ranging as Frank Deford's remarkable career, in which he has chronicled the heroes and the characters of just about every sport in nearly every medium. Deford joined Sports Illustrated in 1962, fresh, and fresh out of Princeton. In 1990, he was Editor-in-Chief of The National Sports Daily, one of the most ambitious and ill-fated projects in the history of American print journalism.

The Case of Lizzie Borden and Other Writings is the first and only comprehensive collection of writings by Elizabeth Garver Jordan, the groundbreaking journalist, suffragist, and editor whose fearless reporting on women preceded the #MeToo movement and popularized the true-crime genre.

By the end of this book, you will have designed and published a print and digital magazine. This is a dangerous book because it kicks the stool out from under traditionally published magazines. It disrupts the publishing ecosystem. You’ll use free tools that anyone can access. Not free trials, but free tools that you can continue to use month after month. With this book, you will create, with no money and very little time, what others took years of effort and millions of dollars to create themselves. Don’t let anyone tell you it can’t be done. I’ve been doing it every month for the ...

The journalism teacher who inspired generations of teenagers to aim for excellence—not just on the high school newspaper but for the rest of their lives—provides the playbook and offers strategies for everyone to improve their writing skills. Part memoir, part instruction manual, former UPI reporter and magazine freelancer Kathleen Neumeyer explains how she inadvertently taught smart but spoiled teenagers how to manage billion-dollar companies, after an inadvertent midlife career change to advising student publications at one of America’s top prep schools. Praise for Kathleen Neumeyer...

Justice in Plain Sight is the story of a hometown newspaper in Riverside, California, that set out to do its job: tell readers about shocking crimes in their own backyard. But when judges slammed the courtroom door on the public, including the press, it became impossible to tell the whole story. Pinning its hopes on business lawyer Jim Ward, whom Press-Enterprise editor Tim Hays had come to know and trust, the newspaper took two cases to the US Supreme Court in the 1980s. Hays was convinced that the public - including the press - needed to bear witness to justice....

Recounts the story of America’s last great newspaper war between the New York Daily News and the New York Post, as both papers’ long rivalry turned existential amid the rise of digital news. The story is told through the eyes of the reporters, or “runners”, and photographers who fought the war on the ground in cities across America.

In this memoir, Lockwood draws upon his forty years in the newspaper industry as a reporter and editor, offering a unique glimpse into the world of newspaper cartoon strips. He details the production and promotion of countless comic strips, while also providing his own assessments of the most iconic cartoonists of the last half-century. The book is filled with fascinating anecdotes about his relationships with some of America's greatest cartoonists and the syndicate reps who sold their cartoon strips.

From the fragility of life almost gone in an instant at a crosswalk, to avoiding the shoals of adolescence, to cell phones driving us to distraction (as we drive!) to turning the tables on telemarketers, to the Iraq War coming home to a small town in Pennsylvania, these pieces are filled with insight and sensitivity, laced with humor and understanding. In his own very unique way, John Grogan makes all of us feel more connected to each other and less like strangers living in a strange land.

Using his famed on-the-nose commentary, Twitter legend James Felton has dissected 99 of the most outlandish stories The Sun (for a long time the biggest-selling British newspaper) has run since it became a tabloid in 1969, hoping to answer once and for all whether the press has reflected - or manipulated - the British people over the last 50 years.

A wise and entertaining guide to writing English the proper way by one of the greatest newspaper editors of our time. Harry Evans has edited everything from the urgent files of battlefield reporters to the complex thought processes of Henry Kissinger. He's even been knighted for his services to journalism. In Do I Make Myself Clear?, he brings his indispensable insight to us all in his definite guide to writing well. Evans provides practical examples of how editing and rewriting can make for better communication, even in the digital age.

In Morning Miracle, Dave Kindred takes an in-depth look at the 21st-century newspaper by spending time in the inner sanctum of one of the country's most venerable: The Washington Post. With unprecedented access to every nook and cranny of the paper, Kindred provides a comprehensive, entertaining, no-holds-barred look at what it takes to turn out a world-class paper day in and day out.

In March of 1827 the nation's first black newspaper appeared in New York City - to counter attacks on blacks by the city's other papers. From this signal event, The African American Newspaper traces the evolution of the black newspaper - and its ultimate decline - for more than 160 years until the end of the 20th century.

In the decades between the Great Depression and the advent of cable television, when daily newspapers set the conversational agenda in the United States, the best reporter in the business was a rumpled, hard-drinking figure named Homer Bigart. Despite two Pulitzers and a host of other prizes, he quickly faded from public view after retirement. Few today know the extent to which he was esteemed by his peers. Get the Damn Story is the first comprehensive biography to encompass all of Bigart's journalism, including both his war reporting and coverage of domestic events.

Since 1949, when Pulitzer Prize-winning journalist Max Frankel began to write for The New York Times, readers have looked to his work as a lens through which they could witness America's role in a rapidly changing world. In this vivid and unforgettable memoir, Frankel chronicles the times of his extraordinary life as he experienced them...within the context of the news stories that defined an era.

This short account of Swami Vivekananda, the Vedantist who brought Hinduism to America, focuses on the years 1893 to 1897. After a famous speech at the World’s Columbian Exposition of 1893, Vivekananda promoted his religious beliefs and practices by lecturing extensively across the United States, teaching and attracting devotees, producing a wealth of publications and tracts on Hinduism, encouraging vegetarianism, writing the first book on yoga to appear in America and so on, for a new and enthusiastic audience.

Between the 1970s and the 1990s American journalists began telling the news by telling stories. They borrowed narrative techniques, transforming sources into characters, events into plots, and their own work from stenography to anthropology. This was more than a change in style. It was a change in substance, a paradigmatic shift in terms of what constituted news and how it was being told. Thomas Schmidt analyzes the expansion of narrative journalism and the corresponding institutional changes in the American newspaper industry in the last quarter of the 20th century.