Showing results by narrator "Stephanie Willis" in All Categories

On a December night in 1938, a 10-year-old girl named Lore is put on the Kinder transport, a train carrying hundreds of Jewish children out of Austria to safety from Hitler's increasingly alarming oppression. Temporarily housed at the Dover Court Camp on England's east coast, Lore will find herself living in other people's houses for the next seven years: the Orthodox Levines, the Hoopers, the working-class Grimsleys, and the wealthy Miss Douglas and Mrs. Dillon.

Nestled in the mountain shadows of Alabama lies the little town of Wicklow. It is here that Anna Kate has returned to bury her beloved Granny Zee, owner of the Blackbird Café. It was supposed to be a quick trip to close the café and settle her grandmother’s estate, but despite her best intentions to avoid forming ties or even getting to know her father’s side of the family, Anna Kate finds herself inexplicably drawn to the quirky Southern town her mother ran away from so many years ago, and the mysterious blackbird pie everybody can’t stop talking about.

Everyone knows that Addie Fullbright can’t keep a secret. Yet, twelve years ago, as her best friend lay dying, she entrusted Addie with the biggest secret of all. One so shattering that Addie felt she had to leave her hometown of Starlight, Alabama, to keep from revealing a devastating truth to someone she cares for deeply. Now she’s living a lonely life, keeping everyone at a distance. But when her beloved aunt gets a shocking diagnosis and asks her to come back to Starlight to help run the family bakery, Addie knows it’s finally time to go home again.

When Ava Harrison receives a letter containing an unusual job listing one month after the sudden death of her ex-boyfriend, she thinks she’s being haunted. The listing—a job as a live-in caretaker for a peculiar old man and his cranky cat in Driftwood, Alabama—is the perfect chance to start a new life. A normal life. Ava has always been too fearful to even travel, so no one’s more surprised than she is when she throws caution to the wind and drives to the distant beachside town.

Alice, a fierce and respected Parisian cop, wakes up on a Central Park bench with no memory of the night before, handcuffed to a complete stranger - a musician named Gabriel. Disoriented, dazed, and with someone else’s blood on her shirt, Alice works furiously to reconnect the dots. She remembers clubbing with her friends the night before on the Champs-Élysées. Gabriel claims he was playing a gig in Dublin. Was she drugged? Kidnapped? Why is the gun in her jacket pocket missing a bullet? And whose blood is on her clothes?

Wendy doesn't remember anything about Neverland or the experiments done on her there as a child. Seven years later, all she wants is a normal life, but shape-shifting shadows plague her dreams and turn her life into a waking nightmare. When the shadows attack at a football game and a boy disappears right in front of her, she realizes these wraith-like shadows are real. They're not just haunting, they're hunting.

No electricity, no family, no connection to the outside world. For eight years, Cooper and his young daughter, Finch, have lived in isolation in a remote cabin in the northern Appalachian woods. And that's exactly the way Cooper wants it, because he's got a lot to hide. Finch has been raised on the books filling the cabin’s shelves and the beautiful but brutal code of life in the wilderness. But she’s starting to push back against the sheltered life Cooper has created for her - and he’s still haunted by the painful truth of what it took to get them there.

First Contact has not been going well. The nations of Earth are rapidly militarizing against the arrival of the Superorganism, an alien civilization that promises to destroy humanity before it can develop into a real threat. The Superorganism has done it before–to their distant transient relatives–and they could easily do it again. But the alien Ampersand and his human interpreter Cora Sabino are done with trying to save humanity from both the Superorganism and itself; to them, this is a civilization that does not deserve to be saved.

Princess Lira is siren royalty and the most lethal of them all. With the hearts of 17 princes in her collection, she is revered across the sea. Until a twist of fate forces her to kill one of her own. To punish her daughter, the Sea Queen transforms Lira into the one thing they loathe most - a human. Robbed of her song, Lira has until the winter solstice to deliver Prince Elian's heart to the Sea Queen and or remain a human forever.

It's fall 2007. A well-timed leak has revealed that the US government might have engaged in first contact. Cora Sabino is doing everything she can to avoid the whole mess, since the force driving the controversy is her whistleblower father. Even though Cora hasn't spoken to him in years, his celebrity has caught the attention of the press, the internet, the paparazzi, and the government - and with him in hiding, that attention is on her. She neither knows nor cares whether her father's leaks are a hoax and wants nothing to do with him.

In the 2050s, Earth has begun to empty. Those with the means and the privilege have departed the great cities of the United States for the more comfortable confines of space colonies. Those left behind salvage what they can from the collapsing infrastructure. As they eke out an existence, their neighborhoods are being cannibalized. Brick by brick, their houses are sent to the colonies, what was once a home now a quaint reminder for the colonists of the world that they wrecked.

It isn't that Lizzie doesn't want to stay Amish. It's just that there is so much to figure out. Like why can't she let her hair a little looser on top? And why can't she wear shoes with a little bit more of a heel? And will she ever really just know for a fact who she is going to marry, like her next-older sister, Emma, does? And how does it happen that her just-younger sister, Mandy, is going on a date before Lizzie ever has a real one?

Amelia - 1942: The inside of my closet held the last bit of my freedom before I was torn from my home and shoved onto a dark train. Our destination was even darker. "Women and children to the right. Men to the left," they shouted at us. Everything was taken from me, leaving only the smoke-filled air, piercing screams, and soul-burning cries. I was slowly starved and weakened to the bone, but there was a man - a Nazi - who brought me extra food. He called himself a prisoner too, but he scared me, and I wondered if he was the enemy I should fear the most.

New York City, 1910. Invisible until she’s needed, Jane Prescott has perfected the art of serving as a ladies’ maid to the city’s upper echelons. Then she takes up a position with the Benchley family, dismissed by the city’s elite as "new money". The Benchleys cause further outrage when their daughter Charlotte becomes engaged to notorious playboy Norrie, the son of the eminent Newsome family. But when Norrie is found murdered at a party, Jane discovers she is uniquely positioned - she’s a woman no one sees, but who witnesses everything - and therefore has the tools to solve his murder.

Everything has led up to this moment in Lizzie Glick's life. All of her curiosity, concern, and dreams have pointed to this time when she must make some very big decisions. Will she join the Church? Will she continue teaching? Will she marry Stephen? Questions and indecision as well as answers and certainty enter Lizzie's life in Big Decisions, the third and final novel in this series written by an Amish author and based on true-life experiences.

After nearly losing Wendy, Peter returns her to her family but fears she may not be safe from Hook. Torn between protecting Wendy and leading the lost boys, he must decide to fulfill his duty or follow his heart. Wendy awakes in her bedroom, clothes stained in blood, with no memories of Peter or Neverland. Wendy struggles to return to her normal life, for shadows plague her during the day, and where shadows roam - monsters follow.

Wendy is on a quest for vengeance after Hook kidnapped the lost boys and destroyed their school. Stuck as a shadow, Peter’s body is weakening because each time he dies and regenerates may be his last. Meanwhile, Wendy is running out of time to track down Hook, save the boys, and rescue Peter before he’s lost as a shadow forever.

Jane Prescott is taking a break from her duties as lady's maid for a week, and plans to begin it with attending the hottest and most scandalous show in town: The opening of an art exhibition, showcasing the cubists, that is shocking New York City. 1913 is also the 50th anniversary of Lincoln's Emancipation Proclamation speech, and the city's great and good are determined to celebrate in style.

Lizzie's dream of teaching school has finally come true. She loves the brand-new school building, the sound of the children singing, and the independence she has in the classroom. Even the occasionally unruly boys can't ruin the excitement she feels each morning when she starts the school day. But at home things are in turmoil again. What do Dat's sudden health problems mean for the future of their farm? And what about Lizzie's future?

After a tornado rips through her town, store owner Abigail comes across a piece of fabric from a wedding dress among the devastation. Abigail is moved to start collecting other swatches of fabric she finds - her neighbor’s kitchen curtains, a man’s necktie, a dog’s bed - which she stashes in shopping bags. As she pursues her seemingly absurd quest, horrible realities spark the question, “What kind of a God would allow such tragedy?”