Mostrando resultados por narrador "Greta Jung" en Todas las categorías

Gwangju, South Korea, 1980. Amid a violent student uprising, a young boy named Dong-ho is killed. As his friend searches for Dong-ho's corpse, we also meet an editor struggling against censorship, a prisoner and a factory worker, each suffering from traumatic memories, and Dong-ho's grief-stricken mother. Through their collective heartbreak and acts of hope comes a tale of a brutalized people in search of a voice.

An excellent student from a poor, traditional family in Seoul, the narrator has absorbed the same message her whole life: Only a boy can provide the family with dignity and wealth. Not her. Not her three sisters. Receiving approval only for uncomplaining sacrifice, she has resolved to take on her family’s troubles. She is a good girl. And she knows what good girls must do.

The award-winning writer, whose stories have appeared in four consecutive editions of The Best American Short Stories, returns with a highly anticipated collection. A reality show producer manipulates two contestants into falling in love, even as her own relationship falls apart. Just after the fall of the Berlin Wall, a young boy has a revelation about his father’s past. When the prized elephant of a traveling circus keels over dead, the small-town minister tasked with burying its remains comes to question his own faith.

One winter morning, Kyungha receives an urgent message from her friend Inseon to visit her at a hospital in Seoul. Inseon has injured herself in an accident, and she begs Kyungha to return to Jeju Island, where she lives, to save her beloved pet—a white bird called Ama. A snowstorm hits the island when Kyungha arrives. She must reach Inseon’s house at all costs, but the icy wind and squalls slow her down as night begins to fall. She wonders if she will arrive in time to save the animal—or even survive the terrible cold that envelops her with every step.

In January 2017, Donald Trump signed an executive order stopping entry to the United States from seven predominantly Muslim countries and dramatically cutting the number of refugees allowed to resettle in the United States each year. The American people spoke up, with protests, marches, donations, and lawsuits that quickly overturned the order. But the refugee caps remained. In The Displaced, Pulitzer Prize-winning writer Viet Thanh Nguyen, himself a refugee, brings together a host of prominent refugee writers to explore and illuminate the refugee experience.

In this compelling and beautifully-patterned novel, Han Kang tells the interwoven stories of a Greek instructor who is losing his sight and a woman who refuses to speak. Uniquely involving, and thoughtful, it explores the depths and limits of human connection.

A fresh new voice emerges with the arrival of Sour Heart, establishing Jenny Zhang as a frank and subversive interpreter of the immigrant experience in America. Her stories cut across generations and continents, moving from the fraught halls of a public school in Flushing, Queens, to the tumultuous streets of Shanghai, China, during the Cultural Revolution of the 1960s.

Junie Kim just wants to fit in. So she keeps her head down and tries not to draw attention to herself. But when racist graffiti appears at her middle school, Junie must decide between staying silent or speaking out. Then Junie’s history teacher assigns a project and Junie decides to interview her grandparents, learning about their unbelievable experiences as kids during the Korean War. Junie comes to admire her grandma’s fierce determination to overcome impossible odds, and her grandpa’s unwavering compassion during wartime.

In “The Center for Immortality Research,” a low-level employee runs herself ragged planning a fancy gala for donors, only to be blamed for a crime she witnessed during the event, under the noses of the mysterious celebrity benefactors hoping to live forever. But she can’t be fired—no one can. In “One More Kiss, Dear,” a tender, one-sided love blooms in the AI-elevator of an apartment complex; as in, the elevator develops a profound affection for one of the residents.

Kim Hani has retired from a life of devouring souls. She is, simply put, too full. Once known as the infamous Scarlet Fox, she now spends her days working in a coffee shop and annoying a particularly irritating, if unfairly handsome, trickster god as often as she can. That god is Seokga the Fallen. Exiled from the heavenly kingdom of Okhwang, he now begrudgingly resides in the mortal realm, working toward his redemption and suffering through his interactions with the particularly infuriating, if sneakily charming, gumiho barista at his favorite café.

Jeanette Lee was 18 years old when she walked into a New York City pool hall and became enamored by the elegant geometry of the game. Before long, she was an unmistakable figure on the international competition circuit, dressed head-to-toe in black, stalking the billiards table, and gazing down her cue as if tracking her prey. In this new memoir, the woman nicknamed “The Black Widow” opens up about her legendary career and the rich, unpredictable life she’s woven around it.

In remote northern Canada, a team led by a visionary American architect is break­ing ground on a building project called Camp Zero, intended to be the beginning of a new way of life. A clever and determined young woman code-named Rose is offered a chance to join the Blooms, a group hired to entertain the men in camp—but her real mission is to secretly monitor the mercurial architect in charge. In return, she’ll receive a home for her climate-displaced Korean immigrant mother and herself.

Enclosed under a vast dome, Snowglobe is the last place on Earth that’s warm. Outside Snowglobe is a frozen wasteland, and every day, citizens face the icy world to get to their jobs at the power plant, where they produce the energy Snowglobe needs. Their only solace comes in the form of twenty-four-hour television programming streamed directly from the domed city.

It’s as if her life only began once Moon appeared in it. The desultory copywriting work, the boyfriend, and the want of anything not-Moon quickly fall away when she beholds the idol in concert, where Moon dances as if his movements are creating their own gravitational field; on live streams, as fans from around the world comment in dozens of languages; even on skincare products endorsed by the wildly popular Korean boy band, of which Moon is the youngest, most luminous member. Seized by ineffable desire, our unnamed narrator begins writing Y/N fanfic.

Korea, 1943. Hana has lived her entire life under Japanese occupation. As a haenyeo, a female diver of the sea, she enjoys an independence that few other Koreans can still claim. Until the day Hana saves her younger sister from a Japanese soldier and is herself captured and transported to Manchuria. There she is forced to become a "comfort woman" in a Japanese military brothel. But haenyeo are women of power and strength. She will find her way home.

At one of Manhattan's most elite ballet schools, wafer-thin ballerinas pull their hair into sleek buns and lace their pointe shoes high, waiting for their chances to shine. But beneath the pretty, polished surface, these girls are hiding some terrible secrets and telling some twisted lies.

Jenny didn’t get to be an award-winning, classically trained cellist without choosing practice over fun. That is, until the night she meets Jaewoo. Mysterious, handsome, and just a little bit tormented, Jaewoo is exactly the kind of distraction Jenny would normally avoid. And yet, she finds herself pulled into spending an unforgettable evening wandering Los Angeles with him on the night before his flight home to South Korea.

This book contains foul language and fouler descriptions of life as a zombie. It will offend most anyone, so proceed with caution or not at all. And be forewarned: This is not a zombie book. This is a different sort of tale. It is a story about the unfortunate, about those who did not get away. It is a human story at its rotten heart. It is the reason we can't stop obsessing about these creatures, in whom we see all too much of ourselves.

On the outside, Yumi Chung suffers from #shygirlproblems, a perm-gone-wrong, and kids calling her "Yu-MEAT" because she smells like her family's Korean barbecue restaurant. On the inside, Yumi is ready for her Netflix stand-up special. Her notebook is filled with mortifying memories that she's reworked into comedy gold. All she needs is a stage and courage.

As a Korean adoptee, Hara Wilson doesn’t need anyone telling her she looks different from her white parents. She knows. Every time Hara looks in the mirror, she’s reminded that she doesn’t look like anyone else in her family - not her loving mother, Ellen; not her jerk of a father, Pat; and certainly not like Pat’s new wife and new “real” son.