Mostrando títulos en Dramatizaciones

As a child, Chris Hooper dreamed of monsters. But in deep space, he found only darkness and isolation. Then, on planet LV178, he and his fellow miners discovered a storm-scoured, sand-blasted hell - and trimonite, the hardest material known to man. When a shuttle crashes into the mining ship Marion, the miners learn that there was more than trimonite deep in the caverns.

They call him father, liberator, warlord, Slave King, Reaper. But he feels a boy as he falls toward the war-torn planet, his armor red, his army vast, his heart heavy. It is the tenth year of war and the thirty-third of his life. A decade ago Darrow was the hero of the revolution he believed would break the chains of the Society. But the Rising has shattered everything: Instead of peace and freedom, it has brought endless war. Now he must risk all he has fought for on one last desperate mission. Darrow still believes he can save everyone, but can he save himself?

Darrow would have lived in peace, but his enemies brought him war. The Gold overlords demanded his obedience, hanged his wife, and enslaved his people. But Darrow is determined to fight back. Risking everything to transform himself and breach Gold society, Darrow has battled to survive the cutthroat rivalries that breed Society’s mightiest warriors, climbed the ranks, and waited patiently to unleash the revolution that will tear the hierarchy apart from within. Finally, the time has come.

A man awakens in a clearing in what appears to be medieval England with no memory of who he is, where he came from, or why he is there. Chased by a group from his own time, his sole hope for survival lies in regaining his missing memories, making allies among the locals, and perhaps even trusting in their superstitious boasts. His only help from the “real world” should have been a guidebook entitled The Frugal Wizard’s Handbook for Surviving Medieval England, except his copy exploded during transit.

I’m usually alone in my head, and that’s where 90 plus percent of my problems are. When Murderbot's human associates (not friends, never friends) are captured and another not-friend from its past requires urgent assistance, Murderbot must choose between inertia and drastic action. Drastic action it is, then.

John has failed. The apocalypse has come. But it's been awfully quiet for an apocalypse. After stopping Kythov the Eyeless, John and the gang barely managed to stabilize the world’s mana supply, only sort of poisoning the world in the process. With a farm to run, a valley to develop, and a mysterious door to another dimension to study, John is going to have his hands full. Even worse, despite the apparent peace, turmoil stirs and ancient threats have begun to surface.

When H. G. Wells first published The War of The Worlds in 1898, the novel quickly became a sci-fi classic. The story of extraterrestrials from Mars invading Earth captured the public’s imagination, inspiring a famed 1938 radio broadcast with Orson Welles, several feature films, countless video games, and a best-selling musical concept album by Jeff Wayne in 1978, among others.

The Deathlands companions have been cast asunder through time. But fortune smiles on one of their number, the time-trawled Doc Tanner, who finally finds himself back in his own era of the 1890s accompanied by Mildred Wyeth, an African-American woman from the twentieth century whose skin color makes her stand out for all the wrong reasons. This could be Doc’s chance to repair the mess his abrupt disappearance through time left, if he and Mildred can survive long enough to reach his family.

An alternative history of the US space programme, dramatised by Dirk Maggs. What if John F. Kennedy survived the assassination attempt and developed the space programme? President Nixon, with the help of former president JFK, has just green-lit NASA’s first manned expedition to Mars. Aboard the expedition is Natalie York, a geologist who risks everything she loves for the chance to go to space; Phil Stone, former X-15 test pilot; and Ralph Gershon, a Vietnam War hero intent on being the first African American to reach another planet.

This is a dynamic, modern dramatisation of a classic book by John Wyndham. Bill Nighy ( Love Actually and many other films) and Sarah Parish ( Cutting It) play Richard and Janet, a couple caught up in the goings-on of a sleepy English village in which all the children have golden eyes, blond hair, and a sinister talent for telepathy and telekinesis. (Wyndham's novel was filmed as Village of the Damned in 1960 and 1995.)

Mortals fall, Ascended rise, and Gods consume. The planar energy crisis is now fact; proof written into the very air of the Nexusplane. For the first time in immeasurable history, the eternally luminescent Realm of the Gods knows night. Everything has changed…The Council continues to operate as it doesn’t; with seemingly no consideration to those outside itself. Within its labyrinth of bureaucracy, officials and agents play their petty games. Not even they can tell if their actions bear any relevance to the imminent threat.

A window is but a piece of glass through which we view the world outside. It is not meant to distort. It is not intended to do anything but show us things as they are. At Oxford, though, there is a very particular window that reveals a very particular view. It is a view that defies all laws of nature and science. And when a detective is called in to investigate, he is startled to find that view opens a window into his own life–and a mystery he has never been able to solve.

Often referred to as the father of science fiction, Victorian author Jules Verne is renowned for his fantastical adventures imagining extraordinary voyages to strange new horizons. Prolific and prophetic, he wrote over 50 novels and numerous short stories, in which he foretold the skyscraper, the submarine, space missions and even the Internet. Featured here are contemporary adaptations of four of his most famous tales, as well as a special episode of The Forum examining the long-lasting appeal of his work.

On a war torn Earth, the mighty Nova Alliance is the last defense against the treacherous Coalition. At the heart of this defense are the Engines–formidable, genetically enhanced soldiers. Under the command of the legendary Captain Akira Hayashi, the elite Shadow Squad has defended the frontlines for years. But just as victory seems imminent, the Coalition strikes hard, targeting the very sites meant to heal the wounded planet.

It's 2116, and Bernard Marx and Helmholtz Watson are token rebels in an irretrievably corrupted society where promiscuity is the norm, eugenics a respectable science, and morality turned upside down. There is no poverty, crime or sickness - but no creativity, art or culture either. Human beings are merely docile citizens: divided into castes, brainwashed and controlled by the state and dependent on the drug soma for superficial gratification.

The battle-weary Companions count their blessings when they find refuge at a tranquil ville, founded on the principles of harmony and enlightenment. However, they soon discover this supposed utopia is anything but. Violence waits in the silence, hidden beneath the pagodas and prayer halls. As sinister machinations unfurl like lotus petals, the Companions reckon with the true price of inner peace in a world gone mad.

Stranded on Prehistoric Earth since the end of the first series, Arthur Dent and Ford Prefect are once again trying to hitch their way off the planet. Zaphod finds his visit to the offices of the Guide rudely interrupted by Frogstar fighters, who further threaten to feed him to the Total Perspective Vortex. Eventually reunited, the three fetch up on the planet Brontitall and discover the indigenous species in something of a flap. Arthur meets Lintilla (several of her), Marvin gets to be a hero once again, and there is a meeting with the Man in the Shack who apparently runs the Universe....

It is a simple question that is as profound as any we can ask: “Who am I?” Dr. Vikram Anthony is that rare person who believes the answer is relatively simple. I am my work; I am my skill; I am my mind. It is only when the noted surgeon faces his own mortality that the answer gets more complex. And the opportunity for a new life–a decidedly different life–opens a world of possibilities he’d never imagined.

While frequent flyer Arthur Dent searches the universe for his lost love, Ford Prefect discovers a disturbing blast from the past at The Hitchhiker’s Guide HQ. Meanwhile, on one of many versions of Earth, a blonder, more American Trillian gets tangled up with a party of lost aliens having an identity crisis. And just when Arthur thinks he has found his true vocation on the backwater planet of Lamuella, the original Trillian turns up with more than a little spanner in the works. A stolen ship, a dramatic stampede and a new and sinister Guide lead to a race to save the Earth...again. But this time, will they succeed?

Four BBC radio dramatisations starring Michael Hordern as Tolkien, plus a special archive compilation exploring Tolkien's life and work. The tales in this collection all reflect an aspect of what Tolkien himself called 'the perilous realm of Faerie'. Adapted for radio by Brian Sibley, co-writer of the acclaimed BBC radio production of The Lord of the Rings, they are rich in myth, magic and adventure. Among the supporting cast are Brian Blessed, Nigel Planer, Sorcha Cusack, Paul Copley and James Grout.