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Volume two of the definitive collection of Seamus Heaney reading his own work, recorded in 2009 by RTE. Volume two contains four collections published between 1979 and 1991: Field Work, Station Island, The Haw Lantern and Seeing Things.

Volume one of the definitive collection of Seamus Heaney reading his own work, recorded in 2009 by RTE. Volume one contains four collections published between 1966 and 1975: Death of a Naturalist, Door into the Dark, Wintering Out and North.

Volume three of the definitive collection of Seamus Heaney reading his own work, recorded in in 2009 by RTE. Volume three contains four collections published between 1996 and 2010: The Spirit Level, Electric Light, District and Circle and Human Chain. To the RTE recordings Faber has added live readings by the poet of 11 poems from his 12th and final collection, Human Chain (2010).

New York Times best seller and Whitebread Book of the Year, Nobel Laureate Seamus Heaney's new translation of Beowulf comes to life in this gripping audio. Heaney's performance reminds us that Beowulf, written near the turn of another millennium, was intended to be heard not read.

Composed toward the end of the first millennium, Beowulf is the elegiac narrative of the adventures of Beowulf, a Scandinavian hero who saves the Danes from the seemingly invincible monster Grendel and, later, from Grendel's mother. He then returns to his own country and dies in old age in a vivid fight against a dragon. The poem is about encountering the monstrous, defeating it, and then having to live on in the exhausted aftermath.

Seamus Heaney had the idea to form a personal selection from across the entire arc of his poetry, small yet comprehensive enough to serve as an introduction for all comers. He never managed to do this in his lifetime, and no edition exists which has such a broad range, drawing from first collection to last.

This selection of Seamus Heaney's poems is drawn from nine collections, including The Spirit Level, and provides a perfect introduction to the full breadth of Heaney's poetic concerns.

Maggie Nelson's The Argonauts is a genre-bending memoir, a work of "autotheory" offering fresh, fierce, and timely thinking about desire, identity, and the limitations and possibilities of love and language. At its center is a romance: the story of the author's relationship with the artist Harry Dodge. This story, which includes Nelson's account of falling in love with Dodge, who is fluidly gendered, as well as her journey to and through a pregnancy, is an intimate portrayal of the complexities and joys of (queer) family making.

The publication of a new translation by Fagles is a literary event. His translations of both the Iliad and Odyssey have sold hundreds of thousands of copies and have become the standard translations of our era. Now, with this stunning modern verse translation, Fagles has reintroduced Virgil's Aeneid to a whole new generation, and completed the classical triptych at the heart of Western civilization.

This critically acclaimed translation was awarded the Los Angeles Times Book Prize for Poetry and the Harold Morton Landon Translation Award given by the Academy of American Poets. Well versed, rapid, and various in style, the Inferno is narrated by Pinsky and three other leading poets: Seamus Heaney, Frank Bidart, and Louise Glück.

The landmark selection of poems from the greatest poet of our age, read on audio by Seamus Heaney himself. 'His is "close-up" poetry - close up to thought, to the world, to the emotions. Few writers at work today, in verse or fiction, can give the sense of rich, fecund, lived life that Heaney does.(John Banville )More than any other poet since Wordsworth he can make us understand that the outside world is not outside, but what we are made of. (John Carey)

Seamus Justin Heaney (April 13, 1939 to August 30, 2013) was an Irish poet, playwright and translator. Among his best-known works is Death of a Naturalist (1966), his first major published volume. American poet Robert Lowell described Heaney as "the most important Irish poet since Yeats." Heaney delivered his Nobel Prize in Literature acceptance speech in Stockholm on December 7, 1995—a powerful defense of poetry as "the ship and the anchor" of our spirit within an ocean of violent, divisive politics and world-sorrow.

A Century of Poetry in The New Yorker is a celebratory selection from 100 years of influential, entertaining, and taste-making verse in The New Yorker. Seamus Heaney, Dorothy Parker, Louise Bogan, Louise Glück, Randall Jarrell, Langston Hughes, Derek Walcott, Sylvia Plath, W. S. Merwin, Czeslaw Milosz, Tracy K. Smith, Mark Strand, E. E. Cummings, Sharon Olds, Franz Wright, John Ashbery, Sandra Cisneros, Amanda Gorman, Maggie Smith, Kaveh Akbar: these stellar names make up just a fraction of the wonderfulness that is present in this essential anthology.

Seamus Heaney’s new translation of Beowulf is a work that is both true to the original poem and an expression of something fundamental to Heaney’s own creative gift.One of the great classics of English literature, it tells the story of a hero who wins glory and learns wisdom and is then called upon to face a final test against the monstrous. There are obvious parallels to be found in the history of the twentieth century, and Heaney’s Beowulf cannot fail to be read partly in the light of his Northern Irish upbringing. But it also transcends such considerations, revealing psychological and spiritual truths that are both permanent and liberating.

When sleep was at its deepest, night at its blackest, up from the mist-filled marsh came Grendel stalking. Thus begins the battle between good and evil, for lying in wait and anxious to challenge the ogre Grendel is a young man, strong-willed and fire-hearted. This man is Beowulf, whose heroic dragon-slaying deeds were sung in the courts of Anglo-Saxon England more than a thousand years ago.

A thrilling, intellectual detective story that looks deep into the past to uncover who first settled the islands of the remote Pacific, where they came from, how they got there, and how we know.

The Old English epic poem Beowulf, recorded in its original Saxon dialect for the first time. Performed by Icelandic poet, playwright, professional storyteller and performer Svanur Thorkelsson, Audible’s production gives listeners the opportunity to experience how it might have felt to hear bards recite sections of the 3000-line poem from memory in Anglo Saxon dining halls. Audible’s Beowulf recaptures the heroic style and vast scale of what can be considered ‘England’s first native audiobook’.

Imagine a world in which you own nothing and rent everything. Most of the protein in your diet comes from bugs. You are not allowed to have more than one child, and your financial and medical data are instantly transferred to a centralized government database via a subdermal microchip. Controligarchs warns that this will be our existence if the supranational elites of the World Economic Forum get their way.

The oldest long poem in Old English, written about AD 1,000, Beowulf tells the story of a great warrior of southern Scandinavia, in both youth and maturity. The monster Grendel terrorizes the Scyldings of Hrothgar's Danish Kingdom until Beowulf defeats him. As a result, he has to face her enraged mother. Beowulf dies after a battle against a fierce dragon.

The retelling of an ordinary woman who had no voice in the literary classic of Beowulf. When a young girl’s life takes a crushing dark turn, she’s sacrificed to the dragon for shaming her community. Alone in the wild, she discovers special skills that enable her to survive, gives birth, and raises a child who has both physical and mental abnormalities. Grendel's Mother is an evocative story of a young woman whose life is shattered by circumstances beyond her control and paints a poignant picture of the history of one of the most infamous monsters of Norse mythology. - Amazon reader