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Charlotte Gordon's new work is a fresh look at the lives of Mary Wollstonecraft and Mary Shelley, who together comprise one of the most illustrious and inspiring mother-daughter pairs in history.

This story is, in essence, the novelization of Wollstonecraft's ultimate work, Vindication of the Rights of Women. It follows a girl who grows up in a moderately wealthy English family in 18th century, trying to find love and individuality in a time when such concepts are incomprehensible to society. Mary, the main character, follows life and love through a turbulent series of ups and downs while trying to remain true to herself.

First published in 1792, A Vindication of the Rights of Woman tackles many of the punitive patriarchal attitudes that dominated 18th-century society. With warmth and passion, Mary Wollstonecraft urges women to prioritize reason over emotion - a necessary step in building the strength of character required to break free from male notions of female fragility and foolishness. Wollstonecraft bases much of her argument in the case for women's education.

Mary Wollstonecraft, often described as the first major feminist, is remembered principally as the author of A Vindication of the Rights of Woman (1792), and there has been a tendency to view her most famous work in isolation. Yet Wollstonecraft's pronouncements about women grew out of her reflections about men, and her views on the female sex constituted an integral part of a wider moral and political critique of her times which she first fully formulated in A Vindication of the Rights of Men (1790).

The Last Man is Mary Shelley's apocalyptic fantasy of the end of human civilisation. Set in the late twenty-first century, the novel unfolds a sombre and pessimistic vision of mankind confronting inevitable destruction. Interwoven with her futuristic theme, Mary Shelley incorporates idealised portraits of Shelley and Byron, yet rejects Romanticism and its faith in art and nature.

Set against the backdrop of a world and society in turmoil during the various revolutions across the globe, and written before the term “feminism” had become popularized, A Vindication of the Rights of Woman is a treatise that explains the ways in which women were mistreated and marginalized. Specifically, this explication was writing to respond to a particular popular idea of the time: that women were unsuited for getting their own educations and were better off living private, quiet lives in service of husbands.

Writing in an age when the call for the rights of man had brought revolution to America and France, Mary Wollstonecraft produced her own declaration of female independence in 1792. Passionate and forthright, A Vindication of the Rights of Woman attacked the prevailing view of docile, decorative femininity and instead laid out the principles of emancipation: an equal education for girls and boys, an end to prejudice and for women to become defined by their profession, not their partner.

Frankenstein is infused with some elements of the Gothic novel and the Romantic movement and is also considered to be one of the earliest examples of science fiction. Includes introduction and commentary by Mary Shelley. Required reading for any fan of science fiction and horror genres. A classic.

In A Vindication of the Rights of Woman, Mary Wollstonecraft tackles the wasted potential she sees in women, refusing to see them as inferior to men; she decries their limitations and suggests that they are worthy of an equal standard of education, and that they should be taught to develop their own reason, not simply how to gain a man. Written in 1792, at the height of the French Revolution, A Vindication is an eloquent and persuasive response to the prevailing attitudes of the time.

The second novel from Mary Shelley, written in 1819-20 but not published in full until 1959. The story deals with common romantic themes but also incest and suicide. Narrating from her deathbed, Mathilda tells the story of her unnamed father’s confession of incestuous love for her, followed by his suicide by drowning; her relationship with a gifted young poet called Woodville fails to reverse Mathilda’s emotional withdrawal or prevent her lonely death.

Mary Wollstonecraft Shelley was an English romantic and gothic novelist who is most famous as the author of Frankenstein, or The Modern Prometheus. She was married to the notable Romantic poet Percy Bysshe Shelley. She also wrote a number of shorter "tales of the unnatural", of which "The Mortal Immortal", a story of a man who will not die, is the most famous.

History of a Six Weeks' Tour (1817) is a volume of travel-writing by Mary Wollstonecraft Shelley and Percy Bysshe Shelley. Comprising prose narrative, correspondence, and poetry, it is a highly engaging account of their 'adventures and feelings' during two journeys from England to Switzerland at the end of the Napoleonic Wars.

"Frankenstein, or The Modern Prometheus," authored by Mary Shelley, is a Gothic novel that delves into themes of ambition, creation, and the repercussions of scientific progress. The narrative centers around Victor Frankenstein, a highly intelligent yet obsessive scientist who becomes fixated on the quest to discover the mystery of life.Fueled by his ambition, he assembles a being from cadavers and animates it through his scientific expertise.However, Victor is immediately repulsed by the hideous look of his creation and decides to leave it behind. Despite being intelligent and capable of ...

At once a Gothic thriller, a passionate romance, and a cautionary tale about the dangers of science, Frankenstein tells the story of committed science student Victor Frankenstein. Obsessed with discovering "the cause of generation and life" and "bestowing animation upon lifeless matter", Frankenstein assembles a human being from stolen body parts. However, upon bringing it to life, he recoils in horror at the creature's hideousness.

En español neutro, narrado por un humano-En este ensayo, Wollstonecraft defiende la igualdad de derechos entre hombres y mujeres, especialmente en lo referente a la educación. Argumenta que las mujeres no son naturalmente inferiores, sino que su aparente debilidad proviene de la falta de oportunidades para desarrollarse intelectual y moralmente. La autora reclama una educación racional para las mujeres, que les permita ser independientes, ejercer su razón y participar plenamente en la sociedad.

Mary Wollstonecraft is widely hailed as the mother of modern feminism. The book that made her famous, A Vindication of the Rights of Woman, is a work of worldwide renown. Yet the range of her achievements as a thinker and writer reach far beyond this text. She was a multi-faceted author, and although the condition of women was a constant preoccupation throughout her life, she wrote on a wide variety of topics and in a range of literary forms, some of which she created herself.

Mary Wollstonecraft is the author of A Vindication of the Rights of Woman (1792), one of the earliest works of feminist philosophy. She has been called Britain’s first feminist. Her daughter Mary Shelley is the author of the novel Frankenstein (1818). This biography was written by Elizabeth Robin Pennell. It was her first book, written before she was thirty. She was married that year to illustrator and artist Joseph Pennell.

In Frankenstein, Mary Wollstonecraft Shelley tells the chilling story of Victor Frankenstein, a scientist driven by an unrelenting thirst for knowledge and power. In his quest to unlock the secrets of life, Frankenstein creates a creature from the remains of the dead, only to find himself horrified by the monster he has unleashed. The tale of the creature’s struggle for acceptance, and Frankenstein’s descent into despair, raises timeless questions about the dangers of ambition, the power of creation, and the moral responsibilities of humanity.

"Frankenstein o El moderno Prometeo, o simplemente Frankenstein, es una obra literaria de la escritora inglesa Mary Shelley. Publicado el 1 de enero de 1818 y enmarcado en la tradición de la novela gótica, el texto aborda temas como la moral científica, la creación y destrucción de vida, y el atrevimiento de la humanidad en su relación con Dios. De ahí el subtítulo de la obra: el protagonista intenta rivalizar en poder con Dios, como una suerte de Prometeo moderno que arrebata el fuego sagrado de la vida a la divinidad.

The Last Man is Mary Shelley's apocalyptic fantasy of the end of human civilisation. Set in the late 21st century, the novel unfolds a sombre and pessimistic vision of mankind confronting inevitable destruction. Interwoven with her futuristic theme, Mary Shelley incorporates idealised portraits of Shelley and Byron, yet rejects Romanticism and its faith in art and nature.